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Los Angeles is not itself. Rain falls hard every day. Homeless men are set on fire in their tents. Detective Sam Carver chases leads into a maze of militias and neo-Nazis. But before he gets too deep into the case, a past that has haunted him for years returns in the name of Dylan Cross. The killer who got away. Carver knows she has murdered again, but no one believes him. She leaves him clues, writes him notes, tempts him. She wants him to betray everything he is. He is drawn to her by the damage and demons they both carry.

Hank is walking home from the bar when the Model T pulls alongside him. It's been decades since he saw a car this old, and the sound of it takes him right back to his 20s. The door is open, and when he climbs in, the car takes off - without a driver. Before he knows what's happened, Hank is right back at Big Spring Pavilion, where he spent his youth drinking bootleg whiskey and chasing pretty girls. He will find the past is not quite as he remembered it, but still a lovely place to go for a drive.

In Entrapment and Other Writings - containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays - Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon, despite that he is held up as a talismanic figure.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

>From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask.

The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” (Booklist).

Laurence Shames’ funny, elegantly written, and hip thrillers have topped best-seller lists across the country, and earned him a leading role as a writer of “Florida noir” with Elmore Leonard and Carl Hiaasen. When Island Frigate advertising rep Suki Sperakis decides to write an exposé on the Key West black market, she is strangled and left for dead in the trunk of a car sinking slowly into the Gulf of Mexico.

Does racing around a track at speeds up to 230 miles per hour sound interesting to you? How about doing it in front of 350,000 screaming fans? If you think that would be a good way to pass the time, then Indy racing is for you. Indy cars are some of the sleekest, fastest, most advanced racing machines in the world. But it hasn't always been that way.

Pietro Pinti, born as he says "in the Middle Ages", worked the land with hoe and plow from his earliest youth. Growing up under Mussolini's Fascist regime on a farm near Florence, he and his family lived under conditions of extreme poverty, as sharecroppers to generally unscrupulous landowners. But during World War II, when millions in towns and cities suffered untold hardships, the hardy Tuscan peasants were well equipped to face the rigors of the era. War or no war, work on the land went on, and Pietro describes month by month a typical year in their lives.

Captain Ring Montgomery is assigned the unpleasant task of escorting opera singer Maddie Worth into the Colorado gold fields. But when passions flare - turning a simple assignment into something more - a well kept secret threatens to tear them apart.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

What do you get when you take one stagecoach out of Denver, add a thousand-or-so bullets whizzing past your head, while sitting next to two headless corpses caught in the crossfire? If your name is Lou Prophet, you get revenge. Raucous, rowdy, ruthless revenge. Next question?

Algren’s classic 1947 short story collection is the pure vein Algren would mine for all his subsequent novels and stories. The stories in this collection are literary triumphs that “don’t fade away.” Among the stories included here are “A Bottle of Milk for Mother”, about a Chicago youth being cornered for a murder, and “The Face on the Barrome Floor”, in which a legless man pummels another man nearly to death - the seeds that would grow into the novel Never Come Morning.

December, 1966: Platoon leader Lt. Joseph Callaway had just turned 23 when he arrived in Vietnam to lead 42 untested men into battle against some of the toughest, most experienced, and best-trained guerrilla soldiers in the world. Callaway soon learned that most events in this savage jungle war were beyond his control. But there was one thing he could do well: take the best damn care of his troops he knew how.

In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells his story of the war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier.

Benjamin Franklin's autobiography is one of the greatest autobiographies of all time, but it was incomplete. Franklin ended his life's story in 1757, when he was 51. He lived another 33 eventful years, serving as America's advocate in London, Pennsylvania's representative in the Continental Congress, and America's wartime ambassador to France. Now, at last, we get the rest of the story, in Franklin's own words.

A classic novel by John D. MacDonald with an exclusive introduction written and read by Dean Koontz. A Flash of Green tells the gripping story of small-town corruption and two people brave enough to fight back, featuring many of the themes John D. MacDonald explored better than anyone in his legendary career as a leading crime novelist. The opportunists have taken over Palm City. Silent and deadly, like the snakes that infest the nearby swamps, they lay hidden from view, waiting for the right moment to strike. Political subterfuge has already eased the residents toward selling out.

After finally achieving some measure of peace and contentment on the tip of Oak Point overlooking the Little Peconic Bay, Sam Acquillo is yet again an accidental player in other people's dramas. It takes him into the world of private security goons, predatory financiers, and lifestyles of young hedonists, some brave, some beautiful, all a bit lost.

In the fourth installment of Germany’s popular Ghostsitter series, famous best-selling author Tiffany Shuster wants to promote her latest vampire romance novel, so she decides Tom’s Ghost Train is the best place for a photo shoot. But when she and Vlarad the vampire suddenly disappear, Tom and his team of monsters must investigate and rescue them. All leads seem to point toward rival carnival attraction Zoracz's House of Mirrors. Will Tom and his friends find Vlarad and Tiffany before they are accused of kidnapping?

When his truck slammed into a telephone pole and burst into flames, the seventeen-year-old became pinned in the driver seat. Moments before the vehicle was consumed by fire, Mike was pulled from the burning wreckage of twisted metal as his body burned. After his guitar was incinerated in the blaze, Pete Townsend from The Who, a musical inspiration, sent him a new guitar, offering, “This is the Phoenix.” In the wake of his Phoenix moment of rising from the ashes, Mike wanted to believe that his life had been saved for a unique purpose.

Arnold J. Toynbee, the most famous professional historian of the twentieth century, is widely quoted as having declared that “History is just one damn thing after another.” This book argues that history is not about “things” at all but is all about turning points—the decisions, acts, innovations, errors, ideas, successes, and failures on which the shape of a nation’s life—our lives—depends. It presents the 100 points at which America’s path decisively turned on its way to where we find ourselves today.