Titres dans Études des médias

An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.

Why are so many of us wrong about so much? From COVID-19 to climate change to the results of elections, millions of Americans believe things that are simply not true—and act based on these misperceptions. In Wrong: How Media, Politics, and Identity Drive Our Appetite for Misinformation, expert in media and politics Dannagal Goldthwaite Young offers a comprehensive model that illustrates how political leaders and media organizations capitalize on our social and cultural identities to separate, enrage, and—ultimately—mobilize us.

The science is overwhelming; the facts are in. The planet is heating up at an alarming rate and the results are everywhere to be seen. Yet, as time runs out, climate progress is blocked by the men who are profiting from the burning of the planet: energy moguls like the Koch brothers and Exxon Mobil CEO Rex Tillerson. Powerful politicians like Senators Mitch McConnell and Jim Inhofe, who receive massive contributions from the oil and coal industries. Most of these men are too intelligent to truly believe that climate change is not a growing crisis.

In today’s chaotic world, where the multiplication of information sources creates competing narratives, credibility is the key to winning the war of ideas. This is the reason why governments and corporations resort to astroturfing - creation of ostensibly grassroots movements set up to advance political agendas and commercial campaigns. The democratization of information and polarization of politics offer a perfect storm.

Mysterious and almost invisible, these secret societies changed the course of history! Secret societies have always fascinated us; we want to know why they exist, what they do, and who their members and leaders are . Find out why the secret societies described in this book are worth knowing about.

In this second Flat Earth Clues book, Mark delves deeper into the conspiracy and looks at some of the key players (love 'em or hate 'em) that are involved in and associated with the struggle. This audiobook is read by the author and covers a range of issues from how we got here (in the Flat Earth struggle) and friends of the family to enemies of the state. It's an easy, informative listen which will (no doubt) leave you wanting to know more. Remember - do your own research, and sharing is caring!

Everyone deplores narcissism, especially in others. The vain are by turns annoying or absurd, offending us whether they are blissfully oblivious or proudly aware of their behavior. But are narcissism and vanity really as bad as they seem? Can we avoid them even if we try? In Mirror, Mirror, Simon Blackburn, the author of such best-selling philosophy books as Think, Being Good, and Lust, says that narcissism, vanity, pride, and self-esteem are more complex than they first appear and have innumerable good and bad forms.

Drawing on private correspondence, notes from secret meetings, unpublished articles, and interviews, veteran journalists Gene Roberts and Hank Klibanoff go behind the headlines and datelines to show how a dedicated cadre of newsmen - first black reporters, then liberal Southern editors, then reporters and photographers from the national press and the broadcast media - revealed to a nation its most shameful shortcomings and propelled its citizens to act.

In the early hours of July 10, 2016, gunshots rang out and a young man lay fatally wounded on a quiet Washington, DC, street. But who killed Seth Rich? When he was buried in his hometown, his rabbi declared: “There are no answers for a young man gunned down in the prime of his life.” The rabbi was wrong. There were in fact many answers, way too many. In the absence of an arrest, a howling mob filled the void. Wild speculation and fantastical theories surfaced on social media and gained traction thanks to a high-level cast of provocateurs.

In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life.

In QAnon and On, Guardian columnist Van Badham delves headfirst into the QAnon conspiracy theory, unpicking the why, how and who behind this century’s most dangerous and far-fetched internet cult. From Gamergate to Pizzagate and beyond to QAnon, internet manipulation and disinformation campaigns have grown to a geopolitical scale and spilled into real life with devastating consequences, entangling everyone from politicians to Hollywood celebrities.

A field guide to the visionaries and the fans who are reinventing the art of storytelling. Not long ago we were spectators, passive consumers of mass media. Now, on YouTube and blogs and Facebook and Twitter, we are media. And while we watch more television than ever before, how we watch it is changing in ways we have barely slowed down to register. No longer content in our traditional role as couch potatoes, we approach media as experiences to immerse ourselves in at will.

When award-winning journalist Nick Davies decided to break Fleet Street's unwritten rule by investigating his own colleagues, he found that the business of reporting the truth had been slowly subverted by the mass production of ignorance.

There is more to the Bible than we ever imagined. It conceals profound mysteries and hidden secrets previously reserved for the initiated. For millennia, the world has revered the words of this ancient book and countless legions have died defending it. Even today, in the 21st century, heated debates are fought every day over the truth which lies within. But there is much more to this archaic document than meets the eye.

In recent decades, we have witnessed an explosion in the number of visual images we encounter, as our lives have become increasingly saturated with screens. From Google Images to Instagram, video games to installation art, this transformation is confusing, liberating and worrying all at once, since observing the new visuality of culture is not the same as understanding it.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

Secret societies exist for one purpose – creating power, maintaining power and growing power. In order to do so they have to control you and me. They have to manipulate markets, media, government and religion. This is how they do it.

Conspiracy theories, and particularly the belief that elements of the world are secretly controlled by individuals or groups, have been around for as long as people have lived in groups. Perhaps that’s inevitable—after all, those who are excluded from power are very likely to be inclined to see their position not as an outcome of their own choices or situation but because of the secret machinations of shadowy groups. One of the most widely discussed conspiracy theories concerns what has become known as the New World Order.

The Oscar-nominated actor Elliott Gould narrates this true story of recent developments and brand-new declassified evidence, now clearly showing that there’s much, much more than meets the public eye about the secret life, and purported death, of Yuri Gagarin.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.