Résultats Éditeur "Penguin Audio" dans Musique

For 30 years as a musician, Rosanne Cash has enjoyed both critical and commercial success, releasing a series of albums that are as notable for their lyrical intelligence as for their musical excellence. Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash; her relationship with her mother and her famous stepmother, June Carter Cash; and her own development as an artist.

In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music - its performance, its composition, how we listen to it, why we enjoy it - and the human brain. Levitin draws on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen.

As a founding member of The Beach Boys, Mike Love has spent an extraordinary 55 years, and counting, as the group's lead singer and one of its principal lyricists. The Beach Boys, from their California roots to their international fame, are a unique American story - one of overnight success and age-defying longevity; of musical genius and reckless self-destruction; of spirituality, betrayal, and forgiveness - and Love is the only band member to be part of it each and every step.

How Music Got Free is a riveting story of obsession, music, crime, and money, featuring visionaries and criminals, moguls and tech-savvy teenagers. It's about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention, and an illegal website four times the size of the iTunes music store.

From the guitarist of the pioneering band Sleater-Kinney, the book Kim Gordon says "everyone has been waiting for" and a New York Times Notable Book of 2015 - a candid, funny, and deeply personal look at making a life - and finding yourself - in music. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history.

Few bands have inspired as much devotion as the Chicago rock band Wilco, and it's thanks, in large part, to the band's singer, songwriter, and guiding light: Jeff Tweedy. But while his songs and music have been endlessly discussed and analyzed, Jeff has rarely talked so directly about himself, his life, and his artistic process.

Edward Kennedy "Duke" Ellington was the greatest jazz composer of the twentieth century - and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world's most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style.

In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.

From a Gold Star polycotton shirt to a pack of Wrigley's Extra, from his teenage attempts to write songs to the Sexy Laughs Fantastic Dirty Joke Book, this is the hard evidence of Jarvis's unique life, Pulp, 20th-century pop culture, the good times and the mistakes he'd rather forget. And this accumulated debris of a lifetime reveals his creative process—writing and musicianship, performance and ambition, style and stagecraft.

In this warm, intimate and humorous book, rich with nostalgia and unexpected intimate detail, Gary Barlow unpacks the people, music, places, things and cultural phenomena that have made him the man that he is. From the working men's club where it all began through to the sold out stadium tours, this is the story of Gary's life told through music.

On a sunny Saturday morning in May 1956, a fifteen-year-old, then called Harry Webb, was mooching down Waltham Cross High Street, with two mates. They heard some music blaring out of a parked car. It stopped them in their tracks. The song was 'Heartbreak Hotel' by Elvis Presley. It sounded like nothing they had ever heard before. In that instant, the schoolboy who was destined to take the hit parade by storm as Cliff Richard fell in love with rock and roll. It gave him the thrill, the purpose and the mission that has shaped his life ever since.

There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene. This was the New York of Palladium; of Mars, Limelight, and Twilo; of unchecked, drug-fueled hedonism in pumping clubs where dance music was still largely underground, popular chiefly among working-class African Americans and Latinos. And then there was Moby - not just a poor, skinny white kid from Connecticut but a devout Christian, a vegan, and a teetotaler.

Into Williams's childhood home-a one-story ranch house-his father crammed more books than the local library could hold. "Pappy" used some of these volumes to run an academic prep service; the rest he used in his unending pursuit of wisdom. His son's pursuits were quite different: "money, hoes, and clothes."

The latest cognitive research has revealed something extraordinary: learning music and listening to music can grow and repair our brains at any age. Here, Dr. Anita Collins explains how music has the potential to positively benefit almost all aspects of a child's development, whether it's through formal education or mindful appreciation; simply clapping in time can assist a young child who is struggling with reading.

Daniel Levitin follows up his acclaimed New York Times best-selling first book, This Is Your Brain on Music, with The World in Six Songs, an audacious look at how the brain evolved to play and listen to music in six fundamental forms and gave rise to human culture.

The Spice Girls gave a generation their first glimpse of the power of friendship, of staying true to yourself, of sheer bloody-mindedness. And the girl power generation went on to kick-start a new conversation around gender equality. We may have grown up asking What Would the Spice Girls Do?, but their particular brand of feminism is as relevant today as it was 20 years ago - we still need that fun and fearlessness, we still need accessible and all-embracing equality...we still need a zig-a-zig-ah.

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

In this New York Times best seller, international superstar Ricky Martin, who has sold more than 60 million albums worldwide, opens up for the first time about memories of his early childhood, experiences in the famed boy band Menudo, struggles with his identity during the Livin' la Vida Loca phenomenon, reflections on coming to terms with his sexuality, relationships that allowed him to embrace love, and life-changing decisions like devoting himself to helping children around the world, and becoming a father.

As a young schoolboy, David Essex dreamed of becoming a professional footballer and was signed up by his beloved West Ham United. But as a teenager, he developed a passion for music, which set him on a very different path, and ultimately led to superstardom. It wasn't, however, an easy start. Scraping a living on the edges of show business was a hard slog, and he endured many disappointments. Then, aged 23, he went along to an audition for a new musical called Godspell and won the role (Jesus) that shot him to fame.

When musician and New Yorker contributor Howard Fishman first heard Connie Converse’s voice on a bootleg recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative among those who had also discovered her music: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really?