Résultats Éditeur "Tantor Media" dans Littérature mondiale

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Yellow dirt gathers in the creases of the toddler's dirty blue jeans and on the little hands used to brush away a pesky fly. The same yellow particles that cling to the walls of the Hogan, contaminates the drinking water and fills the air where his father works only to come home covered with yellow dust. Yellow dirt. That enriches the powerful, but at the expense of the unsuspecting Dine.

Thirty-three-year-old hijabi Sana Saeed has put away her childhood dream of ishq—an all-consuming, sweeping love. The arranged dates she's agreed to have failed time after time, and she has responsibilities to consider—namely her sweet, autistic younger brother, Zia. Sana and Zia are a package deal, and she wouldn't have it any other way. But their traditional mother won't allow Sana to be named as his future guardian . . . unless she's married.

It's a not-so-merry Christmas in Normal, Kentucky! When bossy Gingerbread Gala chairwoman Harper Stewart is found strangled with holiday garland, campground owner Mae West and the Laundry Club Ladies swap cocoa for clues. From feuding bakers to a fake fundraiser—and even Mae's mother-in-law landing on the suspect list—Happy Trails Campground becomes ground zero for one festive whodunit.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

Travis Shelton is seventeen the summer he wanders into the woods onto private property outside his North Carolina hometown, discovers a grove of marijuana large enough to make him some serious money, and steps into the jaws of a bear trap. After hours of passing in and out of consciousness, Travis is discovered by Carlton Toomey, the wise and vicious farmer who set the trap to protect his plants, and Travis's confrontation with the subtle evils within his rural world has begun.

For nearly thirty years, Nell has kept a childhood promise to never reveal what she and Evie found tucked inside a copy of Jane Eyre in their mother's bookcase—a record of Evie's birth naming a stranger as her mother. But lately, Nell has been haunted by hazy memories of their early life in Mississippi, years their reclusive mother, Hazel, has kept shrouded in secrecy.

An ancient, disabled girl holds the key to unlock two modern day murders on the Dine Bikeyah. Archeology and murder entwine in Chappell's latest Canyon Lands thriller.

"Her immediate concern was money." So begins the first story in Manuel Muñoz's dazzling new collection. In it, Delfina has moved from Texas to California's Central Valley with her husband and small son, and her isolation and desperation force her to take a risk that ends in profound betrayal.

Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century's great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious.

Nestled between the smoky, rolling peaks of Southern Appalachia lies the town of Brevard, North Carolina. When Chris Avery's family moves to Brevard in the early 1970s, Chris quickly becomes immersed in a world untouched by the mire of life outside the mountains.

Set in northern Minnesota, The Road Back to Sweetgrass follows Dale Ann, Theresa, and Margie, a trio of American Indian women, from the 1970s to the present, observing their coming of age and the intersection of their lives as they navigate love, economic hardship, loss, and changing family dynamics on the fictional Mozhay Point reservation. As young women, all three leave their homes. Margie and Theresa go to Duluth for college and work; there Theresa gets to know a handsome Indian boy, Michael Washington, who invites her home to the Sweetgrass land allotment to meet his father, Zho Wash.

With lively writing and illuminating examples, David Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

The ritual killing of a young Apache girl on a reservation in rural Arizona takes the listener through many complex layers of relationships between Apache and Anglo cultures. The myth and spiritual fabric of the Apache community pulls Zeb Hanks, a small town sheriff, through a personal journey, making the murder not just a crime to solve but a cathartic passage. The dead never leave us but they do whisper ghost stories that bring the past back to life. Jake Dablo is a drunken, washed up lawman because of his inability to solve the murder of his only granddaughter.

This dark story, set in medieval Austria, hinges on unearthly and hidden mental powers. It also gives an insight to the author's psyche during his final days.

The other stories in this edition include "The Man Who Corrupted Hadleyburg", "The Notorious Jumping Frog of Calaveras County", "The Story of the Bad Little Boy", "The Diary of Adam and Eve", "Edward Mills and George Benton", "The Joke That Made Ed's Fortune", and "A Fable".

Corrie and her Black Horse employees are celebrating their first "No Vacancy" day of the summer, when an anonymous note arrives and puts a damper on the festivities. It warns Corrie that if she doesn't close the campground on Saturday her life will be in danger. Though Sheriff Rick Sutton and former undercover narcotics detective J. D. Wilder begin an investigation, Corrie will do anything to protect her friends and livelihood. But when one of her guests is stabbed to death, his true identity makes her a suspect in his murder.

Just days after the close of World War II, Bess Myerson, the daughter of poor Russian Jewish immigrants living in the Bronx, is competing in the Miss America pageant. At stake: a $5,000 scholarship. The tension and excitement in Atlantic City's Warner Theatre are palpable, especially for traumatized Jews rooting for one of their own. So begins Bessie. Drawing on biographical and historical sources, Bessie reimagines the early life of Bess Myerson, who, in 1945 at age twenty-one, remarkably rises to become one of the most famous women in America.

Six years ago, one fight ended it all . . . And now Tracey Walker has bittersweet memories and a secret that she keeps close to her heart. A fresh start in a new town is just what she and her five-year-old son need to move on from the past. But when she discovers her old flame lives a few doors down from her, she's confronted with the urge to tell him everything.

Deadfall tracks Charlie Yazzie, Thomas Begay, and Harley Ponyboy into unfamiliar territory. When a family member unexpectedly dies, a debilitating sense of loss overcomes our friends on the reservation. The ties that have bound them begin to unravel. What witch's evil is at work? Is the bond forever broken? Or is there a connection to the ancient past that might bring this malevolent aura to an end?