Titres dans Histoire et critique de l'art

Qu'est-ce que l'art ? Comment s'est-il constitué et défini à travers l'histoire ? Quels rapports entretient-il avec la philosophie ?

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

Toby Lester, author of the award-winning The Fourth Part of the World, masterfully crafts yet another century-spanning saga of people and ideas in this epic story of Vitruvian Man, Leonardo da Vinci’s iconic drawing of a man inscribed in a circle and a square. Over time, the nearly 550-year-old ink-on-paper sketch has transformed into a collective symbol of the nature of genius, the beauty of the human form, and the universality of the human spirit.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

The first major biography of the pathbreaking, perpetually influential surrealist artist and iconoclast whose inspiration can be seen in everyone from Jasper Johns to Beyoncé—by the celebrated biographer of Cézanne and Braque In this thought-provoking life of René Magritte (1898‒1967)...

What separates a masterpiece from a piece of junk? Thanks to the BBC's Antiques Roadshow and its American spin-off, everyone is searching garage sales and hunting online for hidden gems, wondering whether their attics contain trash or treasures. In The Art Detective, Philip Mould, one of the world's foremost authorities on British portraiture and an irreverent and delightful expert for the Roadshow, serves up his secrets and his best stories.

Across time and across the world, an ancient serpent cult once dominated mankind. Then a great battle ensued and Christianity stamped its authority on the face of the planet. Now, after years of research, the real religious history of the world can be told. In Secrets of the Serpent, Philip Gardiner for the first time reveals the secret of the Holy Grail and Elixir of Life, and how the world's most mysterious places were once sacred to the serpent cult.

Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

What is art? A mere imitation of life or something far greater—an act of creation that reveals the soul of the universe? Ralph Waldo Emerson, the philosopher-poet of American transcendentalism, elevates art beyond the canvas, beyond words, beyond form itself. In this essay, he explores the divine spark within creativity, arguing that true art is not bound by technique or tradition but flows from the spirit of the artist, a force both mysterious and essential.

Un breve, delicioso e imprescindible tratado lleno de sugerentes ideas para comprender qué es el arte, qué utilidad puede tener para nosotros, cómo creamos, cómo el arte abre mundos y cómo puede transformarnos para imaginar un futuro diferente. Podríamos decir que el arte es uno de los principales atributos del ser humano, como el lenguaje. Es fácil entender por qué el lenguaje es universal, pero no parece ser tan sencillo imaginar que el arte también lo es. El arte es una forma de hacer que los sentimientos sucedan.

Con la obra que tiene entre sus manos conocerá la «Ocultura» que rodea a la historia del arte. A través de estas páginas, el autor presenta una serie de temas apasionantes, con interesantes datos, diversos misterios y teorías que giran en torno a ellos, así como algunas de sus posibles teorías. Todo ello con la finalidad de que el lector encuentre respuestas; pero, sobre todo, para que comience a formularse ciertas preguntas.

Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.

In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis - the Sacred Rock at the heart of the city-state - from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme.

Sheridan Morley writes: "When my father died at eighty-four on the morning of Derby Day 1992 (one of the few he ever missed), he and I had been together for just over fifty years. In the immediate aftermath of his sudden death, I knew two things; how much I would always miss the sheer joy of his company, and how much I wanted to write about him, if only to explain to myself and my children the life and career of the last great Boulevardier of his or any other time."

Wie funktioniert Kreativität? Wie hängen Psyche, unser Gehirn und das Talent zu Künstlerischem zusammen? Mit dem Besteck des Neurologen seziert Mario de la Piedra Walter die Kulturgeschichte und zeigt, was es braucht, damit ein Kunstwerk in die Welt kommt. Ob Dostojewski, Frida Kahlo oder Kandinsky – oft sind neurologische Besonderheiten oder Ausprägungen Voraussetzung für herausragende Kunst.

Uma reveladora jornada pela vida e a obra de 31 artistas geniais que compartilham uma qualidade essencial: o olhar. Frida Kahlo nos ajuda a ver através da dor. Rembrandt dá uma aula sobre autopercepção. David Hockney abre nossos olhos para a luminosidade da natureza. Jean-Michel Basquiat nos tira da inércia para que possamos ver a realidade em toda a sua complexidade selvagem.

In this influential sequence of linked interviews, Ranciere explores the interplay of art and politics. The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible.

Artists are expert lookers: they have learned to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvelous, life-affirming phenomena of our world. But that doesn't have to be the case. In his inimitable engaging style, Will Gompertz takes us into the minds of artists—from contemporary stars to old masters, the well-known to the lesser-so, and from around the world—to show us how to look and experience the world with their heightened awareness.

An informative, fun and rather charming essay on the nature and history of one of life’s most desirable assets, Charm, by renowned culture and design critic, Stephen Bayley. Aiming to wound, a schoolmaster wrote on future design-guru Stephen Bayley’s last ever school report “Charm alone...