Titres dans Cinéma et télévision

Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea.

HBO changed how stories could be told on TV. The Sopranos, Sex and the City, The Wire, Game of Thrones. The network’s meteoric rise heralded the second golden age of television with serialized shows that examined and reflected American anxieties, fears, and secret passions through complicated characters who were flawed and often unlikable.

In this exclusive podcast, author Michael Connelly and Executive Producer Henrik Bastin (The Killing, Burn Notice) discuss the creation and production of Bosch, from the origins of the series to how it found a home at Amazon to casting its star, Titus Welliver (Lost, The Good Wife). Connelly shares his experiences of working on the show, and offers Harry Bosch fans an idea of what they can expect from the much-anticipated series.

David Mitchell and Robert Webb tackle various subject matters in a How to Cope with... guide, talking you through every day scenarios and situations. The subject matters discussed are How to Cope with... Being Normal; Pubs; Being Dumped, Parts 1 and 2; Coffee; Malmaison Hotels; Nudists; The Smoking Ban; Actors; Servants; and Getting Older.

Over the course of the series, David eats his lunchtime sandwiches with children in a primary school and later goes to a street market to see manners - good and bad - in action. He explores where our manners come from with Professor Steven Pinker from Harvard University and the author Henry Hitchings. What do we mean by 'civility' and 'good manners' in public places? Why are people still pinching vicars' bottoms, and what can the state do to improve standards of public behaviour? And, David asks, how is the digital age changing our sense of public space?

When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace.

The long-awaited memoir from one of daytime television's most celebrated and beloved actresses.

Three or four days a week, Jeanne Cooper drives from her Hollywood Hills home to the job she's held for more than three decades: bringing life to the character of Katherine Chancellor, the outspoken, powerful, and insanely wealthy force of nature who, along with Jeanne herself, has become a legend in the world of daytime television and its number-one show, The Young and the Restless. Now, for the first time, her fans will get to know the woman behind the iconic character.

In 1969, Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words - "That's what it's all about, man" - to heart, they abandoned their comfortable upper-middle-class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a rollicking, funny, at times tender exploration of the way movies can change our lives.

Hounded by the tabloid media, driven from his self-made sanctuary at Neverland, Michael Jackson spent his final years moving from city to city, living with his three children in virtual seclusion - a futile attempt to escape a world that wouldn’t leave him alone. During that time, two men served as the singer’s personal security team: Bill Whitfield, a former cop and veteran of the security profession, and Javon Beard, a brash, untested rookie, both single fathers themselves. Stationed at his side nearly 24/7, their job was to see and hear everything that transpired.

Movies (And Other Things) is a book about, quite frankly, movies (and other things). One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all.

The first ever autobiography of this truly international legend, written with all the trademark style, candour, charm, and wit he has brought to stage and screen over his long and illustrious career.

With personal anecdotes about such luminaries as Noel Coward, Elizabeth Taylor and Richard Burton, Cary Grant, and Sean Connery, and memories from the heyday of Hollywood, this frank, funny and charming autobiography is packed with wonderful stories.

Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion, and will be brought to a prime-time television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award-winning screenwriter Andrew Davies (War and Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice). This, the official companion to the Masterpiece series, contains everything a fan could want to know.

With the expert guidance of screenplay consultant, story editor, and teacher Michael Hauge, you'll learn how to elicit emotion (your primary goal), create strong characters, structure your stories, and conquer the business side of Hollywood. Plus, you'll get groundbreaking information on "feminine mode" movies, a unique approach to character growth and guidance on your life as a screenwriter.

Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imagination. Indeed, it is the basis for the legend she created. Gone with the Wind took the American reading public by storm and went on to become one of the most popular books and motion pictures of all time. The book was a phenomenon whose success has never been equaled, but it shattered Margaret Mitchell's private life.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

In the 1950s, Confidential magazine, America's first celebrity scandal magazine, revealed Hollywood stars' secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out stars' sexual affairs, drug use, and sexuality, publisher Robert Harrison destroyed celebrities' carefully constructed images and built a media empire. Confidential became the best-selling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Confidential's spectacular rise was followed by an equally spectacular fall.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

Julie Walters, Alan Rickman, Dora Bryan, Jim Broadbent and Celia Imrie, Hugh Lloyd, and many more join Victoria Wood in this positively bloated bumper collection oozing with songs, sketches, and monologues.

Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey - dainty, immaculate - is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings....

On the eve the 20th century, in Thomas Edison’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It’s only a few minutes long, but this cornerstone of early cinema captures a queer moment on film. It would not be the last. Hollywood Pride is a tale spanning from “pansy craze” of the 1930s to the New Queer Cinema of the 1990s, all the way up to today.