Titres dans Canadienne

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. The Parting of The Ways: Mrs. Longworth crossed the hotel piazza, descended the steps, and walked out of sight down the shore road with all the grace of motion that lent distinction to her slightest movement.

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. Missy's Room: Mrs. Falconer and Miss Bailey walked home together through the fine blue summer afternoon from the Ladies' Aid meeting at Mrs. Robinson's.

Lucy Maud Montgomery (November 30, 1874 - April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. A Substitute Journalist: Clifford Baxter came into the sitting-room where Patty was darning stockings and listening to a book at the same time. Patty could do things like that.

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following.

In Mi'kmaw, three similarly shaped words have drastically different meanings: kesalul means "I love you"; kesa'lul means "I hurt you"; and ke'sa'lul means "I put you into the fire." In spoken-word artist and critically acclaimed author (I'm Finding My Talk) Rebecca Thomas's first poetry collection, listeners will feel Thomas's deep love, pain, and frustration as she holds us all to task, along the way mourning the loss of her childhood magic, exploring the realities of growing up off reserve, and offering up a new Creation Story for Canada.

The poetry in Love Life Loss and a little bit of hope invites non-Indigenous people to see through the eyes of Indigenous people with topics of peace and humanity, as well as grief, trauma, and a little bit of hope. Chief Stacey Laforme breathes life into every poem and story he shares, drawing from his own experiences. Rich with the essence of his soul, the poems in this book capture the moments and emotions that have shaped his life. His desire is for listener to not just listen, but to truly feel the humour and pain intertwined in these poems.

Bla_K is a collection of previously out-of-print essays and new works by one of Canada's most important writers and thinkers. Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence.

Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant.

Margaret, Elsie, Phoenix, Cedar : quatre femmes, mères et filles, issues de la communauté amérindienne du North End, un quartier défavorisé de Winnipeg, Manitoba. Quatre membres d'une même famille, les Stranger, chacune hantée par ses propres démons. Quatre personnages qui cherchent désespérément la lumière. Dans cette fresque poignante, Katherena Vermette immerge le lecteur dans l'univers mouvant d'une lignée de femmes autochtones, dessinant la force de leurs liens, la souffrance héritée du passé et l'espoir de briser enfin la fatalité.

Alcools (1913) est un recueil de poèmes de Guillaume Apollinaire qui illustre la transition entre tradition et modernité. Riche et varié, le recueil mêle des formes classiques et des innovations audacieuses, telles que l'absence de ponctuation. Les thèmes abordés oscillent entre amour, mélancolie, souvenirs et quête d'un idéal.

A poetry audiobook with reflections on my life and powerful memories. Inspirational poems for all listeners.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

Kanada, 1934: Das Mädchen Pearly Everlasting, zu Deutsch Silberimmortelle, ist fünfzehn und in einem Holzfällercamp mitten im Wald aufgewachsen – zusammen mit dem Bären Bruno, der seit ihrer Geburt ein Teil der Familie ist. Doch dann beschuldigt man Bruno, einen Mann getötet zu haben. Der Bär wird weggebracht, niemand weiß, wohin. Verzweifelt und entschlossen macht Pearly sich zu Fuß auf den Weg durch die tief verschneite kanadische Landschaft, um Bruno zu suchen.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

In her fifth volume of poetry, Carla Coles once again brings us into her inimitable inner world. This time, along with her odes to the pleasures of coffee and cake and writing, she delves into the darker emotions of betrayal, endings, and coming through the fire with her sense of humour intact and her gift with words honed to a new level of insight.