Résultats Éditeur "Random House Audio" dans Littérature mondiale

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.

In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

Daejeon, South Korea. 1980. At twenty-four, Insuk falls in love with her college classmate, Sungho, and with her father’s blessing, they marry. But then, as the military dictatorship, martial law, and nationwide protests bring the country precariously to the edge, Insuk’s father disappears.

Observing the fragility of the body and soul in a world of threat, these startling poems stem from a central boyhood memory—the author’s near-drowning in a swimming pool on Crete. The observant child was troubled that none of the statues they saw had arms—and then it was his father’s arms lifting him from the water, saving his life.

In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.

Richly textured, compassionate, and at times hilarious, Cowboys and East Indians traces a journey from India to Wyoming and back again, introducing us along the way to characters who seem not quite to fit the circumstances in which they find themselves, but who nevertheless search for belonging—through unexpected common ground with their human neighbors or the abiding, if isolating, openness of the vast landscape of the West.

Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West.

Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeño). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.

On the morning after Harry Cline’s funeral, a rare ice storm hits the town of Wesleyan, Georgia. The community wakes up to find its controversial statue of Confederate general Henry Benning destroyed—and not by the weather. Half the town had wanted to remove the statue; the other half had wanted to preserve it. Now that the matter has been taken out of their hands, the town’s long-simmering tensions are laid bare. When the Moon Turns Blue is a timely novel about family, friendship, and what can happen when we discover that we don’t particularly like the people we love.

In one story we follow a group of starving, near-feral Eurasian refugees on a harrowing quest for survival; in the other we follow Pontus Beg, a policeman from a small border town on the steppe, as he investigates the death of a rabbi, one of the town's two remaining Jews. What follows is a gripping saga in which the two stories race toward each other, and Beg will be shaken to his core by what each one reveals about man's dark nature and the possibility - or impossibility - of his own redemption.

April is a young mother raising her daughter in an intergenerational house of unspoken secrets and loud arguments. Her only refuge is to hide away in a locked bathroom, her ears plugged into an ambient soundscape, and a mantra on her lips: dead inside. That is, until one day, as she finds herself spiraling toward the volcanic rage she calls the white hot, a voice inside her tells her to just . . . walk away. She wanders to a bus station and asks for a ticket to the furthest destination; she tells the clerk to make it one-way.

Billy Collins’s Dog Show celebrates the joy of our canine best friends, honoring the love we feel for the animals who play such vital roles in our lives. In twenty-five poems, Collins distills the many ways dogs warm our hearts, from the happiness we experience as we watch a dog run unencumbered by our burdens, to the silliness of cradling a dog in our arms as we step on the scale together. Turning his inimitable eye and ear to the complexities of dog behavior, Collins ponders all that these winning creatures give us and what we learn from them about ourselves.

Heliopause is a real place—the very outer edge of our solar system where the sun's solar winds are no longer strong enough to keep debris and intrusions from bombarding our system. It is the farthest edge of our protected boundary (it was recently crossed by Voyager), and the line beyond which space experts look for extraterrestrial presences. This is where Daniel Wilson's fascinating novel begins.

Choctaw Detective Perry Antelope has been with her partner, Sophia Burns, for only six months. Perry is a seasoned investigator while the ex-Olympian shot putter Sophia is a former street-smart police officer. Together, they are an intrepid pair with an established record of success. But when Perry and Sophia are called to investigate the disappearance of Dels Billy, a beloved women’s Indian Horse Relay rider, they quickly realize that it’s not as cut-and-dry as anything they’ve faced before.

As James Schiff writes in the introduction to this volume, of the writer who would eventually express himself in written form as fully as any American writer since Henry James, "Updike needed to write the way the rest of us need to breathe or eat." With his stunning rhetorical gifts—allowing him to thrive in both fiction and nonfiction, in criticism as well as poetry—he was also a consummate letter writer.

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

Sita has been sent to Valmiki's ashram at Rama's command never to return. This extraordinary novel is her story, she who as much as Rama, is at the heart of the Ramayana, one of the greatest living epics. It is also the story of Lakshmana, crushed by guilt on Sita's abduction of Soorpanakka shocked at Ravana's being struck by love, alien to the rakshasa's code and of Rama's turmoil when confronted by public gossip about Sita, his beloved wife. Through the remembrances of these and other characters, Sita comes alive as a figure of womanhood.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

Mario Adorf las "In der Strafkolonie" in der JVA Frankfurt. Mechthild Großmann liest "Die Verwandlung" in einem Fitness-Studio. Dirk Bach liest "Der Hungerkünstler" im Maggi Kochstudio. Weitere Projekte werden folgen. Initiiert von Hans Gerd Koch und Christian Watty, verantwortlich für die Kritische Kafka-Ausgabe, will "Kafka: erLesen!" dem Vorurteil entgegenarbeiten, Kafka sei deprimierend und tragisch, seine Texte behandelten nur die Schattenseiten des Lebens. Stattdessen sollen die Vielschichtigkeit der Texte gezeigt und die humorvollen Seiten herausgestellt werden.