Titres dans Histoire et critique

In We Were Here: A History of Black People and Alternative Music, author, journalist, and musician Stephanie Phillips, the singer and guitarist of British post punk band Big Joanie, presents readers with a revised history of rock and roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who truly steered its course. From the genre's earliest moments, Black musicians have consistently pushed musical boundaries that forever impacted the music that followed.

Imagine a world without the music of Stevie Wonder. A world without hits like “I Was Made to Love Her” and “Shoo-Be-Doo-Be-Doo-Da-Day.” That's the world we would live in had it not been for Sylvia Moy, a woman whose legacy has been carefully tucked away within the annals of music history—until now. It’s No Wonder examines the groundbreaking career of the pioneer who battled sexism and broke down barriers to become Motown’s first certified female in-house songwriter and producer.

In Reinventing Bach, his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives. Reinventing Bach is a gorgeously written story of music, invention, and human passion—and a story that shows great things can happen when high art meets new technology.

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more.

No period in the history of rock music offered such an abrupt shift in prevailing tastes as the 1990s. While just a short while before, radio and MTV were clamoring for hair metal bands, suddenly alt-rockers such as Jane’s Addiction, Nine Inch Nails, Faith No More, Primus, Smashing Pumpkins, and of course, Nirvana, brought a sea change not just in what the most popular bands sounded like, but also in fashion, politics, and seemingly all aspects of pop culture.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. Told entirely in their voices, I Thought I Heard You Speak is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

Since exploding on the scene in the late 1970s, Journey has inspired generations of fans with hit after hit. But hidden under this rock 'n' roll glory is a complex story of ambition, larger-than-life personalities, and clashes. David Hamilton Golland unearths the band's true and complete biography, based on over a decade of interviews and thousands of sources.

Audio Snaps is a series of 100-minute audio books, each featuring a dozen or so stories from each of my five books. Black Vinyl White Powder is a bit different from the other books in that it was written as a continuous narrative moving through story after story.

Tom Jobim mudou a história da música brasileira com a bossa nova e suas canções, que influenciaram pelo menos duas gerações de compositores. E levou essa música para o mundo. Mas disso os leitores provavelmente já sabem. O que Ruy Castro mostra em O ouvidor do Brasil é um Tom por vezes inesperado e desconhecido, que emerge sob diferentes ângulos em cada crônica. Em conjunto, os textos formam uma espécie de perfil biográfico fragmentado de um dos maiores artistas que o Brasil já teve.

The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

養老孟司×久石譲　対談集！脳科学と音楽が織りなす驚きの世界へ、あなたを誘います！解剖学者・養老孟司と作曲家・久石譲が、脳と音楽の不思議な関係を紐解く画期的な一冊。なぜ人は音楽に感動するのか？

This Element contributes to the interdisciplinary study of mariachi, especially in the United States, by focusing on two areas that have yet to receive substantive academic attention: philanthropy and museum studies. In 2011, UNESCO included mariachi music on its list of expressions of intangible cultural heritage. While it is undoubtedly true that mariachi is in many ways intangible, this downplays expressions of its rich material culture and the work of scholars to research mariachi history beyond an emphasis on musical performance.

Taylor Swift has become a peerless superstar, ceaselessly productive and internationally beloved. From her teen country debut to her Eras tour and beyond, Swift’s career and her creations have captivated and bewitched us, opening up new ways to see both her life and our own. In Taylor’s Version, the poet and literary scholar Stephanie Burt offers an insightful and heartfelt critical appreciation of Taylor Swift, her body of work, and the community that her art has fostered.

Die 90er-Jahre waren geprägt von musikalischen Highlights wie Alternative Rock, Eurodance, Boybands und Grunge. In diesem Album präsentieren die Hosts Falk und Ryll 18 Lieblingssongs der 90er und die sehr persönlichen Geschichten ihrer Gäste. Anke Loscheider wählte "Creep" von Radiohead – erst gehasst, dann geliebt, für sie ein ewiger Musikschatz. Bestsellerautor Arno Strobel favorisiert die Live-Version von 1994 von "Hotel California". Journalist Stephan Kaußen beschreibt "Civil War" von Guns N' Roses als Soundtrack einer Umbruchszeit 1991.

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

Endlich – Dieses Hörbuch ist ein Muss für alle Liebhaber und Fans der größten Musikstars aller Zeiten. Zum aller ersten Mal werden Künstler- und Genre-übergreifend brisante unveröffentlichte Details über die größten Musik-Genies und deren Geheimnisse ihres Erfolges in einem Hörbuch präsentiert. Diese höchst intimen Geschichten nehmen den Leser mit auf eine Reise, die enthüllt, wie die erfolgreichsten Songs der Geschichte entstanden sind. Der Autor versteht es auf brillante Weise, den Hörer so einzubeziehen, dass er den Eindruck hat, selbst Teil des Geschehens zu sein.

Taking listeners inside the songwriting mecca of Nashville’s Music Row for the real stories behind country’s most influential songs—and featuring exclusive interviews with songwriters like Vince Gill, Clint Black, Buddy Cannon, Jelly Roll, and Taylor Swift co-writer Liz Rose—Songs of Nashville gives you a front-row seat to the lives and work of the artists who’ve shaped country music.

The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley's fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley's passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s.