Résultats Éditeur "Naxos AudioBooks" dans Musique

This 19th century French thriller tells of the mysterious Erik, grotesque and elusive "phantom," who hides himself from the world in the labyrinthine bowels of the Paris Opera and entices with his angelic voice the beautiful opera singer Christine. Her abduction prompts a dramatic search not only for her, but also for the truth about her strange captor.

Wolfgang Amadeus Mozart, the most astonishing child prodigy in the history of music, is felt by many people to be the greatest composer who ever lived. Dominated and shaped by a highly intelligent but frustrated and ambitious father, his story sees the development of a unique genius, from precocious and often endearing childhood to liberated fulfillment, unexpected poverty, and a tragically early death. Generously illustrated by Mozart’s music, from his fifth to his final year, this portrait-in-sound reveals a fascinating yet elusive character, drawing richly on the words of the composer himself and those who knew him.

In this audio-original production, author Richard Fawkes traces the development of the musical, highlighting composers and lyricists including Irving Berlin, George Gershwin, Rodgers and Hammerstein, Lerner and Loewe, Andrew Lloyd Webber and Stephen Sondheim. Presented by the vivacious singer Kim Criswell, star of Cats, and including nearly 100 famous musical extracts.

Cavalleria rusticana is the short opera that has all the elements of a grand opera compressed into a single highly dramatic time span. The story of love, lust, blood-feud, and betrayal played out against the pageantry of the Easter celebrations in a Sicilian village delivers an emotional wallop because of the youthful vigor and musical wealth of its great score which includes the glorious "Easter Hymn" and the deeply moving "Intermezzo". Mascagni was never to repeat his youthful success but this brief work is enough to ensure his immortality.

L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament.

Die Fledermaus is one of the few operatic works to which the phrase "never a dull moment" can be truthfully applied. From the explosive opening of the famous overture - reminiscent of a volley of champagne corks - through the surging energy of the "Fledermaus Waltz" and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the "Duidu" finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

Dating from the last decade of the 19th century, Pelléas et Mélisande points the way into the 20th century. The score is hauntingly beautiful, but there is more to the work than shifting panels of elusive, impressionistic sound. Debussy retains the text of Maeterlinck’s play, and the linguistic subtleties of the French text are matched perfectly by the musical detail. Taking a little time to explore the romantic, elusive world of this opera is particularly rewarding.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

La Bohème is one of the three operas - the others are Carmen and Aida - believed to be the most popular ever written. In the case of La Bohème the reason is that it virtually defines the term "romantic". The poignant story of Mimì and Rodolfo is told in music of such tender beauty, allied, as always, to Puccini’s intuition of what works in the theatre. The result is an opera that readily appeals to our emotions and senses.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

Rigoletto is simply wonderful entertainment with superb music. It is also much more - a daring (for its time) attack on aristocratic privilege, a tender love story, and an impassioned appeal on behalf of the disadvantaged, all set to music of such wealth and beauty that, with its sister operas La traviata and Il trovatore, it has defined Italian opera for 150 years. Overcoming initial trouble with the censors, Verdi's Rigoletto was a smash hit at its premiere and has not been out of the repertoire since. It’s not hard to see why.

Set against the music we know and love, Mozart, Beethoven, and many more come alive through their correspondence. Poignant, funny, revealing, informative and so often direct and honest, these letters offer a fascinating insight into the personalities that created our Western musical tradition.

Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work - indeed his first smash hit - and it established his international fame.

Is there any music more instantly recognizable and beautifully scored than Tchaikovsky’s wildly popular ballet Swan Lake? These and other works have become enduring classics, yet they were not uncontroversial in Tchaikovsky’s day, and there are those that still wonder if his style is fundamentally European or ardently Russian. Find out more about Tchaikovsky’s childhood obsession with music, his turbulent relationships with friends and colleagues, and how he overcame the deepest of personal crises to transcend all with an ambition that has left us with some of the greatest music ever written.

The Great Gate of Kiev resounds to the tumultuous bell rings that end Pictures an an Exhibition, one of the most magnificent and virtuosic of all piano pieces. However, to some of his contemporaries, Modest Mussorgsky was ‘insane’ and ‘a perfect idiot’. Born into a wealthy land-owning family, what drove this tormented man and why did he suffer psychological breakdowns and alcoholism? How did he achieve his command of the realist idiom in his stage works? d, of course, Pictures at an Exhibition.

Felix Mendelssohn was a child prodigy to rival Mozart and achieved great fame during his lifetime, fêted across Europe, and composing in the widest possible range of musical genres. However, his music has also been denigrated for its elegance, charm and symmetry. This insightful biography explores the breadth of his achievements, the complexities of his privileged upbringing, and the reasons for the fluctuating nature of his reputation. Musical excerpts include the Violin Concerto, String Octet and Elijah, as well as his choral works, symphonies, sonatas and songs.

The music of Bohemian composer Antonín Dvořák is suffused with natural nobility, fluency and freshness, and embodies the spirit of his native land. This revealing biography portrays Dvořák as a complex and wide-ranging composer, and explores the creation and performance of his music as well as its reception on both sides of the Atlantic, tracing his art in all its richness and variety.