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For years, The Great Courses has taken lifelong learners on stirring explorations of our ancient roots; ones that bring you face to face with what history means, and how we use it to understand both the past and the present. So where's the best place to start? Right here with this eclectic and insightful collection of 36 lectures curated from our most popular ancient history courses.

Dan Brown's immensely popular New York Times best-selling The Da Vinci Code is one of the most successful books of recent history. It has captivated millions the world over with its enthralling suspense and its provocative questions about the true nature of Jesus' life.

These 24 lectures introduce what is considered the most important collection of post-New Testament writings. Although largely unknown and unread, these writings provide a treasure trove of insights into Christianity, and they are crucial to understanding the development of a religion that was shaped largely outside the pages of the New Testament itself.

Christianity didn't have to become the dominant religion in the West. It easily could have remained a sect of Judaism fated to have the historical importance of the Sadducees or the Essenes. In The Triumph of Christianity, Bart Ehrman, a master explainer of Christian history, texts, and traditions, shows how a religion whose first believers were 20 or so illiterate day laborers in a remote part of the empire became the official religion of Rome, converting some 30 million people in just four centuries.

"Arguably the most distinctive feature of the early Christian literature," writes Bart Ehrman, "is the degree to which it was forged." The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament - all forgeries. To cite just a few examples.

While most people think that the 27 books of the New Testament are the only sacred writings of the early Christians, this is not at all the case. A companion volume to Bart Ehrman's Lost Christianities, this book offers an anthology of up-to-date and easy-listening translations of many noncanonical writings from the first centuries after Christ - texts that have been for the most part lost or neglected for almost two millennia.

It is often said, even by critical scholars who should know better, that “writing in the name of another” was widely accepted in antiquity. But New York Times bestselling author Bart D. Ehrman dares to call it what it was: literary forgery, a practice that was as scandalous then as itis today. In Forged, Ehrman’s fresh and original research takes readers back to the ancient world, where forgeries were used as weapons by unknown authors to fend off attacks to their faith and establish their church.

Large numbers of atheists, humanists, and conspiracy theorists are raising one of the most pressing questions in the history of religion: "Did Jesus exist at all?" Was he invented out of whole cloth for nefarious purposes by those seeking to control the masses? Or was Jesus such a shadowy figure - far removed from any credible historical evidence - that he bears no meaningful resemblance to the person described in the Bible?

From classics such as the Odyssey and the Aeneid to fifth-century Christian apocrypha, narratives that described guided tours of the afterlife played a major role in shaping ancient notions of morality and ethics. In this new account, acclaimed author Bart Ehrman contextualizes early Christian narratives of heaven and hell within the broader intellectual and cultural worlds from which they emerged.

How did early Christians come to believe that Jesus of Nazareth was the divine Son of God? This is the central question in this book. When Did Jesus Become God? is a transcribed conversation between Bart Ehrman and Michael Bird, with a helpful historiographic introduction by Robert Stewart that helps listeners understand the conclusions reached by Ehrman and Bird.

The 92nd Street Y has gathered scholars and authorities to discuss the questions and issues raised in Dan Brown's The Da Vinci Code. What are the implications for religion and private faith when talk about God moves into pop culture, and popular entertainment becomes a mode of education?