Titres dans Littérature ancienne, classique et médiévale

The ancient Greeks left the world that came after them-particularly our own and our ways of seeing it-an incalculable legacy. Mention politics, philosophy, law, medicine, history, even the visual arts, and we barely scratch the surface of what we owe this extraordinary culture. How can we best learn about these people who have given us so much, who have deepened and enriched our understanding of ourselves, and whose world remains far closer than we might imagine? The 36 lectures of this sparkling series from a frequently honored teacher is an outstanding place to begin.

The skies over ancient Rome blaze with terrifying portents, and soothsayers warn Julius Caesar of approaching doom. As conspiracy swirls through the city, Shakespeare explores the deep repercussions of political murder on the human heart. A classic tale of duplicity, betrayal and murder, masterfully performed by an all-star, all-American cast in this BBC co-production.

Jimmy Porter barely ekes out a living running a candy stall by day and playing jazz trumpet by night. Although he usually takes his frustrations out on his emotionless wife, Jimmy's scathing tongue and self-loathing seem destined to destroy everything. Set in the UK at the dawn of the '60s social unrest, this savage morality tale spawned the phrase “angry young man".

Molière wrote some of the most durable and penetrating comedies of all time. The Imaginary Cuckold and The School for Husbands are two of his grand farces of marriage and misunderstanding, one set in Paris and the other in the provinces. In The School for Husbands, a tyrannical husband-to-be seeks to isolate his ward, while unwittingly carrying her messages of devotion to her lover. In The Imaginary Cuckold, an enraged husband imagines his wife is unfaithful, but is reluctant to defend his honor.

Avec le génial Louis de Funès dans le rôle de Géronte. Les fourberies de Scapin est une comédie de Molière en prose, créée en 1671 et fortement empreinte de comédie italienne. Du vivant de Molière, qui interprétait Scapin, elle ne connut qu'un faible succès ; à sa mort il devient immense, jusqu'à en faire une des pièces les plus jouées du répertoire français. En l'absence de leurs pères partis en voyage, Octave, fils d'Argante, s'est épris de Hyacinthe, jeune fille pauvre et de naissance inconnue qu'il vient d'épouser, ainsi que Léandre, fils de Géronte, de la "jeune Égyptienne" Zerbinette.

Pindar was one of the greatest lyric poets of ancient Greece. He is best known today for his odes to the victors of athletic contests, including those at famed Olympia. These odes, the only complete surviving pieces by Pindar, are marvels of sustained imagination, packed with dense parallels between the athletic victor, his illustrious aristocratic ancestors, and the myths of Olympian gods and heroes like Jason, Heracles, and Perseus.

Though best known now for his collection of lively and vivid Parallel Lives from ancient Greece and Rome, Plutarch (c46 CD-120 CE) was, for centuries, more respected for his Moralia, a remarkable and wide-ranging collection of essays and speeches. No fewer than 78 in total, they range over a broad list of topics in which Plutarch observes, dispenses wisdom, admonishes, entertains and informs: covering social issues and politics, manners and religion - in short, life in general.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

Lucretius was born in 99 BC, and On the Nature of Things is his only surviving work. His aim was to free the Roman world from its two great terrors - the gods and death. Lucretius argues that the gods are not actively involved in life, so need not be appeased; and that death is the end of everything human - body and soul - and therefore should not be feared. But On the Nature of Things is also a poem of striking imagery, intimate natural observation and touching pathos.

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play, Shakespeare effectively re-invented tragedy after an interval of roughly 2,000 years - you would have to go back to the Greek dramatists of fifth century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Im Mittelpunkt steht die berühmte Ringparabel, die für religiöse Toleranz und menschliche Vernunft plädiert. In einem spannenden Drama verhandelt Lessing Grundfragen des friedlichen Zusammenlebens. Ein Plädoyer für Aufklärung, Humanität und gegenseitiges Verständnis – eindrucksvoll gesprochen von Jürgen Fritsche.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

For years, the Greeks have lain siege to the walls of Troy, the final act in the greatest war the ancient world has ever seen. Rivers of blood have been shed in the fight, but it takes one man to end the conflict: the brilliant strategist Ulysses, who defeats the Trojans with a simple trick - a wooden horse with an army inside. Victorious, Ulysses and his men prepare to make the long trip home to Ithaca. It will be an odyssey to remember.

Under the order of King Pelias, Jason embarks on a perilous journey to steal the Golden Fleece from the Land of Colchis. Far from heroic, Jason is the typical everyman. Often compared with Homer's Iliad and Odyssey, Jason and the Argonauts is the only surviving poem from the Hellenistic period and was hugely influential on later literature, especially the Roman poetry of Virgil and Ovid.

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

All effective debaters, whether they know it or not, employ Aristotle's 3 basic principles of effective argument that form the spine of Rhetoric. In Poetics, Aristotle draws a dramatic distinction between poetry and history. This collection also includes Aristotle's body of work that has come to be identified as Logic.

Socrates, at 70+ years of age, defends himself against charges of corrupting the youth of Athens, atheism, and other false claims before accepting his fate and starting his final days on Earth.

An easy-going drama critic discovers that his kind and gentle aunts have a bizarre habit of poisoning gentlemen callers and burying them in the cellar.

When this groundbreaking serialized dramatization premiered on 320 U.S. radio stations, critics were unanimous in their praise. It won numerous honors including the George Foster Peabody Award and the Pulitzer Prize for broadcasting. Never before or since has such an ambitious undertaking been attempted in public radio, and it was accomplished, not by a major network, but by a small nonprofit independent producer in Chicago. That was in 1981. It has been sitting on the shelf ever since.

This is one of the great recordings of a great play. John Gielgud stars as Earnest and Edith Evans gives her indomitable performance as Lady Bracknell in this classic radio recording from 1951.