Résultats Éditeur "Tantor Media" dans Psychologique

When Hannah learns that famed chef Daniel Costello is facing accusations of sexual assault, she's thrown back to the summer she spent waitressing at his high-end Dublin restaurant when she was a young college student—the plush splendor of the dining rooms, the wild parties after service, the sizzling tension of the kitchens. But Hannah also remembers how the attention from Daniel soon morphed from kindness into something darker. Now the restaurant is shuttered and Daniel tries to understand how his life is now completely out of his control

It was the turning point before he became a bestselling author: Hans Fallada handed himself in to the police in September 1925, following repeated cases of embezzlement to finance his alcohol and morphine addiction. At the time, a court-appointed doctor was assigned to assess the extent to which Fallada could be made accountable. This expert opinion, thought to have been lost, was only recently rediscovered. It is an extraordinary find, because it includes unpublished and rewritten stories by Fallada that focus on hitherto taboo topics such as abortion.

Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home.

In death, they are purified. Holding his victims under water, he washes away their sins as they struggle for their last breath. Then he stakes their bodies to the ground, exposing them for what they really are: witches. No one knows about defence attorney Charlotte Wellington's murdered sister, or about her childhood spent with the carnival that's just arrived in town. For Charlotte, what's past is past. But others don't agree. And as a madman's body count rises, she and Detective Daniel Rokov are drawn into a mission that's become terrifyingly personal.

Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller's life, a diabolical nun, and the story of a girl with a missing left thumb.

In mysterious, winding sentences gorgeously translated by Jessica Moore, De Kerangal gives us the story of two unlikely souls entwined in a quest for freedom with a striking sense of tenderness, sharply contrasting the brutality of the surrounding world. Racing toward Vladivostok, we meet the young Aliocha, packed onto a Trans-Siberian train with other Russian conscripts. Soon after boarding, he decides to desert and over a midnight smoke in a dark corridor of the train, he encounters an older French woman, Helene, for whom he feels an uncanny trust.

Thirty years ago, seven-year-old Mitch Walker was left for dead in the woods while his five-year-old sister Sarah was abducted. Now, circumstances pull him back to the place where Sarah vanished. He finds evidence linking his sister to a number of girls whose disappearances remain a mystery and has to face the fact that she may have been a victim of a serial killer known as the Blackden Edge Murderer. Elly Cooper, ex-journalist and best-selling author, has been tasked by her agent to investigate the disappearances for a new book. She needs to find out if the rumoured Blackden Edge Murderer is more than just a local legend.

For more than 50 years, William Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career - long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts - Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

An unnamed narrator grows up overshadowed by her unconventional mother, an ex-Jehovah's Witness and former television star with an inferiority complex. Her father is the head of a psychiatric institution, whose only form of parenting is to offer his daughter the same life advice he dispenses to his patients. Reserved and somewhat aloof, he chooses not to intervene when his wife obsesses about charisma, calorie counting, and turning their daughter into a child prodigy.

When novelist Claire Lancel's relationship with Gilles Fabian began, it felt like a dream, an idyllic love story. Six months in, during a romantic dinner by the sea, he asked her to make him a promise, which she did: She would never write about him.

An old man sits in a room, with a single door and window, a bed, a desk, and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written, labels and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.

Celebrated throughout the world for her candor and sensitivity to the rhythms of language, Hanne Ørstavik is a leading light on the international stage. Ørstavik's prose adheres so closely to the inner workings of its narrator's mind as to nearly undo itself. In Martin Aitken's translation, Ørstavik's piercing story sings. Ti Amo brings a new, deeply personal approach, as the novel is based in Ørstavik's own experience of losing her husband to cancer. By facing loss directly, she includes listeners in an experience that many face in isolation.

Megan thinks that she has the perfect husband and the perfect life. Craig works so that she doesn't have to, leaving her free to relax all day in their beautiful and secluded country home. But when she starts to long for friends and purpose again, Megan applies for a job in London, much to her husband's disappointment. After Megan goes against his wishes and attends the interview, Craig decides that it is time to act. Locking her away in their home, Megan realizes that her husband never had her best interests at heart, nor did they meet by accident. Craig has been planning this.

Detailing a six-hour window on April 21, 1941, The Bus features eight different narrators: six mental patients, the doctor who will kill them, and the man who will burn their corpses. Crammed into a bus with 35 others and unable to see out the painted windows, the patients are transferred from the Scheuern institution to the Nazi euthanasia clinic in Hadamar, Germany.

Meg wants a normal life. Her new artistic style, born in the depression of her mother's death, is poised to take the art world by storm, if she could just overcome the debilitating anxiety caused by the car accident that scarred her boyfriend, Austin. Encouraged by her therapist, Meg pushes outside her comfort zone to befriend Haley, a guest instructor at the university. Haley is everything Meg wants to be: charismatic, confident, and perfect, but when Austin expresses his worry that Haley is changing Meg too fast, Meg kicks him out of her life. Or at least, she tries.

Emma's life isn't nearly as perfect as she thought. In fact, it's a house of cards, and it's getting ready to come tumbling down. A frightened woman in need of help shows up at her door. Emma leaves the room and, when she returns, the woman and her child are gone. There is no evidence that they were there, but Emma knows what she saw. Doesn't she? She might've been able to convince her friends and family, and even herself, of the truth if that had been the only incident. But it wasn't. It was only the first.

Sophie Saunders has the perfect life. Happily married to handsome Matt and expecting her first baby, she is the envy of her childhood friend, Lou. Lou's family has splintered. Her husband is dead and her son has left home. She would give anything to turn back the clock. But there's a secret buried deep in their past that the two friends can never forget. And when Sophie's world starts spiraling out of control, it's her new friend Roz to whom she turns. Trouble is, secrets have a habit of unraveling. And when they do, you can kiss your perfect life goodbye

Amelia was deeply in love with her husband, Sam. Until she discovered he was having an affair with her younger sister, Cara. Ever since, Amelia has had to sit by at family events while her sister and ex-husband flaunt their passionate relationship. Tired of being seen as a loser, Amelia hires stunningly handsome actor, Damon Chase, to stand in as her boyfriend. A plan that works better than she ever hoped as pathologically competitive Cara throws herself at Damon, causing an acrimonious breakup with Sam.

Logan MacKay's sexy Scottish accent can drop panties on both sides of the pond. But he's a shy tech-savvy introvert. Logan's confident and flirtatious hiding behind his phone, but gloomy and withdrawn in the flesh. And that compelling stranger he laughs with on the phone? Mary? It's me. But to Logan, I'm Faith. The vivacious cheerleader who sheds unwelcome light on his dark and debilitating anxiety when exposed to beautiful women. And I don't want a relationship with him. No. Damn. Way. I just want to help him get past his ridiculous and unfounded beliefs about the opposite sex.

People say I have everything. They're wrong. I may have looks, money, and privilege, but I don't have the one thing that really matters, the one thing I crave: a woman with eyes only for me. I'm searching for my woman - one who will fall to her knees because I'm her king. She'll wear the crown of my tarnished name, and long for me when I'm not near. And when I am close, she'll be naked across my lap, feeling the sting of my palm across her milky skin. You could say I'm a sinner because I'd do anything to have the perfect woman.