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National Book Award nominee and five-time Spur Award-winner Loren D. Estleman is widely considered one of America's finest Western authors. In this riotous and action-packed tale of Old West high jinks, a band of thieves posing as a traveling theater troupe runs afoul of a clever Pinkerton agent.

A fragmented story comprised of anecdotal episodes from the early days of Hollywood.

In the private eye business, mistakes can be fatal. Just ask Amos Walker.

Spring has come to Detroit's Sugartown enclave, and Amos Walker would like to feel kindly toward the human race. Unfortunately, his first case of the new season immediately leads him into trouble among the Polish settlers of neighboring Hamtramck, when old Martha Evancek hires him to look for her missing grandson. But even before Walker gets a chance to investigate, he's presented with a second case: an eminent Russian novelist who fears that someone is out to kill him.

Locked in a deadly feud, cowboys Randy Locke and Frank Farmer have spent decades attempting to annihilate each other any time they are within shooting distance. So far, the men are even. One of Frank's bullets has given Randy a permanent limp. Vain Frank wears a prosthetic ear, his own lost to Randy's assault. If either of them remembers the original reason for the feud, it seems moot now.

When Amos Walker was a teen, he had a poster of Gail Hope on his wall. A 60s bombshell in the beach-blanket tradition, she has fallen hard since her glory days as one of the dying studio system’s final starlets. But when she calls on Amos Walker she remains as lovely as ever: an elegant beauty with a $750,000 problem.

At a gala party held in memory of screen legend Greta Garbo, Hollywood film detective Valentino is having fun until the host, a hotshot developer named Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been…close. Such a letter is of great interest to a film archivist like Valentino, but the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him.

E' l'anno 1890. Una nave fa naufragio sulla costa inglese, l'equipaggio è scomparso...

Tracking down a runaway wife is run of the mill. That's yesterday's blues. But finding the trombonist father of black, beautiful, reformed hooker Iris threatens to blow up into the case of a lifetime. The trail Amos Walker follows through Detroit's smoky music clubs leads him to dens of hard crime and harder drugs - where Iris and Amos will be lucky to escape with their lives, much less the truth about a past packed with menacing secrets. And that's no jazz.

On screen, Sandy Broderick is everything a newscaster is supposed to be. He has a deep voice, a 10,000-watt smile, and the God-given ability to banter with weathermen until his ears fall off. But when the cameras turn off, he has a private problem: His 20-year old son, Bud, has disappeared. Amos Walker is going to find him. The boy and his junkie girlfriend are both gone, and Broderick is terrified - not for his son, but for his career. The station is about to do an exposé on drugs in Detroit, and the newscaster doesn’t want his boy’s addict girlfriend to get in the way of his Pulitzer.

Enter Valentino, a mild-mannered UCLA film archivist, who buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement. He then makes a second discovery: long-lost, priceless, reels of film: Erich von Stroheim's infamous Greed. The LAPD wants to take the reels as evidence, jeopardizing the precious old film.

Jay has never forgotten the photo once sent to him of his young fiancée - naked in the arms of another man. Now on his deathbed and convinced the photo was a fake, the hunt is on for a modern-day witchfinder. And Amos Walker is the man for the job.

Countless tragedies occurred during the 1967 Detroit riots, and one of them belonged to Richard DeVries. A 22-year-old black man about to play for the Pistons, he was spotted tossing a Molotov cocktail at an abandoned building, arrested on the spot, and then charged with robbing an armored car. 20 years later he’s free, and the first man he calls on is Amos Walker. With 20 years of savings he buys a month of Walker’s time, asking for help finding the men who robbed the armored car. DeVries has already paid for stealing that $200,000, and now it’s time to collect it.

What could be more innocent than watching old movies? For Neil Catalin, a wealthy man with a happy home, old-fashioned pictures were a hobby that became an obsession. But he wasn’t watching The Wizard of Oz. Crime movies were his passion, the sort where life is cheap and death is free, and Catalin sank himself into them as an escape from the stresses of suburbia. Now he has disappeared, and his wife believes the clue may be in his collection of gruesome classics.

Barry Stackpole was tough once. Amos Walker met him in a Cambodian shell crater when Walker was serving his country and Stackpole was on the payroll of the Detroit News, and they formed the kind of bond that war often creates. At war’s end, they returned to the Motor City, where Stackpole took to reporting crimes and Walker to solving them. A violent run-in with a big time mobster left Stackpole a leg and two fingers short, and he became an alcoholic. He has made several attempts to get his life straight since, but never quite managed.

Everyone knows the Frankenstein monster was played by Boris Karloff. But before Karloff’s memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The screen test footage was lost for decades, until Valentino, the never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he’ll have to pay.