Titres dans Psychologique

From Matt Shaw comes the story of a new breed of serial killer - a stranger who travels the country kidnapping his victims before torturing them and discarding them in a field, dressed up as scarecrows.

High school English teacher Elise loves teaching Shakespeare. She is also very pregnant. She’s trapped in a classroom with her Grade 12 students during a lockdown. Anthony, the cause of the lockdown, is roaming the halls with a knife in search of some solace, consumed by thoughts of his best friend Samantha, who is in peril. Maria, the school's counselor, is second-guessing her decision to turn him in.

How far would you go to protect your family? Single dad Ben is doing his best to raise his children, with the help of his devoted mother, Judi. And then Ben meets Amber. Everyone thinks this is a perfect match for Ben, but Judi isn't so sure.... There's just something about Amber that doesn't add up. Ben can't see why his mother dislikes his new girlfriend. And Amber doesn't want Judi anywhere near her new family. Amber just wants Ben and the children.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.

Four decades after it first shook the nation, then the world, William Peter Blatty's thrilling masterwork of faith and demonic possession returns in an even more powerful form. Raw and profane, shocking and blood-chilling, it remains a modern parable of good and evil and perhaps the most terrifying novel ever written.

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse, or limits, to live with intensity. Chyna is trapped in his deadly orbit.

Olive is a Los Angeles bartender who has been unlucky in love. She hopes that will change when one of the best-looking men she's ever seen walks into her bar. But he’s not what he seems. He and his childhood friend have set a depraved plan in motion. Becca is a grifter and a con-artist looking for her one big score. She’s found out that Olive’s boss has hundreds of thousands of dollars in cash at his house in the Pacific Palisades. Becca will do anything to make it hers.

In death, they are purified. Holding his victims under water, he washes away their sins as they struggle for their last breath. Then he stakes their bodies to the ground, exposing them for what they really are: witches. No one knows about defence attorney Charlotte Wellington's murdered sister, or about her childhood spent with the carnival that's just arrived in town. For Charlotte, what's past is past. But others don't agree. And as a madman's body count rises, she and Detective Daniel Rokov are drawn into a mission that's become terrifyingly personal.

"J'ai alors décidé d'écrire ce que j'avais tu si fort, dire enfin ce qui se cachait derrière l'exigence de séduire qui ne voulait pas me lâcher et qui m'a jetée dans l'excès de la prostitution, et si le besoin de plaire l'emporte toujours lorsque j'écris, c'est qu'il faut bien revêtir de mots ce qui se tient là derrière, et que quelques mots suffisent pour être lus par les autres, pour n'être pas les bons mots."

From the outside, Essie’s life looks idyllic: a loving husband, a beautiful house in a good neighborhood, and a nearby mother who dotes on her grandchildren. But few of Essie’s friends know her secret shame: that in a moment of maternal despair, she once walked away from her newborn, asleep in her carriage in a park. Disaster was avoided, and Essie got better, but she still fears what lurks inside her, even as her daughter gets older and she has a second baby.

Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.

Depuis plus de vingt ans, Abigaëlle vit recluse dans un couvent en Bourgogne. Sa vie d’avant ? Elle l’a en grande partie oubliée. Elle est même incapable de se rappeler l’événement qui a fait basculer sa destinée et l’a poussée à se retirer du monde. De loin, elle observe la vie parisienne de Gabriel, son grand frère, dont la brillante carrière d’artiste et l’imaginaire rempli de poésie sont encensés par la critique.

Natalie, a young art student in New York City, is struggling to pay her bills when a friend makes a suggestion: why not go online and find a sugar daddy - a wealthy, older man who will pay her for dates, and even give her a monthly allowance? Lots of girls do it, Nat learns. All that’s required is to look pretty and hang on his every word. Sexual favors are optional. Though more than 30 years her senior, Gabe, a handsome corporate finance attorney, seems like the perfect candidate, and within a month, they are m

Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

Still reeling from a brutal dismemberment, detective Kline is forcibly recruited to solve a murder inside a religious cult that takes literally the New Testament idea that you should cut off your hand if it offends you. Armed only with his gun, his wits, and a gift for self-preservation, Kline must navigate a gauntlet of lies, threats, and misinformation. All too soon he discovers that the stakes are higher than he thought and that his survival depends on an act of sheer will.

Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up. Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his life.

Fuyuko Irie is a freelance copyeditor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it.

Christine wakes up every morning in an unfamiliar bed with an unfamiliar man. She looks in the mirror and sees an unfamiliar, middle-aged face. And every morning, the man she has woken up with must explain that he is Ben, he is her husband, she is 47 years old, and a terrible accident two decades earlier decimated her ability to form new memories. Every day, Christine must begin again the reconstruction of her past. And the closer she gets to the truth, the more unbelievable it seems.