Titres dans Artistes, architectes et photographes

In the summer of 1925, Ernest Hemingway traveled to Pamplona for the infamous running of the bulls. He then channeled that trip’s drunken brawls, sexual rivalry, midnight betrayals, and midday hangovers into a novel that redefined modern literature. Lesley Blume tells the full story behind Hemingway’s legendary rise for the first time, revealing how he created his own image as the bull-fighting aficionado, hard-drinking literary genius, and expatriate bon vivant. In all its youth, lust, and rivalry, the Lost Generation is illuminated here as never before.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?

Tout le monde connaît la tour Eiffel, personne ne connaît Gustave Eiffel. Ingénieur et inventeur de génie, Gustave Eiffel a bâti des édifices sur toute la planète, de la statue de la Liberté au viaduc de Garabit, de la gare de Budapest au pont de Porto. Il a connu la gloire et la descente aux enfers, les têtes couronnées et la prison. La construction de la Tour, clou de l'Exposition universelle de 1889, a constitué une incroyable aventure humaine et Gustave a dû se battre pendant vingt ans pour que son œuvre ne soit pas démolie.

Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett, and a charismatic father, European actor Mathieu Carrière. From an early age, Alice is forced to navigate her mother’s recovered memories of ritualized sexual abuse, which she turns into art, and her father’s confusing attentions—her childhood is spent in an adult’s world, with little-to-no boundaries or supervision.

Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her decades of scholarship and advocacy, and as a touchstone and conscience for the design profession. In HERE: Where the Black Designers Are, Holmes-Miller documents the history of—and answers to—the question she has been asking for decades: “Where are the Black designers?” Holmes-Miller explores this essential question through the lens of her own development as a designer and leader, beginning with her own family and its rich multiethnic history.

Women artists face particular pressure to give up their artistic goals in favor of motherhood, supporting a partner, or finding economic stability. Throughout her 20s and 30s, Stephanie Elizondo Griest could not help worrying if constantly prioritizing her writing over everything else—from postponing children to living nomadically to save on rent—was leading her to fulfillment or regret. The year she turned 40, she turned to other women artists around the globe for answers.

Peter Cook has been a pivotal figure within the architecture world for over half a century. Suffused with Peter’s infectious energy, enthusiasm, and charm, this intriguing memoir explores major themes in architecture through the lens of his life and work. Taking the listener on a journey through his colorful and wide-ranging career, it touches on his early years and architectural education, his relationships with key figures within the architecture community, and his work teaching and lecturing internationally.

Shelley Klein grew up in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art. Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and '70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there. Thirty years on, Shelley moves back home to care for her father, now in his 80s.

In the tradition of Geoffrey Wolf’s The Duke of Deception and Jeanette Walls’ The Glass Castle, John-Ivan Palmer’s Master of Deception takes listeners on the road with his magician father and his mother, the lovely assistant, as they travel from Elks Lodges to County Fairs, performing alongside contortionists, ventriloquists, and every manner of screwball act that passed for variety entertainment before television drove us all indoors and away from one another.

Scritta tra il 1943 e il 1944, durante la sua militanza nel Comitato di Liberazione Nazionale, viene pubblicata nel 1945, a guerra ormai conclusa...

Joe Tucker's Uncle Eric was a beloved yet unconventional figure throughout Joe's life. A shambolically dressed man who lived with his mother for almost eighty years, he had an almost compulsive need to charm strangers with working men's club comedy routines, and appeared to exist only for daily trips to the bookie - and yet had also amassed over five hundred of his own remarkable paintings without anyone ever realising his achievements.

Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable – something that must be made up and convincing. Taking cues from confessional literature, his daughter’s improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility.

The remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. Opening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, The Phoenix charts the lives and works of five extraordinary men who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke; and the builder, Nicholas Barbon.

"Je sens en moi une trame douce, vibrante, un battement d'ailes tremblant au repos, retenant son souffle. Quand je serai vraiment capable de peindre, je peindrai ça." Lorsqu'elle écrivit ces mots, Paula Modersohn-Becker (1876-1907) n'était pas encore une artiste, mais une jeune femme aspirant à le devenir. Bien consciente des limites qui l'entravaient encore, mais résolue à ne pas céder sur son dessein (...). C'est cette obsession de la vérité qui a frappé Marie Darrieussecq la première fois qu'elle s'est trouvée face à un tableau de l'artiste allemande.

Long-time art critic Richard Dorment reveals the corruption and lies of the art world and its mystifying authentication process. Late one afternoon in the winter of 2003 art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and...

Antony Armstrong-Jones, photographer, designer and film-maker, gained worldwide attention when he married Queen Elizabeth II's younger sister, Princess Margaret in 1960—the first non-aristocrat to marry into the Royal Family for 400 years. How did a "commoner" come to marry a princess, a woman whom he had long admired from afar? In fact, "Tony" descended from Welsh gentry, the son of a barrister and a society hostess. His family shared a long-established link with the Mountbatten arm of the Royal Family.

With outrageous anecdotes about everyone from Leonardo Da Vinci to Caravaggio to Edward Hopper, Secret Lives of Great Artists recounts the seamy, steamy, and gritty history behind the great masters of international art. You'll learn that Michelangelo's body odor was so bad, his assistants couldn't stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O'Keeffe loved to paint in the nude. This is one art history lesson you'll never forget!

"Ce n'est pas en regardant la lumière qu'on devient lumineux, mais en plongeant dans son obscurité." Carl Gustav Jung. Confessions autobiographiques d'une jeune femme diagnostiquée schizophrène. Un témoignage important sur l'expérience de ce trouble psychique qu'est la schizophrénie. Née en mars 1993, Delphine, de son nom de plume Pythna, est une jeune femme dotée d'une sensibilité à fleur de peau. Elle utilise l'écriture et la peinture comme exutoires. Elle aime peindre des tableaux que nous pourrions dire spirituels et symboliques.

In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper’s two dozen wood engravings, carved into boxwood and transferred to metal plates to stamp on paper. One was a scene that Homer saw in his hometown of Boston, showing Frederick Douglass speaking about freedom and a crowd of abolitionists being thrown from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” He is at the heart of the image, face turned skyward and right arm reaching out like a Roman orator.