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Two families from different social classes are joined together by an unexpected pregnancy and the child that it produces. Moving forward and backward in time, with the power of poetry and the emotional richness of a narrative 10 times its length, Jacqueline Woodson's extraordinary new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of this child.

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat—by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes.

Jeremiah feels good inside his own skin. That is, when he's in his own Brooklyn neighborhood. But now he's going to be attending a fancy prep school in Manhattan, and black teenage boys don't exactly fit in there. So it's a surprise when he meets Ellie the first week of school. In one frozen moment their eyes lock, and after that they know they fit together - even though she's Jewish and he's black.

Running into a long-ago friend sets memories from the 1970s in motion for August, transporting her to a time and a place where friendship was everything - until it wasn't. For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant - a part of a future that belonged to them.

For as long as ZJ can remember, his dad has been everyone's hero. As a charming, talented pro football star, he's as beloved to the neighborhood kids he plays with as he is to his millions of adoring sports fans. But lately life at ZJ's house is anything but charming. His dad is having trouble remembering things and seems to be angry all the time. ZJ's mom explains it's because of all the head injuries his dad sustained during his career.

Frannie doesn't know what to make of the poem she's reading in school. She hasn't thought much about hope. There are so many other things to think about. Each day, her friend Samantha seems a bit more "holy". And there is a new boy in class everyone is calling the Jesus Boy.

National Book Award winner Jacqueline Woodson has created a poignant, yet heartening book about finding courage to connect, even when you feel scared and alone. There are many reasons to feel different. Maybe it's how you look or talk, or where you're from; maybe it's what you eat, or something just as random. It's not easy to take those first steps into a place where nobody really knows you yet, but somehow you do it. Jacqueline Woodson's audiobook reminds us that we all feel like outsiders sometimes - and how brave it is that we go forth anyway.

It seems like Sage’s whole world is on fire the summer before she starts seventh grade. As house after house burns down, her Bushwick neighborhood gets referred to as “The Matchbox” in the local newspaper. And while Sage prefers to spend her time shooting hoops with the guys, she’s also still trying to figure out her place inside the circle of girls she’s known since childhood. A group that each day, feels further and further away from her. But it’s also the summer of Freddy, a new kid who truly gets Sage.

Qui écoute ce texte ne regarde plus le corps d'une femme de la même manière. Qui écoute ce texte ne pense plus au sexe de la même manière. Depuis sa parution aux États-Unis en 1998, Les Monologues du vagin ont déclenché un véritable phénomène culturel : rarement pièce de théâtre aura été jouée tant de fois, en tant de lieux différents, devant des publics si divers... Mais que sont donc ces Monologues dans lesquels toutes les femmes se reconnaissent ? Il s'agit ni plus ni moins de la célébration touchante et drôle du dernier des tabous : celui de la sexualité féminine.

Renowned sociologist Janice Johnson Dias has devoted her life to nurturing and training girls to become changemakers - whether through her investment in her daughter Marley’s humanitarian projects or through her work with the GrassROOTS Community Foundation “SuperCamp” she cofounded for girls. In these unprecedented times, her work has never been more urgent, as parents find themselves asking: How do we teach girls to change the world?

When D Foster walks into Neeka and her best friend's lives, their world opens up. D doesn't have a "real" mom constantly telling her what to do, and the girls envy her independence. But D wants nothing more than to feel connected, and the three girls form a tight bond - and a passion for the music of Tupac Shakur. D's the one who understands Tupac's songs best, and through her, his lyrics become more personal for all of them.

The earth changes, Sarah’s grandpa always said as they worked together in his garden. Like us, some part of it never dies. Everything and everyone goes on and on. Now that Grandpa’s gone, though, it’s hard for Sarah to imagine “on and on” without him. But when loved ones gather to share stories of Grandpa, she begins to understand how much he meant to so many people. And when the harvest comes in and family and friends gather for a sunset supper, they make sweet new memories, reminding Sarah that everything and everyone truly does go on and on.

Sometimes, even when a mama loves you, she can’t always take care of you . . .That’s what happens with Johnson and Beebee’s mama—and that’s why they are being taken to their aunt Gracie’s house. Who is this Gracie aunt? That’s what Johnson wants to know. He can’t remember her, and Beebee doesn’t seem to trust her, at least not at first. But slowly, as the three of them spend time together—cooking, watching movies, snuggling on the couch, and even crying when they need to—they form a bond.

¿Qué significa crecer en dos lugares y no pertenecer completamente a ninguno? Jacqueline Woodson creció entre Carolina del Sur y Nueva York y siempre se sintió a medias en ambos. Estos poemas, conmovedores y poderosos, lo reflejan; así como reflejan la experiencia de ser una niña afroamericana en las décadas de 1960 y 1970, de una infancia vivida entre los residuos de las leyes de Jim Crow, de su aprendizaje constante sobre el movimiento de derechos civiles.

Before Jacqueline Woodson met Juliet, before her own self-realization, there were decades of friends, lovers, and family who defined the woman she’d become. In this haunting story of memory and identity, Jacqueline shares the profound impact they had on bending the path of her life; how they informed the dreams of her future; and how each one - some lost, all loved - would bring her to Juliet, her one and only.

In this moving book from multi-award-winning author Jacqueline Woodson, a young girl and her grandmother prepare for a very special day - the one day a month they get to visit the girl's father in prison. "Only on visiting day is there chicken frying in the kitchen at 6 a.m., and Grandma in her Sunday dress, humming soft and low".

Twelve-year-old Lonnie is finally feeling at home with his foster family. But because he's living apart from his little sister, Lili, he decides it's his job to be the "rememberer" - and write down everything that happens while they're growing up. Lonnie's reflections in his letters to Lili are bittersweet. He's happy that they both have good foster families, but while his new family brings him joy, it also brings new worries: With a foster brother in the army, concepts like peace have new meaning for Lonnie.

Seen through the eyes of 13-year-old Lafayette, this is the story of three brothers, each locked in their own grief and guilt after the sudden death of their mother. Deep feelings and family secrets are revealed as, despite the odds against them, the brothers learn to pull together.

When Lonnie Collins Motion was seven years old, his life changed forever. Now Lonnie is eleven and his life is about to change again. His teacher, Ms. Marcus, is showing him ways to put his jumbled feelings on paper. And suddenly, Lonnie has a whole new way to tell the world about his life, his friends, his little sister, Lili, and even his foster mom, Miss Edna, who started out crabby but isn’t so bad after all. Award-winning author Jacqueline Woodson’s lyrical voice captures Lonnie’s thoughtful perspectives of the world and his determination to one day put a family together again.