Résultats Éditeur "Random House Audio" dans Littérature mondiale

Soila is a lucky girl by anyone’s estimation. Raised by her stern, conservative mother and a chorus of aunts, she has lived a protected life in Nairobi. Soila is headstrong and outspoken, and she chafes against her mother’s strict rules. After a harrowing assault by a trusted family friend, she flees to New York for college, vowing never to return home.

“America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

This completely original collection of poetry and prose captures the imagination and is a delight for both Lang Leav's avid fans and anyone encountering her writing for the first time. With every moment, Sea of Strangers invites you to go beyond love and loss to explore themes of self-discovery and empowerment as you navigate your way around the human heart.

Dirty Pretty Things is the international best seller by Michael Faudet. A finalist in the 2015 Goodreads Readers Choice Awards, his whimsical and often erotic writing has already captured the hearts and minds of literally thousands of people from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships, and sex. All beautifully captured in poetry, prose, quotes, and little short stories.

Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death - a calamity that claimed her favorite person - she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Through her inventive, highly personal reading of To the Lighthouse, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel.

The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child.

Exquisitely written; expertly crafted; dazzling in its precision, restraint, and depth of feeling, Groundskeeping is a novel of haunting power and grace from a prodigiously gifted young writer.

A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the "yahoo yahoo" diligently perpetrating email frauds from an Internet café, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an 11-year-old boy accused of stealing at a local market.

Estranged sisters Manda and Siripon have not seen each other in years when Manda travels to Los Angeles for the birth of Siripon’s son, Ben. The women have lived separate lives since they were teenagers in Phet Buri, Thailand, when their parents decided to send one of their children to America, the foreign land they call “the Outer Country.” As the eldest and the protector of her younger siblings, Manda assumed she would be the first to go. To her shock, their parents chose Siripon, the reliable, obedient second child instead. With one parental choice, the sisters became rivals.

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms.

A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.

The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty, and disease. It is also a turbulent year in the private life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart.

Larry is the secular son in a family of Orthodox Brooklyn Jews. When his father dies, it’s his responsibility to recite the Kaddish, the Jewish prayer for the dead, every day for 11 months. To the horror and dismay of his sister, Larry refuses - imperiling the fate of his father’s soul. To appease her, Larry hatches an ingenious if cynical plan, hiring a stranger through a website called kaddish.com to recite the prayer and shepherd his father’s soul safely to rest.

This marvelous collection opens with the practical wisdom and unforgettable wit of the poet’s grandmother, who said (among other things) “Turmeric can heal anything / but a broken heart” and “Read that to me at / my funeral, boy, right now my show is on.” From the foundation of the matriarchal, Majmudar turns to the impact of women as lovers and partners, exploring the contours of passionate, romantic, and married love; he and his wife are “two fireflies/ scooped out of the same evening” to meet in the jar where their constancy contains and sustains them.

Spring, 1974. After twelve years abroad, Natàlia Miralpeix returns to live near her family in Barcelona. Change is in the air: revolution—sexual, political and artistic—is simmering. Franco may still be in power, but his death is only two years away. The younger generation write poetry, listen to Jimi Hendrix and Janis Joplin, and talk of a freer future. But Natàlia's parents still carry the hidden wounds of the Civil War.

One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own.

In a cluttered rent-controlled apartment in the middle of Manhattan, Barbara Rosenberg—old world yenta, committed homophobe, accomplished jazzercizer—is terminally ill, high on opioids, and writing the story of her life. Forget about her late husband, her career as the receptionist for an Upper East Side plastic surgeon, and her failed aspirations to be an actress.

The deliciously book-length story of "The Vineyard" is set in and around the little house in Oyster Ponds where the poet spends the summer months. In freeflowing lines and pages that turn with the calendar, the poem unspools impressions that seem confided rather than written, as Galassi observes the "pretend peace'' of this quiet village house and garden, his oasis in the great swirl of dailiness.

Tayi Tibble returns on the heels of an incendiary debut with a unique new collection. With wit, humor, and a deep understanding of our social and political environment, Tibble interrogates the boundaries between desire and love, and colonization and exploitation. At once a look back at coming-of-age and a painful elegy to the traumas faced by her Māori community, Rangikura’s intimacy will move listeners to laughter and tears.

This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural world and the human constructions that threaten it.