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Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

When Jessi volunteers to help supervise the Kids Can Do Anything Club, she meets nine-year-old Danielle. Danielle has a beautiful smile and a great sense of humor. And she has cancer. Jessi has never met anyone like Danielle before. Even though she's very sick, Danielle is courageous and hopeful. She even has two wishes. The first is to go to Disney World. The second is to graduate from elementary school. Jessi knows she has to be strong for Danielle, and so she makes a very special wish of her own.

Velma Frye is many things. A pilot, a former bootlegger, a well-seasoned traveler, a jazz pianist…and a wielder of celestial magic. She’s also a member of the mystical Rhodes family as well as an investigator for arcane oddities for a magic rights organization, dealing with both simple and complicated cases. And when a pocket watch instigates a magical brawl after one of her flight shows, things become very complicated.

Stella Endicott loves her teacher, Miss Liliana, and she is thrilled when the class is assigned to write a poem. Stella crafts a beautiful poem about Mercy Watson, the pig who lives next door - a poem complete with a metaphor and full of curiosity and courage. But Horace Broom, Stella's irritating classmate, insists that Stella's poem is full of lies and that pigs do not live in houses. And when Stella and Horace get into a shouting match in the classroom, Miss Liliana banishes them to the principal's office. Will the two of them find a way to turn this opposite-of-a-poem day around?

Jessi learns a hard lesson about being deliberately cruel to another person when she sings a song mocking Mr. Trout, the shy, geeky teacher who wears a bad toupee.

Kay Lynn Brooke is a wife and mother in Berkeley, California, building a solid future with her husband and family. Then on December 7, 1941, the bombing of Pearl Harbor throws Kay Lynn’s life, and the lives of everyone she knows and loves, into chaos.

The Best American Short Stories 2021 immerse the listener in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King’s final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy’s gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience.

With Dawn in California and Mallory out sick, the Baby-Sitters Club must recruit a new member, but the girls begin to wonder if the new girl they have selected fits the bill.

Listeners will love this memorable story about a complex friendship between two very different African American girls - and the importance of speaking up. Jamila Phillips and Tai Johnson have been inseparable since they were toddlers, having grown up across the street from each other in Pirates Cove, a low-income housing project. As summer comes to an end, Tai can’t wait for Mila to return from spending a month with her aunt in the suburbs. But both girls are grappling with secrets, and when Mila returns she’s more focused on her upcoming dance auditions than hanging out with Tai.

There are two sides to every story. The surface reality that’s presented to the world. And then, there’s the other side. The real one. The one that matters. Seventeen-year-old self-proclaimed asshole Toby Page is alone. No friends. No family. He trades maintenance work in exchange for room and board. Every day, he fights demons no one else can see. Every day, he wants to give up. But he can’t. Not yet. When Alice Eliot moves in downstairs, she offers Toby some light in his dark world.

Entertainment journalist Dawn Roberts has a lot to work through: a widow’s grief, betrayals of family and friends, and scandals that almost tanked her reputation. Not that Dawn dwells on the past. Well, hardly. When she returns to Baltimore with her husband’s ashes, she can’t avoid it. In fact, she’s diving into decades of backstabbing and treachery for her first trip home in years. She’s looking at you, Joe Perkins. Her former mentor, whose explosive exposé about big-city corruption is being turned into a slanderous movie, is also back in town.

In 2008, a serial killer known as the Cajun Cannibal brutally murders and consumes the flesh of eight people in a small Louisiana parish. With law enforcement closing in on him, he takes his own life before he can face the inside of a courtroom.

Set a year before Truthwitch, Sightwitch follows Ryber Fortiza, the last Sightwitch Sister as she treks deep underground to rescue her missing best friend. While there, she encounters a young Nubrevnan named Kullen Ikray, who has no memory of who he is or how he wound up inside the mountain. As the two journey every deeper in search of answers, and as they brave one close call after another, a tentative friendship forms between them - one that might one day grow into something more.

Evelyn is a Creole woman who comes of age in New Orleans at the height of World War II. Her family inhabits the upper echelon of black society, and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn's daughter Jackie is a frazzled single mother grappling with her absent husband's drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life.

A Century of Poetry in The New Yorker is a celebratory selection from 100 years of influential, entertaining, and taste-making verse in The New Yorker. Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

All Ida Mae Jones wants to do is fly. Her daddy was a pilot, and years after his death she feels closest to him when she's in the air. But as a young black woman in 1940s Louisiana, she knows the sky is off limits to her, until America enters World War II, and the Army forms the Women Airforce Service Pilots. Ida has a chance to fulfill her dream if she's willing to use her light skin to pass as a white girl. She wants to fly more than anything, but Ida soon learns that denying one's self and family is a heavy burden, and it's not what you do but who you are that's most important.

After a childhood in foster care, Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the city of Lucille.

Every week, 17-year-old Tracy Beaumont writes letters to Innocence X, asking the organization to help her father, an innocent Black man on death row. After seven years, Tracy is running out of time - her dad has only 267 days left. Then the unthinkable happens. The police arrive in the night, and Tracy's older brother, Jamal, goes from being a bright, promising track star to a "thug" on the run, accused of killing a white girl. Determined to save her brother, Tracy investigates what really happened between Jamal and Angela down at the Pike.

Joan Morgan offers a provocative and powerful look into the life of the modern Black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, and where the deluge of babymothers and babyfathers reminds Black women who long for marriage that traditional nuclear families are a reality for less than 40 percent of the population.

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.