Résultats lu par "Janina Edward" dans Toutes les catégories

Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales…or patience for the constant e-mails claiming she’s betrothed to an African prince. Sure. Right. Delete! As a former foster kid, she’s learned that the only things she can depend on are herself and the scientific method, and a silly e-mail won’t convince her otherwise. Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his parents and his people. At the top of their list? His marriage.

Moving to a new place can be hard, but when your neighbors welcome you with open arms, there are so many things to discover and celebrate. Come along with the kids from the bestsellers of All Are Welcome and Big Feelings as they introduce the new kid to a community where everyone has a place and is loved and appreciated—no matter what.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world. For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth?

Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it’s everything she’s ever wanted. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole neighborhood. So when Claudio turns up dead a day later—murdered—Lyndsay is unfortunately the prime suspect.

Creating a diverse workplace needs to be an ongoing effort, not just the subject of occasional training. As Celeste Warren says, needed change won’t take place unless all employees feel that they have a role to play in creating the culture they would like to see in their organization. Regardless of what position you hold, you have the ability to impact change and create a more inclusive environment. Anyone can commit to becoming an unofficial diversity and inclusion ambassador in his or her organization.

Kids have always been on the front lines of the fights for justice. From marches protesting child labor to the student strike that helped build the case for Brown v. Board of Education to modern-day March for Our Lives and the Climate Strike, Kids on the March tells the empowering story of children and teens throughout the twentieth and early twenty-first century rallying to fight for liberty, justice, and equality.

Most of us don't need to make speeches. We need to make friends. This is the core message of Black and White: racism can be disrupted by relationships. If you will risk forging friendships with those who do not look like you, it will change the way you see the world, and that could change the world. The coauthors, Teesha Hadra, a young African American woman, and John Hambrick, a sixty-year-old white man, bring a confident and redemptive tone to this hope because that is exactly what they've experienced.

A must-have anthology of the leading Black women and femmes shaping today’s food and hospitality landscape—from farm to table and beyond—chronicling their passions and motivations, lessons learned and hard-won wisdom, personal recipes, and more.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

This book spotlights John Lewis, known for his role in the Civil Rights Movement, having helped organize the March on Washington and the Selma Voting Rights March, and for his lifelong dedication to public service as a member of the House of Representatives. John Lewis was never afraid to get in good trouble.

When Willow Brown was seven, she had her first vision. Her death played out like a movie. Her second vision came along shortly after that, when she predicted her father’s cancer diagnosis. Her mother always wanted her to hide her gift away. That’s what she called it, a gift. In one of Willow’s more recent visions, she saw her great aunt dying peacefully. What she couldn’t predicate was that Aunt Cora would leave her a house in Florida and a cat, forcing Willow to go back to her hometown to sort out affairs. But it turns out Aunt Cora is a little less dead than anyone thought.

The only thing reclusive bookworm Nora, high-powered attorney Christina, and supermom-in-training Leanne ever had in common was their best friend, Molly. When Molly dies, she leaves mysterious gifts and cryptic notes for each of her grieving best friends, along with one final request: that these three mismatched frenemies have brunch together every month for a year.

The Gen—short for Sexagenarian—is an upscale fifty-five-plus community located in the bucolic suburbs of Philadelphia. Main character Cynthia befriends the Gen’s two other Black residents, Bloc and Tish, as well as Lavia, who everyone assumes is from India. They regularly convene to smoke weed, line dance, and debate politics and philosophy as the wine goes down like silk. Their camaraderie is exhilarating.

It's the summer of 1955. For Ethan Harper, a biracial kid raised mostly by his White father, race has always been a distant conversation. When he's sent to spend the summer with his aunt and uncle in small-town Alabama, his blackness is suddenly front and center, and no one is shy about making it known he's not welcome there. Enter Juniper Jones. The town's resident oddball and free spirit, she's everything the townspeople aren't-open, kind, and accepting.

To make her new house in Connecticut truly feel like home, Catie Marron decided to create a garden. But while she was familiar with landscape design, she had never grown anything. A dedicated reader with a lifelong passion for literature, Marron turned to the library of gardening books she’d collected to glean advice from a variety of writers on gardening and horticultural topics both grand and small.

They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs, but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. But their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence.

The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences.

In the opening moments of Chevy in the Hole, August “Gus” Molloy has just overdosed in a bathroom stall of the Detroit farm-to-table restaurant where he works. Shortly after, he packs it in and returns home to his family in Flint. This latest slip and recommitment to sobriety doesn’t feel too terribly different from the others, until Gus meets Monae, an urban farmer trying to coax a tenuous rebirth from the city’s damaged land. Through her eyes, he sees what might be possible in a city everyone else seems to have forgotten or, worse, given up on.

What is the reality of policing in the United States? Do the police keep anyone safe and secure other than the very wealthy? How do recent police killings of young Black people in the United States fit into the historical and global context of anti-blackness? This collection of reports and essays explores police violence against Black, Brown, Indigenous, and other marginalized communities, miscarriages of justice, and failures of token accountability and reform measures.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.