Titres dans Théâtre

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

The Anatomy of Art reconnects you with the creative current already moving through you. A choose-your-own-adventure for performing artists, it offers 1000+ questions, frameworks, and field-tested scores that reveal options, deepen rigor, and help you trust yourself. Twelve elements—Time, Space, Relationship, Meaning, Environment, Process, Facts, Faith, Communication, Material, Context & Culture, and Priorities—create a working map for practice and performance.

It’s the middle of the night in Tehran when Michael arrives at the apartment of his ex-girlfriend, Shima. He finds her anxiously awaiting a mysterious visitor and fears he’s interrupted a tryst, only to gradually learn that the truth is much stranger and more sinister. What follows is a series of cunning detours in this atmospheric and elusive odyssey that challenges expectations and assumptions at every turn.

As Jews tried to escape Nazi Germany in the 1930s, they faced unthinkable roadblocks in obtaining exit visas. And while they were denied entry in one country after another, a bureaucratic oddity enabled some of them to flee to an unlikely destination: Shanghai, China. In this LATW original commission, playwright Kate McAll used the survivors’ own words to create a narrative of people starting their lives over in a completely new land.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

And So We Walked is a frank, heartwarming, and inspiring story about a contemporary Cherokee woman and her father who embark on an incredible 900-mile journey along the Trail of Tears to truly understand her own identity and the conflicts of her nation. The play recounts the six-week journey, which retraced the path her great-great-grandparents took in the 1830s during the forced relocation of 17,000 Cherokee from their homelands.

Lydia (Aja Naomi King) and Henry (Jason Butler Harner)’s dinner guests (Madeline Brewer and William Jackson Harper) are about to arrive when Henry’s spontaneous marriage proposal threatens to burn the evening to a crisp. Wine bottles and years of unspoken tensions are uncorked, and before the evening is through, Lydia must confront her long-held fears and feelings if she’s going to commit to a future with Henry.

The quiet porch of a rest home for the aged explodes with emotion when prim Fonsia Dorsey sits down to play gin rummy with the cynical Weller Martin. Fonsia is drawn to Weller, but she just can't stop winning at cards, while Weller bemoans the bad luck that is ruining his game and has dogged him throughout his life. Tragic yet uproariously funny, this Pulitzer Prize-winning drama examines themes of individual responsibility and society's mistreatment of the aged. A co-production with The Smithsonian Associates and Voice of America.

Angela Arden wants to be free of her suffocating marriage to film producer Sol Sussman. What better way than poison! Distraught by her father’s death and convinced of her mother’s guilt, Edith Sussman plots to get the truth out of Angela using any means necessary. Charles Busch stars in the role he originated in this camp send-up where tongues aren’t the only thing dipped in acid.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Suspicion starring Joan Fontaine and Brian Aherne.

You’ve heard of an Essex Girl or even a Chelsea Girl, but what about a Hounslow Girl? Definition of a Hounslow Girl: a young Muslim woman who wears hooped earrings with her headscarf and grapples with traditional values while hustling her way through urban London. The Diary of a Hounslow Girl is a bold and provocative one-person play, written and performed by Ambreen Razia. From the joys of traditional Pakistani weddings to fights on the night bus, this is a comic story of dreams, aspirations and coming of age, told through the eyes of a 16-year-old British Muslim girl.

A lively introduction to opera, from the Renaissance to the twenty-first century There are few art forms as visceral and emotional as opera -- and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with...

Everyone wants to be a writer, and they want to know what they can do to make that dream come true. However, most aspiring writers do not understand how to position themselves so they are ready when presented with an opportunity. They identify themselves as writers but have no writing samples, or their websites and social media talk all about their paintings or music but say nothing of who they are as writers.

Spanning centuries and continents, Mamet uses war and its players to explore, among other themes, redemption and forgiveness as they unfold in the context of conflict in the form of three novellas. Finely wrought, Mamet eloquently depicts the psychological brutality conflict raises in the landscape of the mind.

On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day.

As a young schoolboy, David Essex dreamed of becoming a professional footballer and was signed up by his beloved West Ham United. But as a teenager, he developed a passion for music, which set him on a very different path, and ultimately led to superstardom. It wasn't, however, an easy start. Scraping a living on the edges of show business was a hard slog, and he endured many disappointments. Then, aged 23, he went along to an audition for a new musical called Godspell and won the role (Jesus) that shot him to fame.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

In Work Song, tensions between master architect Frank Lloyd Wright and his tempestuous relationships are explored in this uniquely prismatic view of one of the great architects of the modern era. This engaging production includes a panel discussion with Wright biographer Harold Zellman. An L.A. Theatre Works full-cast performance featuring Jim Beaver, Amy Brenneman, Chris Butler, Matthew Patrick Davis, Sean Dougherty, Robert Foxworth, Charles Janasz, Kathryn Meisle, Kali Rocha, and Raphael Sbarge.

A radio adaptation of Alan Bennett's short autobiographical play, originally directed by Nicholas Hytner for the National Theatre. Alan looks back on his early life with affection and sadness, revisiting some of the themes and conversations of his memoir 'A Life Like other People's'. Both he and his mother are seduced by the idea that other people's lives are much richer and fulfilling than their own.

Following his development from moody Oklahoma teenager to the method-trained star to the eccentric recluse of his later years, Patricia Bosworth offers a penetrating look at Marlon Brando’s evolving persona: the volcanic Stanley Kowalski in A Streetcar Named Desire, the sensitive rebel in The...