Résultats lu par "Justin Avoth" dans Toutes les catégories

Neoliberals should have seen the end of the Cold War as a total victory—but they didn't. Instead, they saw the chameleon of communism changing colors from red to green. The poison of civil rights, feminism, and environmentalism ran through the veins of the body politic and they needed an antidote. To defy demands for equality, many neoliberals turned to nature. Race, intelligence, territory, and precious metal would be bulwarks against progressive politics.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biographies invite us into the lives of the Caesars more vividly or intimately than those by Gaius Suetonius Tranquillus, written from the center of Rome and power, in the early 2nd century AD. By placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius succeeded in painting Rome’s ultimate portraits of power.

Goïmron gathers a small band of trusted companions, and they set off to find Tungdil and save Girdlegard from the mysterious Albae. But the story's only half-over. Brabandor's on the trail of something extraordinary; Rodana is trying to change her fate, and Klaey remains an unknown quantity: his lust for power is unparalleled, and he'll do anything to get it. And the most worrying question of all . . . will their quest, change Goïmron himself?

The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, the breaking point has arrived. A growing number of people can no longer afford to start families, let alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality TV show called The Substitute.

Twenty-two-year-old Olivia has been missing for one day…and counting. She was last seen on CCTV, entering a dead-end alley. And not coming back out again. Julia, the detective heading up the search for Olivia, thinks she knows what to expect. A desperate family, a ticking clock, and long hours away from her husband and daughter. But she has no idea just how close to home this case is going to get.

A fabulous "lost masterpiece" becomes the ultimate prize - for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes - theft, forgery, betrayal, and maybe even murder....

Set over a single day, as the morning train travels from the Normandy coast to Paris, men, women and children take their seats in the passenger cars, which are divided by wealth and status. Among the passengers is an anarchist intent on destruction, a young boy travelling alone, a pregnant woman fleeing her home village for the anonymity of the big city, a medical student who suspects a girl may have a fatal disease, and the railway men, devoted to the train, to the company and to each other.

A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other. Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.'s home, and she and Henerey vanish.

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

To the outside world, suave, charming and confident doctor Marcus Valentine has it all. A loving wife, three kids, a great job. But there’s something missing, there always has been...or rather, someone.... Driving to work one morning, his mind elsewhere and not on the road, he almost mows down a female jogger on a crossing. As she runs on, Marcus is transfixed. Infatuated. She is the spitting image of a girl he was crazy about in his teens. A girl he has never been able to get out of his mind.

Felix Grandet, having married well and become a wealthy landowner and wine-grower, is a miser who watches like a hawk the sugar lumps and the bread slices. The question of who will marry his daughter and inherit his fortune fuels endless speculation in the town of Saumur. The arrival of Eugénie’s cousin sparks feelings and a resolve that puts her on a collision course with her father’s control. As the years pass and she must navigate the self-interest of potential suitors, we see how habits manifest themselves in a new generation.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

The Other Side of Night begins with a man named David Asha writing about his biggest regret: his sudden separation from his son, Elliot. In his grief, David tells a story. Next, we step into the life of Harriet Kealty, a police officer trying to clear her name after a lapse of judgment. She discovers a curious inscription in a secondhand book—a plea: Help me, he’s trying to kill me. Who wrote this note? Who is “he”? This note leads Harri to David Asha, who was last seen stepping off a cliff.

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

On the island of Merlank, the Dead must not be allowed to linger. The very sight of their ghosts can kill you. When young Milo is thrust into the role of Ferryman following his father’s sudden death, he is the one who must carry away the Dead. Pursued by a vengeful lord and two malignant magicians, Milo must navigate strange and perilous seas where untold threats whisper in the mist. Does he have the courage and imagination to complete his urgent mission?

Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives.

London, 1861: Ten-year-old Nell belongs to a crew of mudlarks who work a stretch of the Thames along the Ratcliffe Highway. An orphan since her mother died four years past, leaving Nell with only broken dreams and a pair of satin slippers in her possession, she spends her days dredging up coals, copper and pieces of iron spilled by the river barges – searching for treasure in the mud in order to appease her master, Benjamin Murdstone. But one day, Nell discovers a body on the shore. It’s not the first corpse she’s encountered, but by far the strangest.

Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.

Naxos AudioBooks is proud to be bringing Francis Brett Young (1884–1964) back into the literary limelight. A justly celebrated writer in his time, he drew on his military and medical experience as well as his acute environmental observations to create authentically detailed and poetically rich novels of profound emotional depth. The coal-mining and heavy industry of the Black Country in the West Midlands, observed by the author as a boy, imbue his ‘Mercian’ novels.