Titres dans Histoire et critique de l'art

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Responding to many recent calls for redress and restitution, Richardson summarises the historical and current situation and attributes its problematics to the fact that theorists and historians have taken the concept art as a generic that includes both design and craft - which are actually and validly distinguishable from art by application of the concept function/al-or else ignored the two entirely.

Best-selling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things - and what small things tell us about our larger world.

The Lady in Gold, considered an unforgettable masterpiece, one of the 20th century's most recognizable paintings, made headlines all over the world when Ronald Lauder bought it for $135 million a century after Klimt, the most famous Austrian painter of his time, completed the society portrait. Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure.

What does it mean to call something "new"? Why is Western art and culture, even after postmodernism, still so obsessed with the concept? What are the consequences of relying on culture to bring about social change? In this provocative book, David Balzer argues that Western culture was never designed to produce truly new or original artifacts. Rather, we move from fixation to fixation, trend to trend—a cycle of creation and destruction with deep origins in Judeo-Christianity and the paganism that preceded it.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the...

Caitlin's Cruise: A Journey through the Films of Tom Cruise chronicles one woman's quest to watch and review every single movie featuring Tom Cruise, in chronological order. Find out how Caitlin ranks all 38 movies, from the big hits like Risky Business, Top Gun, Jerry Maguire, and Mission: Impossible to the possibly underseen works like Taps and All the Right Moves.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

Written between 2015-16, with color images of well-known old masters and contemporary art as well as some of the Bergers’ own drawings and watercolors, Over to You is an informal back and forth not unlike the ping-pong games father and son used to play in the barn of their house. It begins when John—who is in a Parisian suburb—sends Yves—who is in Haute Savoie—an envelope of reproductions of art that have moved him. And so they begin to reveal their thoughts looking at a Goya, Watteau, Twombly, Joan Mitchell, Durer, Caravaggio, Manet, and Euan Uglow, among many others.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, The New York Times, The Washington Post, House and Garden, and The New York Review of Books. In Sacred Monsters, White collects more than 20 of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, and many others.

It's easy to feel insecure around art and its appreciation, as though we cannot enjoy certain artworks if we don't have a lot of academic and historical knowledge. But if there's one message that I want you to take away it's that anybody can enjoy art and anybody can have a life in the arts - even me! For even I, an Essex transvestite potter, have been let in by the artworld mafia.

Toby Lester, author of the award-winning The Fourth Part of the World, masterfully crafts yet another century-spanning saga of people and ideas in this epic story of Vitruvian Man, Leonardo da Vinci’s iconic drawing of a man inscribed in a circle and a square. Over time, the nearly 550-year-old ink-on-paper sketch has transformed into a collective symbol of the nature of genius, the beauty of the human form, and the universality of the human spirit.

Stories of "The American West" often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history, and a look at how queer people continue to shape the West today–from gay rodeo to two-spirit identity to trans truckers.

This accessible book contains everything you need to know to start practicing alchemy–the art of transmuting base metal into gold (whether practically or spiritually).

The perception of the muse is that of a passive, powerless model, at the mercy of an influential and older artist. But is this trope a romanticised myth? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity and practical help to artists. Muse tells the true stories of the incredible muses who have inspired art history's masterpieces. From Leonardo da Vinci's studio to the covers of Vogue, Ruth Millington uncovers the remarkable role of muses in some of art history's most well-known and significant works.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.

When Dave Hickey was 12, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out - he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture.

What separates a masterpiece from a piece of junk? Thanks to the BBC's Antiques Roadshow and its American spin-off, everyone is searching garage sales and hunting online for hidden gems, wondering whether their attics contain trash or treasures. In The Art Detective, Philip Mould, one of the world's foremost authorities on British portraiture and an irreverent and delightful expert for the Roadshow, serves up his secrets and his best stories.

Surrealist painter Salvador Dalí eccentrically presents his ideas of painting, judging good or bad the prominent figures in the history of art, and expounding on 50 "secrets" that cover topics like the movements of types of brushes, blending, objects needed in a painter's space, the characteristics of colors, sleep, spiders, and sea urchins.