Résultats Éditeur "Macmillan Audio" dans Littérature mondiale

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

They rarely speak to each other, but they take notice - watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives.

"I was a girl once, but not anymore." So begins Girl, Edna O’Brien’s harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.

It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny—Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable. Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago.

It begins quietly on a balmy Southern night as some locals gather at Bo Peep’s, one of the town’s favorite watering holes. Within an hour, however, a man will be murdered and his companion will be “disappeared.” An unlikely detective, Morgana Musgrove, doyenne of Savannah society, is called upon to unravel the mystery of these crimes. Morgana is an imperious, demanding, and conniving woman, whose four grown children are weary of her schemes. But one by one she inveigles them into helping with her investigation, and soon the family uncovers some terrifying truths.

Chicago, 2018: Ole Henryks, a popular restauranteur, is set to be honored by the Danish/American Association for his many civic and charitable contributions. Frequently appearing on local TV, he is well known for his actions in Nazi-occupied Denmark during World War II - most consider him a hero. Britta Stein, however, does not. The 90-year-old Chicago woman levels public accusations against Henryks by spray-painting “Coward”, “Traitor”, “Collaborator”, and “War Criminal” on the walls of his restaurant.

The New Year brings challenges and changes to the colorful Irish village of Ballybucklebo. The Christmas holidays have barely passed before a fire engulfs the humble thatched cottage housing of Donal Donnally and his family. Although the family escapes the blaze more or less unsinged, Donal, his wife, their three small children, and their beloved dog find themselves with nothing left but the clothes on their back.

Brooklyn, 1947: In the midst of a blizzard, in a two-family brownstone, two babies are born minutes apart to two women. They are sisters by marriage, with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear, and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.

Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

Even in the chill of February, no place touches Harper McClain's heart like Savannah. She should be walking beneath the historic city's towering oaks, surrounded by graceful mansions. Instead, she's hiding miles away on Tybee Island after a mysterious voice on the phone warned her that someone wanted her dead. The call was too specific to ignore. The caller knew everything about her. But that was months ago, and she's getting tired of being scared.

On a January morning in 1938, Samir Vij first locks eyes with Firdaus Khan through the rows of perfume bottles in his family’s ittar shop in Lahore. Over the years that follow, the perfumer’s apprentice and calligrapher’s apprentice fall in love with their ancient crafts and with each other, dreaming of the life they will one day share. But as the struggle for Indian independence gathers force, their beloved city is ravaged by Partition. Suddenly, they find themselves on opposite sides: Samir, a Hindu, becomes Indian and Firdaus, a Muslim, becomes Pakistani, their love now forbidden.

When his uncle dies, Liam Taggart reluctantly returns to his childhood home in Northern Ireland for the funeral—a home he left years ago after a bitter confrontation with his family, never to look back. But when he arrives, Liam learns that not only was his uncle shot to death, but that he’d anticipated his own murder: In an astonishing last will and testament, Uncle Fergus has left his entire estate to a secret trust, directing that no distributions be made to any person until the killer is found.

An old friend calls Catherine Lockhart and Liam Taggart to his famous Italian restaurant to enlist their help. His aunt is being evicted from her home in the Tuscan hills by a powerful corporation claiming they own the deeds, even though she can produce her own set of deeds to her land. Catherine and Liam’s only clue is a bound, handwritten manuscript, entirely in German, and hidden in its pages is a story long-forgotten....

Letters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French 18th-century art.

Two estranged sisters, raised in Brooklyn and each burdened with her own shocking secret, are reunited at the Springfield Armory in the early days of WWII. While one sister lives in relative ease on the bucolic armory campus as an officer’s wife, the other arrives as a war widow and takes a position in the armory factories as a “soldier of production”. Resentment festers between the two, and secrets are shattered when a mysterious figure from the past reemerges in their lives.

As Nazi soldiers round up the Jews in their town, Róza and her five-year-old daughter, Shira, flee, seeking shelter in a neighbor’s barn. Hidden in the hayloft day and night, Shira struggles to stay still and quiet, as music pulses through her and the farmyard outside beckons. In this make-believe world, Róza can shield Shira from the horrors that surround them. But the day comes when their haven is no longer safe, and Róza must make an impossible choice: whether to keep Shira by her side or give her the chance to survive apart.

An aging Buenos Aires judge retires to the family ranch in the Pampas to battle feral rabbits and reclaim the dignity of the gaucho life. A detective investigates a series of grisly murders—among his fellow sewer rats. An obscure Argentinian novelist journeys to Paris to face down the filmmaker who has been plagiarizing his work for years. Riffing on Borges and Kafka yet utterly and inimitably Bolaño, the stories of The Insufferable Gaucho are a testament to his mastery of the short form.