Résultats de "Henry Fielding" dans Toutes les catégories

Henry Fieldings Roman "Tom Jones: Geschichte eines Findlings" ist einer der ersten Romane der Weltliteratur, und zwar in des Wortes doppelter Bedeutung: zeitlich und hinsichtlich seines literarischen Ranges. Die Geschichte des Findlings ist - bei aller Dramatik der Ereignisse - gemächlich erzählt und durchwärmt von einem feinen ironischen Humor. Besonders vergnüglich sind die augenzwinkernden Kommentare des Autors zu seinem Werk.

Genri Filding (1707 - 1754) - znamenityj anglijskij pisatel' i dramaturg XVIII veka, izvesten svoim zhitejskim jumorom i satiricheskim masterstvom. Odin iz osnovopolozhnikov realisticheskogo romana. Spektakl' "Sud'ja v lovushke" - komedija, oblichajushhaja nespravedlivost' anglijskogo zakonodatel'stva, prodazhnost' politicheskih dejatelej, sistemu podkupov, vsjacheskie moshennichestva.

This is Stephen Wyatt's adaptation of Henry Fielding's classic comic adventure. Episode 1: The wealthy Squire Allworthy steps into bed and finds an infant wrapped between his sheets. Episode 2: Tom is banished from the home in which he has spent his entire life. Episode 3: Tom follows his true love Sophia to London and receives an invitation to a masked ball.

Volume 2 continues our story by picking up with the flight of Sophia from her father, Squire Western, and continues the journey of Tom as he ponders his future on the road to London. In a series of tightly constructed plot twists and turns, Tom and Sophia end up at the same inn, unbeknownst to one another. Meanwhile, a plethora of new characters are introduced.

Tom Jones is greatly admired not only for the meticulous craft with which it was written, but also for its humor, objectivity and penetrating psychological depth. It is without a doubt one of the great contributions to the English novel, and as such will always maintain a place of honor in world literature. Through the minute examination of the motives of his characters, Henry Fielding revealed many universal truths about human nature.

Tom Jones is a splendid Hogarthian panorama of 18th-century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

As several gentlemen in these times, by the wonderful force of genius only, without the least assistance of learning, perhaps, without being well able to read, have made a considerable figure in the republic of letters; the modern critics, I am told, have lately begun to assert, that all kind of learning is entirely useless to a writer; and, indeed, no other than a kind of fetters on the natural sprightliness and activity of the imagination, which is thus weighed down, and prevented from soaring to those high flights which otherwise it would be able to reach.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 16: I have heard of a dramatic writer who used to say, he would rather write a play than a prologue; in like manner, I think, I can with less pains write one of the books of this history than the prefatory chapter to each of them.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 15: There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 17: When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

We are now, reader, arrived at the last stage of our long journey. As we have, therefore, travelled together through so many pages, let us behave to one another like fellow-travellers in a stage coach, who have passed several days in the company of each other; and who, notwithstanding any bickerings or little animosities which may have occurred on the road, generally make all up at last, and mount, for the last time, into their vehicle with chearfulness and good humour; since after this one stage, it may possibly happen to us, as it commonly happens to them, never to meet more.

Among other good uses for which I have thought proper to institute these several introductory chapters, I have considered them as a kind of mark or stamp, which may hereafter enable a very indifferent reader to distinguish what is true and genuine in this historic kind of writing, from what is false and counterfeit. Indeed, it seems likely that some such mark may shortly become necessary, since the favourable reception which two or three authors have lately procured for their works of this nature from the public, will probably serve as an encouragement to many others to undertake the like.

As truth distinguishes our writings from those idle romances which are filled with monsters, the productions, not of nature, but of distempered brains; and which have been therefore recommended by an eminent critic to the sole use of the pastry-cook; so, on the other hand, we would avoid any resemblance to that kind of history which a celebrated poet seems to think is no less calculated for the emolument of the brewer, as the reading it should be always attended with a tankard of good ale.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 3: The reader will be pleased to remember, that, at the beginning of the second book of this history, we gave him a hint of our intention to pass over several large periods of time, in which nothing happened worthy of being recorded in a chronicle of this kind.

It is impossible we should know what sort of person thou wilt be; for, perhaps, thou may'st be as learned in human nature as Shakespear himself was, and, perhaps, thou may'st be no wiser than some of his editors. Now, lest this latter should be the case, we think proper, before we go any farther together, to give thee a few wholesome admonitions; that thou may'st not as grossly misunderstand and misrepresent us, as some of the said editors have misunderstood and misrepresented their author.

An author ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money. In the former case, it is well known that the entertainer provides what fare he pleases; and though this should be very indifferent, and utterly disagreeable to the taste of his company, they must not find any fault; nay, on the contrary, good breeding forces them outwardly to approve and to commend whatever is set before them.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 7: The world hath been often compared to the theatre; and many grave writers, as well as the poets, have considered human life as a great drama, resembling, in almost every particular, those scenical representations which Thespis is first reported to have invented, and which have been since received with so much approbation and delight in all polite countries.

In our last book we have been obliged to deal pretty much with the passion of love; and in our succeeding book shall be forced to handle this subject still more largely. It may not therefore in this place be improper to apply ourselves to the examination of that modern doctrine, by which certain philosophers, among many other wonderful discoveries, pretend to have found out, that there is no such passion in the human breast.

Though we have properly enough entitled this our work, a history, and not a life; nor an apology for a life, as is more in fashion; yet we intend in it rather to pursue the method of those writers, who profess to disclose the revolutions of countries, than to imitate the painful and voluminous historian, who, to preserve the regularity of his series, thinks himself obliged to fill up as much paper with the detail of months and years in which nothing remarkable happened, as he employs upon those notable aeras when the greatest scenes have been transacted on the human stage.

In our last initial chapter we may be supposed to have treated that formidable set of men who are called critics with more freedom than becomes us; since they exact, and indeed generally receive, great condescension from authors. We shall in this, therefore, give the reasons of our conduct to this august body; and here we shall, perhaps, place them in a light in which they have not hitherto been seen.