Résultats Éditeur "Penguin Audio" dans Théâtre

This electrifying new audiobook thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.

On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season” by The Wall Street Journal and “Sumptuous. Gorgeous. As good as it gets” by The New York Times, the show was a breakout hit, with its poignant social commentary and spellbinding music and lyrics. In this audiobook, Anaïs Mitchell takes listeners inside her more than decades-long process of building the musical from the ground up.

Polly Perks had to become a boy in a hurry. Cutting off her hair and wearing trousers was easy. Learning to fart and belch in public and walk like an ape took more time. And now she's enlisted in the army, and searching for her lost brother. But there's a war on. There's always a war on. And Polly and her fellow recruits are suddenly in the thick of it, without any training, and the enemy is hunting them.

George Eliot’s last, most controversial novel opens as the spoiled Gwendolen Harleth, poised at a roulette table about to throw away a small fortune, captivates Daniel Deronda. As their lives become intertwined, they are also transformed by suffering, misfortune, revelations and Daniel’s fascination with the Jewish singer Mirah. Daniel Deronda shocked Victorian readers with its portrayal of the Jewish experience in British society, and remains a moving and epic portrayal of human passions.

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.