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In Montalbano's First Case and Other Stories, Andrea Camilleri has selected 21 short stories, written with his trademark wit and humor, that follow Italy's famous detective through highlight cases of his career. From the title story, featuring a young Deputy Montalbano newly assigned to Vigàta, to "Montalbano Says No", in which the inspector makes a late-night call to Camilleri himself to refuse an outlandish case, this volume is an essential addition to any fan's collection and a wonderful way to introduce listeners to the internationally best-selling series.

Malgré sa longue expérience en terre sicilienne, le commissaire Montalbano doit reconnaître que jamais il n'a été confronté à pareille affaire : un homme tué deux fois. Barletta, affairiste détesté, usurier qui a ruiné bien des malheureux, don juan compulsif qui n'hésite pas à recourir au chantage pour parvenir à ses fins libidineuses, a d'abord été empoisonné par une femme qui a passé la nuit avec lui, puis a reçu une balle dans la tête par quelqu'un qui le croyait encore vivant.

One night, Inspector Montalbano dreams of a stormy sea, which he knows represents unease and loss of control. The next day, a boat is found in the port of Vigàta and within it, the body of a disfigured corpse. The waterfront has also drawn in an 85-foot luxury boat passengered by 50 carefree souls and a somewhat shadowy crew. They will have to stay in Vigàta until the investigation is over: the man, it seems, was poisoned. However, right now, it is the yacht’s owner and sailors Montalbano is focused on.

When a colleague extends his summer vacation, Inspector Salvo Montalbano is forced to stay in Vigàta and endure the August heat. Montalbano’s long-suffering girlfriend, Livia, joins him with a friend - husband and young son in tow - to keep her company during these dog days of summer. But when the boy suddenly disappears into a narrow shaft hidden under the family’s beach rental, Montalbano uncovers something terribly sinister.

Montalbano's latest case begins with a mysterious tête à tête with a Mafioso, some inexplicably abandoned loot from a supermarket heist, and some dying words that lead him to an illegal arms cache in a mountain cave. There the inspector finds two young lovers, dead for 50 years and still embracing, watched over by a life-sized terra-cotta dog. Montalbano's passion to solve this old crime takes him on a journey through Sicily's past and into a family's dark heart.

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed a few hours later. A few days later, the same thing happens again, but this time the woman abducted is the niece of Enzo, the owner of Montalbano's favorite trattoria. The only link between the two events is that both women are 30 years old and work in a bank.

Montalbano receives an early-morning phone call, but this time it’s not Catarella announcing a murder, but a man called Riccardino, who’s dialed a wrong number and asks him when he’ll be arriving at the meeting. Montalbano, in irritation, says: “In 10 minutes." Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him.

On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud.

Early one morning, Silvio Lupanello, a big shot in the village of Vigata, is found dead in his car with his pants around his knees. The car happens to be parked in a rough part of town frequented by prostitutes and drug dealers, and as the news of his death spreads, the rumors begin. Enter Inspector Salvo Montalbano, Vigata's most respected detective, who has his doubts about the way Silvio died.

Mimi Augello is visiting his lover when the woman’s husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors. Are the two deaths connected? Inspector Montalbano finds all of Catalanotti’s dossiers and plays and the notes on the characters....

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963 - always on the same day, March 27; and always the same shot, the outside wall of a country house. Montalbano hears the story and, intrigued by the mystery of it, begins to investigate its meaning.

Il pleut depuis une semaine à Vigàta et ce matin, le commissaire Montalbano doit se rendre sur un chantier boueux où l'on a retrouvé le corps sans vie de Giugiu Nicotra. La victime, expert-comptable, vivait avec Inge, une Allemande de 25 ans qui, malgré le drame, reste introuvable. Autre particularité, le cadavre a été découvert en caleçon et un mystérieux vélo a été abandonné sur les lieux du crime. Voilà de quoi attiser la curiosité du commissaire.

When an elderly man is stabbed to death in an elevator and a crewman on an Italian fishing trawler is machine-gunned by a Tunisian patrol boat off Sicily's coast, only Inspector Montalbano, with his keen insight into human nature, suspects the link between the two incidents. His investigation leads to the beautiful Karima, an impoverished housecleaner and occasional prostitute, whose young son steals other schoolchildren's midmorning snacks.

Segundo de un ciclo de cuatro volúmenes de relatos ambientados en el imaginario pueblo siciliano de Vigàta, también escenario de las aventuras del célebre comisario Montalbano, este libro recoge ocho historias tan perfectas que cada una puede leerse como una pequeña novela.

A rash of burglaries has Inspector Salvo Montalbano stumped. The criminals are so brazen that their leader, the anonymous Mr. Z, startssending the Sicilian inspector menacing letters. Among those burgled is the young and beautiful Angelica Cosulich, who reminds the inspector of the love-interest in Ludovico Ariosto's chivalric romance, Orlando Furioso. Besotted by Angelica's charms, Montalbano imagines himself back in the medieval world of jousts and battles.

Things are not going well for Inspector Salvo Montalbano. His relationship with Livia is once again on the rocks and - acutely aware of his age - he is beginning to grow weary of the endless violence he encounters. Then a young woman is found dead, her face half shot off and only a tattoo of a sphinx moth giving any hint of her identity. The tattoo links her to three similarly marked girls - all victims of the underworld sex trade.

Montalbano's gruesome discovery of a lovely, naked young woman suffocated in her bed immediately sets him on a search for her killer. Among the suspects are her aging husband, a famous doctor; a shy admirer, now disappeared; an antiques-dealing lover from Bologna; and the victim's friend Anna.

When Inspector Montalbano falls under the charms of beautiful gallery owner Marian, his longtime relationship with Livia comes under threat. Meanwhile, he is also troubled by a strange dream as three crimes demand his attention: the robbery and assault of a wealthy merchant's young wife, stolen works of art, and a search for arms traffickers that leads him deep into the countryside, where the investigation takes a tragic turn.

Un robo absurdo en un supermercado, el encarcelamiento un tanto estrambótico de un capo de la mafia, un asesinato cometido durante la Segunda Guerra Mundial. Sin embargo, a pesar de la firme determinación con que Montalbano afronta la resolución de estos casos, su auténtica pasión es descifrar el contenido simbólico que encierran. «Todo crimen conlleva un mensaje, la cuestión es conocer el código de quien lo ha escrito», le recuerda un excéntrico sacerdote al comisario.

With their dark sophistication and dry humor, Andrea Camilleri’s classic crime novels continue to win more and more fans in America. The latest installment of the popular mystery series finds the moody Inspector Montalbano further beset by the existential questions that have been plaguing him of late. But he doesn’t have much time to wax philosophical before the gruesome murder of a man—shot at point-blank range in the face with his pants down—commands his attention.