Résultats de "G.K Chesterton" dans Toutes les catégories

Discover the intrigue and mystery of The Man Who Knew Too Much, penned by the prolific and influential English author, Gilbert Keith Chesterton. Known for his vast literary contributions, including journalism, poetry, and novels, Chestertons most memorable work remains the Father Brown stories. This book shares a unique similarity with his famous detective series. The protagonist, Horne Fisher, is intricately linked to the top-tier politicians of his time, providing him with insider knowledge on the mysteries he encounters and resolves. Dive into this gripping narrative and unravel the ...

Der berühmte Dichter Leonard Quinton hat sich das Leben genommen. Aber war es denn wirklich Selbstmord? Welche Rolle spielt der geheimnisvolle Fakir, der im Haus der Quintons wohnt? Pater Brown und Hercule Flambeau gehen der Sache nach. Und dabei stolpern sie über mehrere Dinge, die laut Aussage des Paters über die "falsche Form" verfügen.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In this collection of 39 short stories, you will find the full force of his brilliant storytelling abilities encapsulated in an anthology that popped into his curious mind over the years as he reflected on everyday life, and why we do the things we do.

Anthology of Christmas Stories is a unique collection of Christmas tales, reflections, and poems from beloved authors across the centuries and makes the perfect gift for the reader in your life. This beautiful treasury will take you back to firesides, simple gifts, and warm family moments of Christmases past as you cherish the timeless truths and joys of the season.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

The Man Who Was Thursday: A Nightmare is a mind-bending thriller blending espionage, philosophy, and satire. When Gabriel Syme infiltrates a secret anarchist organization, he finds himself caught in a surreal game of deception and identity. A brilliant mix of detective fiction and metaphysical mystery.

The Napoleon of Notting Hill is a satirical novel blending humor, adventure, and political philosophy. When London’s boroughs are thrown into medieval-style warfare, a seemingly ordinary man becomes a revolutionary leader. A witty and thought-provoking tale of power, pride, and the absurdity of nationalism.

Wenn Flambeau seinen Monatsurlaub nimmt, dann unternimmt er eine Bootsfahrt. Und die unternimmt er mit seinem Freund, dem schlauen Pater aus Essex. So auch dieses Mal. Allerdings dieses Mal mit einem bestimmten Ziel. So hat ihn vor langer Zeit der Brief eines seltsamen Mannes erreicht. Eine Einladung. Von einem waschechten Prinzen. Und den wollen die beiden nun also besuchen. Kaum dort angekommen, werden sie unfreiwillig Zeugen geradezu schrecklicher Ereignisse. Ein Duell. Ein Mord. Der Täter geständig. Selten gab es einen einfacheren Fall - glaubt die Polizei. Doch Pater Brown sieht das etwas anders.

L’irresistibile Padre Brown torna a stupirci con le sue incredibili doti intuitive, sempre accompagnate da un’incrollabile fede nella forza del Bene sul Male! In una serie di indagini appassionanti e cariche di humour, il brillante prete dell’Essex deve affrontare il mistero di strani specchi e di enigmatiche armature, smascherando ciarlatani che simulano doti soprannaturali e riconducendo assassini spietati sulla retta via... Il londinese Gilbert Keith Chesterton (1874-1936) è stato fra i più importanti intellettuali cattolici della sua generazione.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

Der Pater weilt auf Urlaub in den USA. Und schliddert selbstredend sofort in einen Kriminalfall. Ein bekannter Milliardär wurde ermordet. Mit einem Pfeil erschossen - vom Garten seines Anwesens, das einer uneinnehmbaren Festung gleicht. Vom Täter fehlt jede Spur. Wie ist das möglich? Ist hier etwas Übernatürliches am Werk? Fiel dieser Pfeil buchstäblich vom Himmel?

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

With G. K. C.’s characteristic wit, he explores in this essay the virtues of baby-worship, as adults are invited to see the world anew through the eyes of children. Furthermore, argues G. K. C., an appreciation of our youngest humans “forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things.”

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

The experiments of both Capitalism and Communism are almost complete, and they both lead to one big organization controlling everything you do. In 1925, when this book was first published, it was true, and it is even truer today.