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Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent - a sign they were boiled soon after death. Once more she finds herself at the helm of a murder investigation.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern—the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily’s Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared—Ruth’s friend Cathbad.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The twelfth book featuring Lord Peter (the third novel to feature Harriet Vane) is set in an Oxford women's college. Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back.

Kate Palmer has relocated to Cornwall for a quiet life. Moving into picturesque Lavender Cottage with her sister, Angie, the little village of Lower Tinworthy should be the perfect place for their fresh new start. But within weeks of their arrival, there’s a death in the close-knit community.... A woman is found dead in the village hall, with her own kitchen knife next to the body, covered in blood. Kate, a practice nurse at the local medical center, begins to piece together the clues.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His eighth appearance takes him to an artists' colony (based on a real one) in Scotland during the 1920s. Lord Peter Wimsey could imagine the artist stepping back, the stagger, the fall down to where the pointed rocks grinned like teeth.

They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride, Harriet Vane, find the previous owner's body in the cellar. Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. In his tenth appearance, he takes a job as an advertising copywriter to expose a ruthless killer. Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions....

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. He made his fifth appearance in this brilliant collection of ingenious short stories. The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey.

This essential text from the leading authority on emotionally focused therapy, Susan M. Johnson, and colleague, T. Leanne Campbell, applies the key interventions of EFT to work with individuals, providing an overview and clinical guide to treating clients with depression, anxiety, and traumatic stress.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer.

A heartbreaking letter. A girl locked away. A mystery to be solved. 1956. When Ivy Jenkins falls pregnant she is sent in disgrace to St Margaret's, a dark, brooding house for unmarried mothers. Her baby is adopted against her will. Ivy will never leave. Present day. Samantha Harper is a journalist desperate for a break. When she stumbles on a letter from the past, the contents shock and move her. The letter is from a young mother, begging to be rescued from St Margaret's. Before it is too late.

1940, England: Clementine Churchill is standing alone on a rooftop in London as bombs rain down on the city when a nearby explosion almost knocks her off her feet. Shaking, she rushes homewards to 10 Downing Street and breathes a sigh of relief when she sees the famous building is still there. It means the Prime Minister–her husband–is still alive.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else.Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

Discover Dorothy L. Sayers' inimitable Golden Age detective in this complete collection of the complete Lord Peter Wimsey stories, together in one volume for the first time. Presented in chronological order, these short stories see Lord Peter Wimsey bringing his trademark wit and unique detection skills to all manner of mysteries.

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they?