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In this enchanting collection, I present four tales that delve into the realm of the spurious ghost‚those elusive phantoms that haunt the minds and hearts of individuals rather than specific places. These arent the conventional specters studied by the Society for Psychical Research; instead, they are the manifestations of our imaginations and emotions. Join me, dear friends Arthur Lemon and Flora Priestley, as we wander through dimly lit paths and moonlit shores, where the echoes of the past linger and the essence of haunting becomes a personal journey. Together, we explore the haunting ...

Fifty years ago, the term Byzantine‚ was often synonymous with corruption and decay, and the rich history of the East-Roman Empire was dismissed by many historians as dreary and monotonous. Edward Gibbon famously labeled the successors of Justinian and Heraclius as a succession of vicious weaklings, leaving little room for dissent. However, two pivotal works have since illuminated the true nature of the Byzantines for the English reader Finlays monumental tome from 1856 and Mr. Burys modern volumes from 1889. Today, the Byzantine Empire stands vindicated, recognized for its significant role ...

Vernon Lee was born Violet Paget on 4th October 1856 in Boulogne, France, to intellectual expatriate British parents. In common with several other very talented literary women of the day she felt it necessary to publish under a masculine pseudonym in order for her writing to be taken seriously. Her literary talents were extensive and she wrote a number of novels and plays. Perhaps her best remembered works are her haunting and powerful short stories exploring the supernatural. Lee has often received accolades for these and glowingly compared to other authors such as M R James.

Written in 1881, ‘Winthrop’s Adventure’ is Vernon Lee’s first ghost story. Set in Florence, the story regales the story of young painter Julian Winthrop who becomes transfixed by a piece of music. He traces this haunting back to one of his previous paintings.

The majority of Vernon Lee’s work was essays and studies on art and history, but this little-known essay’s sense of places lends itself more to poetry than nonfiction. As Lee guides us through an enchanted wood, it gives us an insight into the inspiration behind Lee’s supernatural stories.

Written in diary entries from a Polish scholar, this short story features a mysterious femme fatale, Medea, who is responsible for the deaths of five men, including her husbands. The scholar is soon cast under her spell from behind the grave.

Inspired by a sketch of a poor woman driven to madness by artist Cecchino, wealthy Madame Krasinska attends a ball in fancy dress mocking the old woman. But after the ball, she is overcome by severe depression. Could the old woman be haunting her as punishment?

A traditional psychological ghost story, ‘A Phantom Lover’ tells the story of an artist who is commissioned to paint eccentric couple Mr and Mrs Oke of Okehurst. But the Okes have a dark family history, and the fateful events of two centuries previous come back to haunt them.

Written in 1905, this is Vernon Lee’s final genuinely weird tale, and it tells the 18th-century legend of Sister Benvenuta, a nun who wrote letters to a model of infant Christ. Whilst unexpectedly funny in places, this short story has dark undertones.

When a broken effigy of Christ washes up on a beach in Flanders, it is displayed in the local church. Strange miracles start drawing people to the town to worship, but then these unexplainable events start to turn sinister.

‘A Wicked Voice’ reuses the theme of music from beyond the grave from Vernon Lee’s first ghost story, ‘Winthrop’s Adventure’. Here, young composer Magnus is writing an opera, determined to go against the conventions of his predecessors, but he soon finds himself haunted by a voice beyond the grave which overpowers him and stops him writing.

Few horror stories are as chilling as the ones written by Victorian writers. This collection of eight enduring stories, some well-known, others less familiar, carry you to all corners of the world where terrors lurk. Featuring work by H.P. Lovecraft, Charlotte Perkins Gilman, Edgar Allan Poe and Vernon Lee, experience the skin-crawling undead, a pestilence that leaves no one unaffected, imagined horrors that emerge from disturbed minds and others that require no imagination at all....

A gripping collection of 30 minute stories by some of the greatest storytellers in the English language....

Vernon Lee was the pseudonym of Violet Paget (1856-1935), a British writer most famous for her supernatural short stories. She was a leading figure in the aesthetic movement. 'Marsyas in Flanders' is a strange tale of an ancient carving of the crucified Christ - minus its arms and cross - which washes up in the 12th century on a beach in Flanders.

"The Phantom Lover" is one of Veron Lee's most famous works. It is a strange but very effective story, about a powerful bond that is so strong it reaches even across death. In many ways it reminds one of Henry James story "The Turn of the Screw". Is it a story of mental illness and weird imaginings - or of life beyond the grave? Either way, it is a look at the interrelatedness of the past and the present, the living and the dead.

A Polish historian visiting Italy falls in love with a 16th-century femme fatale, who murdered a series of enthralled husbands and lovers. When he experiences visions of the beautiful Medea Da Carpi, it slowly turns his scholarly fascination into a fatal obsession.

A Wicked Voice is the tale of a composer haunted by the music of the 18th century and by the exquisite voice of a singer of that period who reputedly sang so beautifully his songs could (quite literally) kill with their beauty.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.