Titres dans Histoire et critique

Taylor Swift has become a peerless superstar, ceaselessly productive and internationally beloved. From her teen country debut to her Eras tour and beyond, Swift’s career and her creations have captivated and bewitched us, opening up new ways to see both her life and our own. In Taylor’s Version, the poet and literary scholar Stephanie Burt offers an insightful and heartfelt critical appreciation of Taylor Swift, her body of work, and the community that her art has fostered.

The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving "Core Four", as they came to be called, were reduced to strained relationships, and catastrophic business decisions. It would take 20 years before relationships were mended enough for the Grateful Dead as fans remembered them to once again take the stage.

America, 2003: A country at war, its shiny veneer beginning to crack. Von Dutch and The Simple Life dominate. And on the cover of every magazine, a twenty-one-year-old pop star named Britney Spears. Tracking her every move for a third-tier gossip rag in Los Angeles was an unknown young writer taking whatever job he could while pursuing his distant literary dreams. He'd instead become an eyewitness to the slow tragedy of a changing nation, represented in spirit by “the coy it-girl at the end of history.”

John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Chronicling the East and West Coast cultures of the late 1960s and early 1970s-New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love - Glatt reveals how Graham made it all possible. But why did Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity?

In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses 12 landmark guitars - each of them artistic milestones in their own right - to illustrate the conflict and passion the instruments have inspired.

When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain's mother named the 27 Club. "Now he's gone and joined that stupid club," she said in 1994, after being told that her son had committed suicide. Kurt's mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse.

In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful).

Like the Queen Street strip that has been its home for seven decades, the Horseshoe Tavern continues to evolve. It remains as relevant today as it did when Jack Starr founded the country music club on the site of a former blacksmith shop. From country and rockabilly to rock ‘n’ roll, punk, alt/country, and back to roots music, the venerable live music venue has evolved with the times and trends - always keeping pace with the music.

This audiobook is read by the author and includes an exclusive Q&A between Mark Kermode and Jenny Nelson 'Brims with enthusiasm and joyful insight' – Richard Ayoade How can a film score make you cheer, shiver, cry or punch the air? How do directors communicate their musical vision to composers?...

Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

The Beatles' third tour of North America was nearly a year in the planning. By late 1964, manager Brian Epstein knew that they were not only the biggest act in his stable: they had become the biggest act on earth. America worshipped them. Somewhere different for the start of this tour, in New York - somewhere appropriately massive - had to be found. It was: a baseball stadium in Flushing, Queens. On August 15, 1965, The Beatles played the concert of their lives there.

It was a pretty radical idea - a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined. I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties.

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977 to 1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene.

Tracing his roots from recording beats in his mom's attic in Edmonton to performing with some of the most recognizable names in rap and electronic music—De La Soul, Public Enemy, Mos Def, Questlove, Diplo, and more—Polaris Prize winner Rollie Pemberton, a.k.a Cadence Weapon, captures the joy in finding yourself, and how a sense of place and purpose entwines inextricably with a music scene.

Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt.

Pastor Robert Morgan’s goal is to keep these traditional hymns vital and meaningful to all generations. Then Sings My Soul will help listeners reacquaint themselves with 150 beloved hymns of the faithful. These devotional-style stories show the emotion and drama behind the hymns of faith that have changed many lives throughout history - from the people whose faith led them to write these wonderful hymns to the people whose faith was affected by reading, hearing, and singing them.

There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock 'n' roll of the '50s, '60s, and '70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.

Respected broadcaster Alan Cross narrates the definitive history of alternative rock over the last 30 years. He recounts the stories of David Bowie, The Velvet Underground, The Clash, The Ramones, The Sex Pistols, and Iggy Pop.