Résultats de "Lynn Messina" dans Toutes les catégories

Contre toute attente, Beatrice Hyde-Clare est bel et bien fiancée au duc de Kesgrave. Et plus que jamais déterminée à l'épouser. Cette fois, c'est promis, aucun meurtre ne la détournera de son futur mari ! Peu importe les cris d'orfraie de sa tante, l'inquiétude de ses amis ou les conseils non sollicités de vagues connaissances bien intentionnées. Au diable les convenances, Beatrice est décidée à épouser le plus rapidement possible le duc de Kesgrave.

Finally, Flora Hyde-Clare has wrest the narrative from Beatrice by finding her own compelling murder mystery to solve. Well, it’s not entirely her own because the victim is her cousin’s former beau Mr. Theodore Davies, whose father cruelly separated the young lovers (though not so cruelly, for it left the door open for Bea to woo the duke of Kesgrave).

As eager as Beatrice, Duchess of Kesgrave, is to meet her husband’s newly discovered illegitimate half sister, she does not want it to happen like this: in the keeper's house at Newgate. Yes, that Newgate, the abject prison filled with squalor and misery to which Verity Lark has been consigned for murder. Found standing over the slain corpse of an old tormentor with a still-warm pistol in her hand, she is obviously guilty. It is an open-and-shut case with little for an unduly curious duchess to investigate. Except it all seems a little too simple and straightforward.

Bedeviled by Colson Hardwicke’s treatment—summarily dumping her via tersely worded message!—Verity Lark is lying awake in her bed seething over his behavior when she hears a floorboard creak. Immediately alert to the presence of a late-night intruder, she deftly thwarts the attack. Taking her would-be kidnapper captive is easy. Figuring out what he wants with her—well, that part is tricky and she wonders if it could have something to do with one of her many alter egos.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.

Twenty-four-year-old Catherine Fellingham keeps a low profile - in society and in her family. A practical young woman, she leaves the spotlight to her beautiful younger sister and prefers quiet pursuits such as reading. But all that changes the moment she learns of her mother’s very excellent scheme to keep the family out of debtors’ prison. The scatter-brained Lady Fellingham has been selling commissions in the king’s army, and Catherine must shake off her indifference in order to save her family from a potentially ruinous scandal.

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

As the London Daily Gazette’s popular gossip columnist, she is extremely adept at sneaking into houses, assuming disguises and overseeing a vast network of spies to ensure she stays abreast of the beau monde’s comings and goings. If it sometimes seems as though she was hiding behind the settee during a particularly fierce quarrel between a husband and his wife, it’s most likely because she was hiding behind the settee during their fierce quarrel.

It's 2017, and a raging virus has drastically reduced the world's population of men, transforming all but a fraction into a race of putrid, brain-dead zombies. So what's single, ambitious 23-year-old Hattie Cross to do for fun, not to mention romance? In this hilarious marriage of post-apocalyptic fiction and super smart chick-lit with a wry twist, novelist Lynn Messina spoofs dating manuals, monsters, and the superficial media world, all the while creating a feisty, funny heroine with heart.

Verity Lark—England's most tenacious gossip, the London Daily Gazette's most dogged reporter—relishes a challenge, which is why she refuses Colson Hardwicke's offer of menial employment. If the infuriating scoundrel really needs the sister of a radical reformer to be distracted with girlish chitchat, he can bloody well erupt into giggles!