Résultats lu par "David Colacci" dans Toutes les catégories

Detective Max Rupert's and attorney Boady Sanden's friendship is being pushed to the breaking point. Max is convinced that Jennavieve Pruitt was killed by her husband, Ben. Boady is equally convinced that Ben, his client, is innocent. As the case unfolds, the two are forced to confront their own personal demons.

The Palestinian Delusion is unique in situating the Israeli/Palestinian conflict within the context of the global jihad that has found renewed impetus in the latter portion of the 20th century and the beginning of the 21st. Briskly recounting the tumultuous history of the "peace process", Robert Spencer demonstrates that the determination of diplomats, policymakers, and negotiators to ignore this aspect of the conflict has led the Israelis, the Palestinians, and the world down numerous blind alleys. This has often only exacerbated, rather than healed, this conflict.

In this monumental history, Vaclav Smil provides a comprehensive account of how energy has shaped society, from pre-agricultural foraging societies through today's fossil fuel-driven civilization and offers listeners a magisterial overview of humanity's energy eras.

In Carrying the Fire, Michael Collins conveys, in a very personal way, the drama, beauty, and humor of the adventure of reaching the moon. He also traces his development from his first flight experiences in the air force, through his days as a test pilot, to his Apollo 11 spacewalk, presenting an evocative description of the joys of flight as well as a new perspective on time, light, and movement from someone who has seen the fragile Earth from the other side of the moon.

On a cold Venetian night, shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses are the tourists who had been browsing the man's wares: fake handbags of every designer label. The dead man had been working as a vu cumpra, one of the many African immigrants purveying goods outside normal shop hours and without work permits. Commissario Brunetti's response is that of everybody involved: why would anyone kill an illegal immigrant?

When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can Brunetti identify the man when he can’t show pictures of his face? The autopsy shows a way forward: It turns out the man was suffering from a rare, disfiguring disease.

Commissario Guido Brunetti's hopes for a refreshing family holiday in the mountains are once again dashed when a gruesome discovery is made in Marghera--a body so badly beaten the face is completely unrecognizable. Brunetti searches Venice for someone who can identify the corpse but is met with a wall of silence. He then receives a telephone call from a contact who promises some tantalizing information.

On a spring day in Venice, Commissario Brunetti and his assistant, Vianello, play hooky to help Vianello's friend Marco Ripetti, arrested during an environmental protest. They secure his release, only to be faced with the fury of the man's father-in-law, Giovanni De Cal, who has made violent threats against Ripetti. Brunetti's curiousity is peaked, and he finds himself drawn to investigate. Is De Cal the type of man to carry out his threats?

With his inimitable combination of wit and wisdom, John Gierach once again celebrates the fly-fishing life in Standing in a River Waving a Stick and notes its benefits as a sport, philosophical pursuit, even therapy: "The solution to any problem-work, love, money, whatever-is to go fishing, and the worse the problem, the longer the trip should be." After all, fly-fishing does teach important life lessons, says Gierach-about solitude, patience, perspective, humor, and the sublime coffee break.

In the thirty-third installment of Donna Leon’s magnificent series, Commissario Guido Brunetti confronts a present-day Venetian menace and the ghosts of a heroism that never was....

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice’s canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man’s presence in Venice exists, Brunetti is forced to use the city’s far richer sources of information: gossip and the memories of people who knew the victim.

Brilliant, witty, perceptive essays about fly-fishing, the natural world, and life in general by the acknowledged master of fishing writers. With the wry humor and wit that have become his trademark, John Gierach writes about his travels in search of good fishing and even better fish stories. In this new collection of essays on fishing - and hunting - Gierach discusses fishing for trout in Alaska, for salmon in Scotland, and for almost anything in Texas.

Commissario Guido Brunetti's career is under threat when his professional and personal lives unexpectedly intersect. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the deserted city, and Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is a member of his own family. Meanwhile, he is also under pressure from his superiors to solve a daring robbery with connections to a suspicious accidental death. Could the two crimes be connected? And will Brunetti be able to prove his family's innocence before it's too late?

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

Commissario Guido Brunetti comes to the aid of a young nursing sister who has had five patients unexpectedly die and decides to leave her convent. In the course of his inquiries, Brunetti encounters an unusual cast of characters but discovers nothing that seems criminal. Is the nun simply creating a smoke screen to justify abandoning her vocation? Or has she stumbled onto something very real and very sinister - something that places her own life in imminent danger?

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery, and base human desires.

The first novel of the rise and fall of the Drakan Empire, an alternative history saga. In Marching Through Georgia, the Draka begin their conquest of the globe as they fight and best that more obvious horror, the Nazis.

On a beautiful spring morning on the island of Pellestrina, south of the Lido on the Venetian lagoon, a small fishing boat moored at the docks suddenly explodes. When it becomes clear that the fire was deliberately set and the boat’s owners brutally murdered, Commissario Brunetti tries to dig up information from Pellestrina’s close-knit - and closemouthed - citizenry. But it is with mixed feelings that he accepts Signorina Elettra’s offer to visit her relatives there and search for clues.

On a rainy morning, not long after the funeral of his mother, Commissario Brunetti and Ispettore Vianello respond to a 911 call reporting a body floating near the steps in one of Venice's side canals. Reaching down to pull it out, Brunetti's wrist is caught by the silkiness of golden hair, and he sees a small foot - together he and Vianello lift a dead girl from the water.