Résultats Éditeur "HarperAudio" dans Grande-Bretagne

The critically acclaimed author of Serving Victoria brilliantly illuminates the life of the little-known Bess of Hardwick - next to Queen Elizabeth I, the richest and most powerful woman in 16th-century England.

If you were black in America at the start of the Revolutionary War, whom would you want to win? In response to a declaration by the last governor of Virginia that any rebel-owned slave who escaped and served the King would be emancpated, tens of thousands of blacks voted with feet, escaping to fight beside the British. Originally designed to break the plantations of the American South, this military strategy instead unleashed one of the great exoduses in American history.

Hitler’s Girl is a groundbreaking history that reveals how, in the 1930s, authoritarianism nearly took hold in Great Britain as it did in Italy and Germany. Drawing on recently declassified intelligence files, Lauren Young details the pervasiveness of Nazi sympathies among the British aristocracy, as significant factions of the upper class methodically pursued an actively pro-German agenda.

Queen Elizabeth II’s seventy-year reign witnessed the highs and lows of the close and crucial alliance between the U.S. and the U.K., from the Suez crisis to Brexit. Following the advice of her mentor, Winston Churchill, to “stay close to the Americans,” Queen Elizabeth played an unexpected role behind the scenes. In The Queen and Her Presidents, veteran political reporter Susan Page goes beyond the image of a staid monarch in colorful hats to reveal a skilled strategist, who, like many powerful women, was routinely underestimated and discounted.

Drawn from the Royal archives, including Prince Albert’s voluminous correspondence, this brilliant and ambitious book offers fascinating never-before-known details about the man and his time. A superb match of biographer and subject, Prince Albert, at last, gives this important historical figure the reverence and recognition that is long overdue.

On a summer's day in 1858, in a garden behind Christ Church College in Oxford, Charles Dodgson, a lecturer in mathematics, photographed six-year-old Alice Liddell, the daughter of the college dean, with a Thomas Ottewill Registered Double Folding camera, recently purchased in London. Simon Winchester deftly uses the resulting image - as unsettling as it is famous, and the subject of bottomless speculation - as the vehicle for a brief excursion behind the lens, a focal point on the origins of a classic work of English literature.

For centuries, Britain has told itself and the world that it is an abolitionist nation, one that, unlike the United States, rejected human bondage and dismantled its Atlantic slave empire without tearing itself apart in violence. An abolitionist nation headed by a just, humane monarch who liberated enslaved Africans and recognized their descendants as free and equal subjects of the British Crown. As Prince William put it recently, “We’re very much not a racist family.” When slaveholding nations write their collective history, the enslavers hold the pen.