Titres dans Histoire et critique de l'art

In a secret meeting in 1981, a master thief named Louis Royce gave career gangster Ralph Rossetti the tip of a lifetime. As a kid, Royce had visited the Isabella Stewart Gardner Museum and made a habit of sneaking in at night to find a good place to sleep. He knew the Museum's security was lax, and he gave this information to a boss of the Boston criminal underworld. It took years before the Museum was hit. But when it finally happened, it quickly became one of the most infamous art heists in history.

La saga des Médicis, sous la plume du grand Dumas. Les Médicis sont une des familles les plus riches et les plus influentes de Florence. Des ressources financières considérables leur permirent d'investir dans l'architecture, la sculpture, la peinture mais aussi dans la collection de pierres précieuses et d'objets d'orfèvrerie. La maison de Médicis est apparue, au XIIe siècle, au sein de la République de Florence, et devient, au XVIe siècle, la famille régnant sur le grand-duché de Toscane.

Jan van Eyck's Ghent Altarpiece is on any art historian's list of the 10 most important paintings ever made. Often referred to by the subject of its central panel, the Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time.

The Gutmanns, as they were known, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives.

Treize scandales célèbres racontés dans cet ouvrage délicieux, tantôt comiques, souvent pathétiques, parfois tragiques. Ces affaires sont analysées pour lutter contre deux idées : non, il n’existe pas de “génie” du faux (sauf ceux qui n’ont pas été attrapés) ; oui, il y en a partout, et ils sont très difficilement détectables. 40 % des œuvres du Metropolitan Museum of Art de New York sont des faux – c’est du moins l’opinion de son ancien directeur, Thomas Hoving.

Michelangelo Buonarroti (1475-1564) was recognized in his lifetime as the greatest living artist, creator of a succession of masterpieces in sculpture, fresco painting, and architecture. In all his work, Michelangelo impressed his contemporaries as a forceful personality, a divine genius endowed with terribilita, or intense emotional power.

When Peter Bellerby set out to make a globe for his father's eightieth birthday, after failing to find a suitable one to purchase, he had no idea where the process would lead. He went on to establish Bellerby & Co, one of the only artisan globemakers in the world. The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.

Many people try to describe their experience when “in the zone” or “in the flow” during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process.

Celebrated painter Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for almost anything, and with a prodigious taste for drugs, girls, alcohol, movies, rock and roll, books, parties, and everything else the city had to offer. Taken directly from the notebooks Hannah kept throughout the decade, Twentieth-Century Boy is a fascinating, sometimes lurid, and incredibly entertaining report from a now almost mythical time and place.

Al final la lectura deviene la música de un río ancho y calmo que nos arrastra junto con los objetos que expresan la cultura del mundo hacia un océano apacible de remansadas sensaciones y conocimientos. Un acierto pleno y una obra que, estoy seguro, va a ocupar un lugar importante en la bibliografía del tema.

Here are the two most treasured documents of American freedom together on one audiobook. Drafted by Thomas Jefferson in 1776 as an act of rebellion, the Declaration of Independence powerfully expresses the political principles of an emerging nation. Ratified in 1788, the Constitution for the United States remains a shining example of patriotism and compromise.

Looking at Mindfulness collects classic and esoteric paintings, from Rembrandt to Hopper to Magritte, and offers a lucid commentary on the inner workings of each. André describes the dynamic on the canvas and turns to the viewer's own reactions, exploring the connection between what we see and what we feel. Moving beyond the art, André teaches us what it means to consider our surroundings, our daily interactions and obligations, and their effects on our inner well-being.

Postmodernism claims that "modernity", which grew from the Enlightenment to the Industrial Revolution and Marxism, has collapsed. We now live in an endlessly "contemporary" culture, a virtual world of "hyperreality" containing such strange phenomena as post-Holocaust amnesia, Disneyland, cyberspace, and Fukuyama's proclaimed "end of history".

Had Hitler succeeded in conquering Europe, he would have crowned himself Holy Roman Emperor. The Nazis had in their possession priceless artifacts that would give Hitler legitimacy in his subjects' eyes: the Crown Jewels of the Holy Roman Empire including the Spear of Destiny, alleged to have pierced Christ's side at the Crucifixion. Looted from the royal treasury in Vienna, Austria, the Crown Jewels were hidden in a secret bunker deep beneath Nrnberg castle, known to few.

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

For the past 140 years, Germany has been the central power in continental Europe. Thirty years ago, a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany, both geography and history have always been unstable.

Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.