Titres dans Histoire et critique

However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever.

Guitar sleuth and music-history detective Deke Dickerson tells the true tales behind 48 rare-guitar and amplifier finds that will make any player or collector green with envy. Finding that holy grail of a guitar stashed away beneath a bed, in a closet, in the dusty corner of a guitar shop, or up in an attic is something that all guitar aficionados dream of. Strat in the Attic shares some of those real-life stories, related in spine-tingling detail by the author.

With astounding access to all the key players of the time, including members of Green Day, The Offspring, NOFX, Rancid, Bad Religion, Social Distortion, and many others, renowned music writer Ian Winwood at last gives this significant, substantive, and compelling story its due. Punk rock bands were never truly successful or indeed truly famous, and that was that - until it wasn't. Smash! is the story of how the underdogs finally won and forever altered the landscape of mainstream music.

From Alma Rosé, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members, and the response of other prisoners for the first time.

“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York’s 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music—despite having disbanded over thirty years ago. Now on the 50th anniversary of the band’s formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads.

In 1959, America’s great indigenous art form, jazz, reached the height of its power and popularity. James Kaplan’s magnificent 3 Shades of Blue captures how that golden era came to be, and its pinnacle with the recording of Kind of Blue. It’s a book about music, and business, and race, and heroin, and the cities that gave jazz its home, and the Black geniuses behind its rise. It’s an astonishing meditation on creativity and the strange environments where it can flourish most.

From Pieces to Weight: Once Upon a Time in Southside Queens is a violent and introspective memoir that reveals not only 50 Cent's story but the story of a generation of youth faced with hard choices and very little options. It is a tale of sacrifice, transformation, and redemption, but it is also one of hope, determination, and the power of self. Told in 50's own unique voice, the narrative drips with the raw insight, street wisdom, and his struggle to survive at all costs.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music - as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities.

The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.

GOTH is an entertaining and engaging historical memoir, and a journey through Goth music and culture, exploring creative giants like The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division, and many more great bands that offered a place of refuge for the misfits of the ‘80s and ever since. Written by Lol Tolhurst, co-founder of The Cure, this book offers a riveting retrospective of the genre’s iconic movers and shakers, infused with stories from Tolhurst’s personal trove of memories.

Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative - from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.

The 1990s were a chaotic and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 SONGS THAT EXPLAIN THE '90s, Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.

George Harrison and Eric Clapton shared a legendary and tumultuous friendship that shaped not only their respective lives and careers, but the shifting face of rock itself in the early 1970s. All Things Must Pass Away traces that friendship from its earliest roots in 1964, when Beatles-averse blues-rocker Eric met George backstage at the Hammersmith Odeon, through the messy trials of Clapton's affair with Harrison's wife, Pattie Boyd, to the turn of the century, as the two elder statesmen of rock traded honors during Harrison's final days.

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

Have you ever wondered how off-key you are while singing in the shower? Or if your Bob Dylan albums really sound better on vinyl? Or why certain songs make you cry? Now, scientist and musician John Powell invites you on an entertaining journey through the world of music. Discover what distinguishes music from plain old noise, how scales help you memorize songs, what the humble recorder teaches you about timbre (assuming your suffering listeners don’t break it first), and more.

Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.

As the Sixties came to a close, Paul McCartney was faced with the daunting prospect of being a solo artist for the first time. Wings’ ascension to the top of the charts with classic albums including Band on the Run, Venus and Mars, and At the Speed of Sound, along with the band’s stadium-filling live shows, would prove to critics and fans that not all great acts are impossible to follow. Wings: The Story of a Band on the Run is a rousing, stereophonic celebration of the songs, collaborations and performances that would shape the soundtrack of the late twentieth century.

It's February 1964 and The Beatles just landed in New York City, where the NYPD, swarms of fans, and a crowd of two hundred journalists await their first American press conference. It begins with the question on everyone's mind: "Are you going to get a haircut in America?" and ends with a reporter tugging Paul McCartney's hair in an attempt to remove his nonexistent wig. This is where The History of Rock & Roll, Volume 2 kicks off.

Taylor Swift has become a peerless superstar, ceaselessly productive and internationally beloved. From her teen country debut to her Eras tour and beyond, Swift’s career and her creations have captivated and bewitched us, opening up new ways to see both her life and our own. In Taylor’s Version, the poet and literary scholar Stephanie Burt offers an insightful and heartfelt critical appreciation of Taylor Swift, her body of work, and the community that her art has fostered.