Résultats Éditeur "HarperAudio" dans Études des médias

Misinformation affects all of us on a daily basis—from social media to larger political challenges, from casual conversations in supermarkets, to even our closest relationships. While we recognize the dangers that misinformation poses, the problem is complex—far beyond what policing social media alone can achieve—and too often our limited solutions are shaped by partisan politics and individual interpretations of truth. In Misbelief, preeminent social scientist Dan Ariely argues that to understand the irrational appeal of misinformation, we must first understand the behavior of “misbelief”.

The definitive book on QAnon from the reporter knows them best; Will Sommer explains what it is, how it has gained a mainstream following among Republican lawmakers and ordinary citizens, the threat it poses to democracy, and how we can reach those who have embraced the conspiracy and are disseminating its lies.

The New World Order. Hitler referred to it in his diaries. President George H. W. Bush foretold of it in his speeches. Formed by a secretive global elite, the group seeking this new order has taken hold of the nation and perhaps the world. Its influence pervades every reach of American society, from the products we buy at the grocery store to the topics of evening news programs.

We have reached a state of utter absurdity, where journalism schools teach students that their own personal truth or chosen narratives matter more than reality. In Slanted, Attkisson digs into the language of propagandists, the persistence of false media narratives, the driving forces behind today's dangerous blend of facts and opinion, the abandonment of journalism ethics, and the new, Orwellian definition of what it means to report the news.

David Enrich, the New York Times Business Investigations Editor and the #1 bestselling author of Dark Towers, produces his most consequential and far-reaching investigation yet: an in-depth exposé of the broad campaign—orchestrated by elite Americans—to silence dissent and protect the powerful.

Today there are three million homeless people in the US and almost 20 million vacant homes. The most technologically advanced nation in the world has a life expectancy lower than that of Chile and Bahrain. And citizens of the wealthiest country on the planet continue to ingest toxic chemicals through their food, their vaccines, and even their water. America, Jim Marrs argues, has been seized by a culture of death. And who promulgates this culture? The globalist masters of the G.O.D. syndicate - guns, oil, and drugs.

Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do, besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth into maturity, moving on to the basic cablers like FX and AMC, and ending up with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.

Best-selling author and legendary conspiracy researcher Jim Marrs, who has investigated the recent financial crisis, the JFK assassination, and the national socialist takeover of America, now takes on his biggest subject: the history of mankind. Offering mind-blowing information that will radically alter the way we think about the world and our place in it, Marrs goes beyond the revelations of his classic Alien Agenda, interweaving science and authentic archaeological finds with provocative speculation to show how human civilization may have originated with nonhumans who visited earth eons ago.

In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.

Since September 11, 2001, Seymour M. Hersh has riveted readers, and outraged the Bush Administration, with his stories in The New Yorker magazine, including his breakthrough pieces on the Abu Ghraib prison scandal. Now, in Chain of Command, he brings together this reporting, along with new revelations, to answer the critical question of the last three years: how did America get from that clear morning in September to a divisive and dirty war in Iraq?

The origins of COVID-19 are shrouded in mystery. Scientists and government officials insisted, for a year and a half, that the virus had a natural origin, ridiculing anyone who dared contradict this view. Tech giants swept the internet, censoring and silencing debate in the most extreme fashion. Yet it is undeniable that a secretive facility in Wuhan was immersed in genetically manipulating bat-coronaviruses in perilous experiments. And as soon as the news of an outbreak in Wuhan leaked, the Chinese military took control and gagged all laboratory insiders.

After spotting Netflix and the deep-pocketed Amazon Prime Video a decade’s head start, rivals from the tech and start-up realm (Apple, Quibi) and traditional media (Disney, WarnerMedia, NBCUniversal) all decided to move mountains to enter the streaming game. At a cost of billions, each went after their own piece of the market, launching five new services in a seven-month span. And just as the derby was heating up, the coronavirus pandemic arrived, a black-swan event bringing short-term benefits but also stiff challenges.

An in-depth celebration of the romantic comedy’s modern golden era and its role in our culture, tracking the genre from its heyday in the ’80s and the ’90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre.

From Derek Hunter - one of the most entertaining political writers today - comes an insightful, alarming look at how progressives have took over academia, pop culture, and journalism in order to declare everything liberal great, and everything great, liberal. Progressives love to attack conservatives as anti-science, wallowing in fake news, and culturally backwards. But who are the real denialists here? There are three institutions in American life run by gatekeepers that have stopped letting in anyone who questions their liberal script: academia, journalism, and pop culture.

Professor of Classics Peter Meineck traces Marvel’s lineage back to its earliest roots at the dawn of human culture. Using Marvel’s most beloved heroes (and antiheroes), such as Spider-Man and Deadpool, Meineck demonstrates how ancient themes continue to appear in our stories today and reintroduces characters like Achilles and Odysseus from Homer’s Iliad and Odyssey.

Best-selling author John Gibson shows that George W. Bush was the victim of a concentrated effort by Democrats and their allies in the press to discredit and distort virtually everything he did. That effort was amazingly successful. Was George W. Bush really the worst president in American history? Was the Iraq War really the biggest foreign policy blunder of all recorded time? Did Bush really steal the 2000 election, make war on civil rights, torture innocent goatherds, and prove America's racism during Hurricane Katrina?

Bernard Goldberg takes dead aim at the America Bashers (the cultural elites who look down their snobby noses at "ordinary" Americans and detest so much of what this country is about); the Hollywood Blowhards (incredibly ditzy celebrities who think they're smart just because they're famous); the TV Schlockmeisters (including the one whose show has been compared to a churning mass of maggots devouring rotten meat); the Intellectual Thugs, and many more.

In Surrounded by Idiots, Mike Gallagher, one of the top radio talk show hosts in America, takes us to the front lines of the unprecedented cultural and political war confronting all decent Americans.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon.