Résultats Éditeur "Tantor Audio" dans Essais

To celebrate the 20th anniversary of the show's debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors' archival writing on the series, The Sopranos Sessions explores the show's artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to cinematic and television classics.

In Dumb Luck and the Kindness of Strangers, Gierach looks back to the long-ago day when he bought his first resident fishing license in Colorado, where the fishing season never ends, and just knew he was in the right place. And he succinctly sums up part of the appeal of his sport when he writes that it is "[A]n acquired taste that reintroduces the chaos of uncertainty back into our well-regulated lives".

In 1831, Alexis de Tocqueville, a young French aristocrat and civil servant, made a nine-month journey through the eastern United States. The result was Democracy in America, a monumental study of the strengths and weaknesses of the nation’s evolving politics. His insightful work has become one of the most influential political texts ever written on America.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in 20th-century literature. In this charged collection of 15 essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

This collection of true narratives reflects the dynamism and diversity of nurses who provide the first vital line of patient care. Here, nurses remember their first "sticks", first births, and first deaths and reflect on what gets them though long, demanding shifts and keeps them in the profession.

One of the main topics of cultural conversation during the last decade was the supposed "fertility crisis" and whether modern women could figure out a way to have it all - a successful, demanding career and the required 2.3 children - before their biological clocks stopped ticking. Now, however, conversation has turned to whether it's necessary to have it all (see Anne-Marie Slaughter) or, perhaps more controversial, whether children are really a requirement for a fulfilling life.

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

Claudia Rankine's bold new audiobook recounts mounting racial aggressions in ongoing encounters in 21st-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV - everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive.

For author and Slow Stories podcast host Rachel Schwartzmann, slowing down has changed her story in ways she could have never imagined. In this poignant and timely collection, she invites us to step away from the turmoil of daily life and awaken to the pleasures of living and creating with intention.

In this exceptional book, inclusion leader Annahid Dashtgard shares her experiences looking for and teaching about belonging in our divided world. Through moving and deft interlocking stories, Dashtgard examines what it means to belong—to a country, in a marriage, and in our skin—and the price we pay when that belonging is absent.

In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale.

Echoing the lyricism of Leonard Cohen and the lighthearted poignance of Anne Lamott, Suspended by No String is a thought-provoking anthology of spiritual reflections that will inspire listeners to reclaim their childlike sense of wonder. Suspended by No String is a collection of essays, personal narrative, and poetical reflections for listeners of all spiritual stripes—those who are devout, those who aren't sure what to believe, and those who may not be religious in a traditional sense but who nevertheless want to build a relationship with a force infinitely beyond themselves.

When Roland Barthes's groundbreaking Mythologies first appeared in English in 1972, it was immediately recognized as one of the most significant works in French theory - yet nearly half of the essays from the original work were missing. This new edition of Mythologies is the first complete, authoritative English version of the French classic. It includes the brilliant "Astrology", never published in English before.

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

Flailing in jobs, failing at love, getting addicted and un-addicted to people, food, and drugs - I'll Tell You in Person is a disarmingly frank account of attempts at adulthood and all the less than perfect ways we get there. Chloe Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

When 53 percent of white women voted for Donald Trump and 94 percent of black women voted for Hillary Clinton, how can women unite in Trump's America? Nasty Women includes inspiring essays from a diverse group of talented women writers who seek to provide a broad look at how we got here and what we need to do to move forward. Nasty Women features essays by Rebecca Solnit, Cheryl Strayed, Sarah Hepola, Nicole Chung, Katha Pollitt, Jill Filipovic, Samantha Irby, Randa Jarrar, Sarah Hollenbeck, Meredith Talusan, and Sarah Jaffe, among others.

A classic of reportage, Oranges was first conceived as a magazine article, but John McPhee kept encountering so much irresistible information that he wrote a book. It is perhaps the last word on the subject (the first came in 500 BC and is attributed to Confucius). McPhee writes about the botany, history, and industry of oranges, from the great orangeries of European monarchs to a fascinating profile of Ben Hill Griffin of Frostproof, Florida, who may be the last of the individual orange barons.

A diverse group of celebrities, activists, and artists open up about what feminism means to them, with the goal of helping listeners come to their own personal understanding of the word.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.