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In Beyond Good and Evil, Friedrich Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality, which Nietzsche subjects to a destructive critique, in favor of what he regards as an affirmative approach that fearlessly confronts the contextual nature of knowledge.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

Nietzsche était intimement convaincu que seule une inversion de toutes les valeurs admises jusqu'ici pourrait libérer l'horizon de l'ombre tutélaire de Dieu...

One of the most prominent thinkers of the 19th century, Nietzsche was a cultural critic and philosopher whose theories on truth, morality, nihilism and the meaning of existence have had enormous influence on Western philosophy.

"Human, all-too-Human", is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects traditional Western thought with its notions of truth and God, good and evil. Nietzsche seeks to demonstrate that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual impose their own 'will to power' upon the world.

A caustic criticism of nearly every philosophic predecessor and a challenge of traditionally held views on right and wrong, Friedrich Nietzsche’s Beyond Good and Evil paved the way for modern philosophical thought. Through nearly three hundred transformative aphorisms, Nietzsche presents a worldview in which neither truth nor morality are absolutes, and where good and evil are not opposites but counterparts that stem from the same desires.

On the Genealogy of Morals: A Polemic is an 1887 work by the German philosopher Friedrich Nietzsche. It consists of a preface and three interconnected essays that expand on concepts Nietzsche first raised in Beyond Good and Evil (1886). The three essays question and critique the value of our moral judgments based on a method whereby Nietzsche examines the origins and meanings of our different moral concepts.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

Nietzsche is a major figure in Western philosophy. His work is radical, sometimes violent, often ironic; it fascinates anyone bold enough to delve into it, exerted a profound influence on modern intellectual history, and covers a wide range of subjects. Nietzsche's writings borders on the poetic; his aphorisms are particularly well-known for conveying all the radicalism of his thinking in an intense but light, sometimes amusing manner.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Livre "à part", comme Nietzsche le nomma lui-même. Dans "Ainsi parlait Zarathoustra" apparaîssent pour la première fois des thèmes comme la volonté de puissance ou le surhomme. Ces idées comptent au nombre de celles qui ont le plus fortement marqué la pensée contemporaine.

Nietzsche is a major figure in Western philosophy. His work is radical, sometimes violent, often ironic; it fascinates anyone bold enough to delve into it, exerted a profound influence on modern intellectual history, and covers a wide range of subjects. Nietzsche's writings border on the poetic; his aphorisms are particularly well-known for conveying all the radicality of his thinking in a intense but light, sometimes amusing manner.

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

Enjoy this Friedrich Nietzsche collection combining two of Nietzsche's most noteworthy pieces, Thus Spoke Zarathustra and Beyond Good and Evil, into one audiobook!

1000 citations de dix parmi les plus grands auteurs, écrivains et philosophes, pour développer vos connaissances, illustrer votre conversation et donner du grain à moudre à votre réflexion. Ce format permet d'aller à l'essentiel de la pensée d'un auteur tout en restant fidèle à son style ; ce format accessible est idéal pour la préparation aux concours ou pour développer sa culture générale.

Lire Nietzsche, c'est apprendre à philosopher à coups de marteau. Dans les bibliothèques universitaires, ce sont les livres de Nietzsche qui sont les plus souvent volés. Pas étonnant : la rencontre avec Nietzsche fascine et apprend à penser, voire à se rebeller. Sa pensée est radicale, parfois violente, souvent ironique ; ses écrits sont à la frontière de la philosophie et de la poésie. Ses aphorismes en particulier véhiculent toute la force de sa pensée de façon directe, efficace, et souvent pleine d'humour.

One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.

Dans ce court texte qui réfléchit la lumière déclinante de nos idéaux, Nietzsche ausculte nos anciennes idoles. C'est toute l'histoire de la philosophie qui est ainsi passée au scalpel, et qui tombe parfois en mille morceaux. L'humour le dispute ici à la sévérité - cruauté de bon aloi. Au carrefour de la métaphysique et de la morale, "Le crépuscule des idoles" interroge les notions fondamentales de la philosophie, telles que la raison, la volonté, la vérité. Ce titre aux accents wagnériens est emblématique de la pensée nietzschéenne.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.