Titres dans Théâtre

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.

Abandoned as an infant by his actress mother in her theater dressing room, August March was raised by an ancient laundress. Highly intelligent, a tad feral, August is a true child of the theater - able to recite Shakespeare before he knew the alphabet. But like all productions, August’s wondrous time inside the theater comes to a close, and he finds himself in the wilds of postwar New York City, where he quickly rises from pickpocket street urchin to star student at the stuffiest boarding school in the nation.

Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.

Hay magos independientes hoy en día que están haciendo más de $20.000 por presentación, mientras que aquellos en las grandes ligas ingresan más de $20 millones al año. ¿Cómo llegaron hasta allí y cuáles son las claves para su éxito? ¿Qué habilidades y técnicas tienen y utilizan que puedan ser fácilmente adaptables para tu uso personal? En este libro, aprenderás de las actitudes y prácticas claves que impulsan su éxito, así como el camino que han pavimentado para otros magos y artistas, esperando lograr ingresar a esta industria competitiva y lucrativa.

Shyama Perara is a writer and journalist who writes clearly, succinctly and passionately on a number of issues. In this collection she turns her knowing eye and insightful mind to British Theatre and the recent plays that come before audiences from the largest of West End theatres to the smallest of pop-ups. It’s a treat!

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Irene starring Jeanette MacDonald and Regis Toomey.