Titres dans Théâtre

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

The Vagina Monologues is a moving, poignant and often hilarious play, which celebrates female sexuality in all its complexity and mystery. Originally drawn from a collection of interviews conducted by Eve Ensler, the Obie Award-winning play gives voice to some of the most intimate, rarely shared fantasies and fears of women from all walks of life.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

Padua holds many suitors for the hand of fair Bianca, but Bianca may not be married until her spinster sister, Kate, is wed. Could any man be rash enough to take on Kate? The witty adventurer Petruchio undertakes the task. While he sets about transforming Kate from foul-tempered termagant to loving wife, young Lucentio and his clever servant, Tranio, plot to win Bianca.

It’s Christmas Eve, and Lara anxiously anticipates the arrival of her sister, Cleo, so she can reveal a shocking family secret that has been haunting Lara since their mother’s death. By confronting revelations about their grandfather’s shameful past, Lara is hopeful that she and Cleo can make reparations and exorcise this ghost from their lives. The ghost, however, won’t be appeased so easily....

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.

Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

Ten essential plays by Neil Simon, one of the world’s most celebrated, translated, and widely performed playwrights, including Barefoot in the Park, The Odd Couple, Plaza Suite, Brighton Beach Memoirs, and more.

A soul-stirring new musical conceived by New York Times best-selling novelist Jodi Picoult and playwright Timothy Allen McDonald, Breathe places listeners inside the walls of five homes during the early days of the COVID-19 pandemic. Filled with songs and vignettes that examine new relationships, rekindling flames, parenting, racial reckoning, and grief during a pandemic, this incredibly timely world premiere—written and produced online in 2020 in real-time as events unfolded—reflects the very topics that weighed on the hearts and minds of Americans.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century.

For millions of people around the world, Carol Brady is synonymous with motherhood, but growing up as the youngest of ten children in rural Indiana in the aftermath of the Great Depression, Florence Henderson lived a life quite different from that of the quintessential TV mom she later played on television.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this brand new audio edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.

Whether you’re just starting out or leveling up, this book unlocks your inner instructor and helps you deliver memorable, effective, and fun improv classes. Discover the essential tools and insider tips that will take your improv teaching from unsure to unforgettable!

As a casting director for 23 years, Holly Powell witnessed the casting world from three different points of view: as an independent casting director, as head of casting for a studio, and as a network casting executive. From this unique perspective she formed Holly Powell Studios, with her mission being to demystify the audition process for actors.

This comprehensive course is designed for actors aiming to master the diverse range of accents found across the United Kingdom and Ireland, offering an extensive foundation in both technical and cultural aspects of accent work, while maintaining accessibility for the novice learner. With an emphasis on authentic performance, the program provides step-by-step guidance on dialect production, using a wide variety of oral posture guidance, pronunciation exercises, and practical lexicon that actors can apply directly to their work.