Résultats Éditeur "Penguin Audio" dans Littérature mondiale

It is said there are 99 Arabic words for love. Bea, an American exchange student, has learned them all: in search of deep feeling, she travels to a Middle Eastern country known to hold "The Astonishing Text", an ancient, original manuscript of a famous Arabic love story that is said to move its best readers to tears. But once in this foreign country, Bea finds that instead of intensely reading Arabic she is entwined in her host family's complicated lives - as they lock the doors and whisper anxiously about impending revolution.

In the winter of 1996, more than 100 women and men of diverse nationality, background, and belief gather at the site of a former concentration camp for an unprecedented purpose: a weeklong retreat during which they will offer prayer and witness at the crematoria and meditate in all weathers on the selection platform, while eating and sleeping in the quarters of the Nazi officers who, half a century before, sent more than a million Jews to their deaths.

Aliki is one of the last of her kind, a lamenter who mourns and celebrates the passing of life. She is part of an evolving Greece, one moving steadily away from its rural traditions. To capture the fading folk art of lamenting, an American researcher asks Aliki to record her laments, but in response, Aliki sings her own story. It begins in a village in northeast Greece, where Aliki witnesses the occupying Nazi soldiers execute her father for stealing squash.

Deep in limestone country, at the corner of Wiltshire, Oxfordshire, and Gloucestershire, lies the village of Coleshill. This haunting new collection from Fiona Sampson is a portrait of place, both real and imaginary; a dreamscape with its roots deep in the local soil. The poems hum with an evocative music of their own: there are hymns of the orchards, verses for walkers, songs for bees. These are slices of life and states of mind; poems of grief, fears, and maledictions, but also of renewal, resurrections, and the promise of spring.

The title is Search Party, the idea being that we’re all out here looking for something, and my poems are my way of finding myself. A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm--George the Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection.

Twenty-five years after its original publication, Do I Have to Say Hello? Aunt Delia’s Manners Quiz for Kids and Their Grown-ups is back, and do we and our kids all need it. In a series of light-hearted multiple choice quizzes, alternate scenarios, and true-or-false questions, Delia Ephron and Edward Koren, the author and illustrator team who brought us the best-selling How to Eat Like a Child, depict a range of possibilities that reflect life as it is as well as life as it ought to be.

Sisters Rose and Gameela Gubran could not have been more different. Rose, an Egyptologist, married an American journalist and immigrated to New York City, where she works in the Metropolitan Museum of Art. Gameela, a devout Muslim since her teenage years, stayed in Cairo. During the aftermath of Egypt's revolution, Gameela is killed in a suicide bombing. When Rose returns to Egypt after the bombing, she sifts through the artifacts Gameela left behind, desperate to understand how her sister came to die, and who she truly was.

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry and above all with science fiction, they are eager to forge a life in the literary world - or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure as they work to construct a reality out of the fragments of their dreams.

Michael Robbins' first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.

The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

The first selection of poems by renowned Iranian poet Garous Abdolmalekian to appear in English, this collection is a captivating, disorienting descent into the trauma of loss and its aftermath. In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: Pain arrives before the wound, and the dead wait for sunrise.

It’s 2015 and Maxine Thomas, the founder and creative director of the cult makeup company Reveal, has just been suspended by her own Board for a scandalous transgression. Housebound in her New York City apartment, where she awaits the verdict on her future, Max recounts her version of the events that have brought her to this moment.

Phoebe Lin and Will Kendall meet in their first month at prestigious Edwards University. Phoebe is a glamorous girl who doesn't tell anyone she blames herself for her mother's recent death. Will is a misfit scholarship boy who transfers to Edwards from Bible college, waiting tables to get by. What he knows for sure is that he loves Phoebe. Grieving and guilt-ridden, Phoebe is drawn into a secretive cult founded by a charismatic former student with an enigmatic past.

Jay Bernard’s powerful debut is a queer exploration of the black British archive, tracing a line between two significant events in recent British history: the New Cross Massacre of 1981 in which 13 young black people were killed in a house fire - and the Grenfell Tower fire in 2017. The collection stems from research undertaken about the New Cross Fire during a 2016 residency at the George Padmore Institute.

MINX reveals the vibrant but precarious world of a multi-racial Romani family: a world of grandfathers brewing moonshine in marrows, basement reggae parties, and a mother struggling to support her two daughters on the proceeds of her shadowy profession. Their powerful bond helps the sisters survive when they’re taken into care, in a children’s home that forcibly separates them.

At thirty-two, Jillian Parrish finally finds the courage to put herself in the driver’s seat of her life. Pregnant and recently divorced, she and her seven-year-old daughter find refuge and solace on Pawleys Island, South Carolina—Jillian’s only source of happy childhood memories. Summers spent at her grandmother’s beach house had been Jillian’s sanctuary from indifferent parents—until her best friend Lauren Mills disappeared, never to be found.

Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants’ nationalist spirit helped them withstand racism and poverty.

Vincent Toro’s third collection of poetry is a work of Latinxfuturism that confronts the enigmatic and paradoxical relationship human beings have with technology. The poems are a tapestry of meditations on social media and surveillance culture, satires on science fiction and the space race, interrogations of artificial intelligence, cyborg economics, and biohacking, and tributes to women and queer and BIPOC people who have contributed and are contributing to human survival and progress in a technology obsessed world.

Rose McLarney’s fourth collection of poems, Colorfast, reckons with fading and bleeding away, the gray of aging and the gray areas to which truths are relegated. McLarney reconsiders girlhood stories, acknowledges omissions from Southern history, and studies the silences of women’s and other voices left out of accounts of the past. Yet she does not write of only what has been lost, defying elegy with tributes to her mother while she is alive to read them, and finding vibrancy that remains in sources such as weeds, gravel, insect shells, and the flawed human body.