Titres dans Artistes, architectes et photographes

At age 13, most boys are finding trouble in all its infinite forms. In 1939, 13-year-old Jon Lippens’ worst troubles found him in a predawn Nazi invasion that left his hometown of Ghent, Belgium, enveloped in mass death and destruction. His childhood ended that day. Jon’s life thereafter was a series of traumatic events and close scrapes with death. He resisted Hitler Youth recruiters and avoided being sent to death in a labor camp, disappearing into the Belgian Underground Resistance, where he ultimately joined the Allied effort.

Anni cinquanta. In mezzo a una strada di Parigi sono raccolte alcune persone, ferme, come in attesa di qualcosa o qualcuno. Uno di loro ha i capelli ispidi e brizzolati, un altro è quasi calvo, parlotta con un uomo baffuto, le mani incrociate sul petto; un altro ancora sputa in aria il fumo di una sigaretta, assorto in chissà quale pensiero. Qualcuno è lì di fronte con una Leica in mano, preme il pulsante, clic.

"No me ha bajado la regla. Hace dos semanas salí a tomar algo, me lie con las copas y terminé escribiendo a mi ex italiano... ¿Cómo iba yo a saber que unos chupitos de Jäger me pondrían la vida patas arriba?" Así comienza la historia de Valeria. Mientras todo el mundo se volvía loco por encontrar un test covid, ella corría a la farmacia a pedir uno de embarazo. Y luego otro. Para matar el mono, pero también porque no podía creerse que fuera positivo. ¿Puede una llegar a ser buena madre cuando aún no sabe cuidar ni de sí misma?

"Questa è una storia parziale e non ha la pretesa di ricostruire alla perfezione gli accadimenti storici. È una storia d'amore personale, a tratti assai stramba e picaresca, che però somiglia a quella di tanti altri. Una storia, quella del comunismo italiano, tanto forte da far tremare i polsi." Sergio Staino è uno dei più importanti vignettisti italiani.

I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.

Renowned for her exquisite landscapes and fine portraits, painting has been Judy Ann MacMillan’s life from a very young age. Once again, she has turned that acute and truthful eye upon herself with a sensational new self-portrait. But this time, she is using a pen rather than a paintbrush. With startling honesty, Born Ya lays bare the unique sacrifices required of a female artist living and working in an island that can often confound even the strongest spirit. Despite all the trials and tribulations, MacMillan has remained true to her twin passions of painting and homeland.

Author, artist, and retired Deputy Head Jo Johnson was born and brought up in Greenock in the West of Scotland. Educated at Greenock Academy until the age of 14, he experienced a profound culture shock when the family relocated to Kilwinning in Ayrshire where he found himself in a much rougher school environment. Born into a devoutly Christian family, Jo had to balance the competing demands of "church and state" at an early age. His story is peppered with entertaining, poignant, and occasionally unpleasant memories of growing up in 1960s Greenock and 1970s Ayrshire.

Esta autobiografía, La Bazuca de Madera, es una historia de múltiples dramas demasiado vívida, improbable e intensamente personal para haber sido conjurada por un novelista. Desde el orfanato hasta el frente de batalla, desde el campo de prisioneros hasta la sala de juntas y más allá, Karl Heinz Johannsmeier teje una narrativa vertiginosa de una duración y una trayectoria increíbles, un testimonio del poder del optimismo y la tenacidad para burlar a la muerte, superar la derrota e ingeniar el triunfo.

Cette autobiographie, Bazooka en Bois, est une histoire de drames multiples trop vivants, improbables et intensément personnels pour avoir été évoqués par un romancier. De l'orphelinat au front de bataille en passant par le camp de prisonniers, la salle de conférence et au-delà, Karl Heinz Johannsmeier raconte un récit au rythme effréné d'une envergure et d'une trajectoire incroyables, un témoignage du pouvoir de l'optimisme et de la ténacité pour déjouer la mort, surmonter la défaite et triompher.

10歳で建築家を志し、国内外で多数のプロジェクトをてがける今もっとも注目の建築家が建築知識満載で綴る10代へのメッセージ。建築家とは、そしてこれからの建築とは――。

From the Pulitzer Prize-winning historian Richard Rhodes comes the first major biography of John James Audubon in forty years and the first to illuminate fully the private and family life of the master illustrator of the natural world.

This autobiography, The Wooden Bazooka, is a story of manifold drama too vivid, improbable, and intensely personal to have been conjured up by a novelist. From orphanage to battlefront to prison camp to board room and beyond, Karl Heinz Johannsmeier spins a fast-paced narrative of incredible span and trajectory, a testimony to the power of optimism and tenacity to outwit death, overcome defeat, and engineer triumph. Few individuals have proven so dramatically that the American Dream of success is indeed alive and well.

Diese Autobiographie ist eine Geschichte vielfältiger Dramen, die zu lebendig, unwahrscheinlich und zutiefst persönlich sind, um von einem Romanautor heraufbeschworen zu werden. Vom Waisenhaus zur Front, zu politischem Knast, zu Hightech-Unternehmer und darüber hinaus—Karl Heinz Johannsmeier erzählt eine rasante Geschichte von unglaublicher Spannweite und Flugbahn, ein Zeugnis der Kraft des Optimismus und der Hartnäckigkeit, den Tod zu überlisten, Niederlagen zu überwinden und Triumphe zu konstruieren.

Donna Leon hat viel erlebt, in Amerika, dem Iran, Saudi-Arabien, Italien natürlich oder in der Schweiz. Kaum aber passiert ihr ein Abenteuer, wird auch schon eine spannende Geschichte daraus. Sie erzählt uns von ihrer Jugend auf der Farm und von Sperrstunden-Pyjamapartys im Iran, Geldnot und einem Fiat 600. Davon, wie sie als "Anstandsdame" nach Italien kam, von der Jagd nach dem perfekten Cappuccino und kleinen Wundern in den Bergen.

Knjiga "Nitke življenja Martinčkovih" opisuje njeno družino in pestro zgodovinsko dogajanje, od zadnjih let 19. do začetka druge polovice 20.stoletja. Najprej v Tržiču, nato pa med prvo svetovno vojno do daljne Rusije, med drugo Srbije in se končno vrne v Tržič. V njej sta življenski zgodbi matere in očeta, od katerih je zgodba slednjega tako rekoč rdeča nit knjige. Glavni vir informacij sta bila pokojna starša. Pripovedi je posnela na številne magnetofonske trakove in tako omogočila verodostojnost zapisovanja teh življenskih zgodb.

Massimo Troisi rivive in questo libro nel suo fascino esuberante, nella sua erotica bellezza partenopea capace di un'empatia spontanea con chiunque incontrasse. Attore-autore irriverente e scanzonato, la sua simpatia ha accompagnato la ricerca di una personale solitudine, rifugio dalla malattia e dai dolori famigliari che ne hanno segnato la sensibilità.

The 1935 murder of architect Francis Mawson Rattenbury, world famous for his design of the iconic Parliament Buildings and Empress Hotel in Victoria, British Columbia, and the arrest and lurid trial of his thirty years younger second wife, Alma, and the family chauffeur, George Percy Stoner, her lover, who was half her age, riveted people. Debate continues even today as to which one of them really was responsible.

Anne Neilson believes that each of us begins our life as a blank canvas: clean and fresh and ready to find texture in our experiences. Each trial, each joy, each heartache, and each hope leaves an explosion of color and sweeping brushstrokes that shape us. When we allow God to take over as the Master artist, we will find that He carefully adds dimension and highlights to create a beautiful masterpiece in us. Often, though, it's hard to find the beauty when we are wading through mess. Anne shares personal stories about why her faith is so important to her and resonates in all her work.

La red infinita retrata, en primera persona, a una mente artística única, atormentada por miedos y obsesiones, pero decidida a alcanzar y mantener su posición al frente de la vanguardia artística mundial. Pintora inconformista, Kusama canaliza sus neurosis obsesivas en un arte que trasciende las barreras culturales.Una vez llegada desde Japón a Nueva York, vive los primeros tiempos en la pobreza, pero pronto se convierte en la reina de la escena artística contracultural, y llega a codearse con artistas como Georgia O'Keeffe o Andy Warhol.

Il primo incontro con Fellini avviene sul set di 8½, dove la madre di Marina, Caterina Boratto, è stata presa per interpretare la Signora Misteriosa, ruolo che segna il suo ritorno alle scene dopo un lungo periodo di assenza. Subito tra la sedicenne Marina e il regista scatta un’affinità. Benché sia per natura diffidente con gli altri, e ancor più verso una personalità istrionica e sfuggente come quella di Fellini, Marina si lascia affascinare dal mondo del cinema e prende a frequentare il Teatro 5 di Cinecittà.