Résultats de "Mary Shelley" dans Toutes les catégories

Durante un viaje en Alta Mar, el capitán Walton le escriba cartas a su hermana: en ellas le cuenta sus aventuras, y sobre todo el misterioso encuentro con el doctor Víctor Frankenstein. Escrita por la inglesa Mary Shelley y publicada en 1818, la tenebrosa historia del científico que juega a ser Dios, singnificó un antes y un después en la llamada tradición gótica. La famosa novela explora temas como la moral, la creación y la destrucción de la vida, considerándose el primer texto del género de ciencia ficción.

First published in 1818, this groundbreaking work tells the story of Victor Frankenstein, a brilliant but reckless scientist who creates a sentient creature in his quest to conquer death. However, his experiment spirals into tragedy as the creature, abandoned and misunderstood, seeks both revenge and companionship. Shelley's novel delves into themes of isolation, responsibility, and the consequences of playing god, making it a cornerstone of both horror and science fiction literature.

One of the greatest horror stories ever written, Frankenstein comes to spellbinding life once again in this tour-de-force performance by the acclaimed director and star of Henry V, Dead Again, and Much Ado About Nothing. The definitive recording of one of the most haunting tales of all time, Kenneth Branagh's performance of Frankenstein is a true audio classic.

Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).

On a stormy summer evening two centuries ago, Mary Shelley wrote the classic tale about a scientist and his monstrous creation. Now, here is the fun just-for-kids version of Mary Shelley’s classic Frankenstein, abridged and retold while remaining true to Shelley’s original text.

When the crew of the Oceanus rescued a man close to death, its captain could barely have guessed at the incredible story that man would come to share. This is the story of Victor Frankenstein: a man obsessed with discovering the secret of life and cheating death; a man who brings to life to a body built from corpses; and a man who rejects this would-be child.... Soon Victor and his creature are entangled in a dangerous game of cat and mouse across Europe. But who is truly the monster?

FRANKENSTEIN Narra la historia de Víctor Frankenstein, un joven suizo, estudiante de medicina en Ingolstadt, obsesionado por conocer "los secretos del cielo y la tierra". En su afán por desentrañar "la misteriosa alma del hombre", Víctor crea un cuerpo a partir de la unión de distintas partes de cadáveres diseccionados. El experimento concluye con éxito cuando Frankenstein le da vida al monstruoso cuerpo. Víctor Frankenstein, que comprende en ese momento el horror que ha creado, rechaza con espanto el resultado de su experimento y huye de su laboratorio.

Frankenstein by Mary Shelley, published in 1818, is a landmark Gothic novel that explores themes of ambition, creation, responsibility, and the consequences of playing God. Victor Frankenstein, a young man from Geneva, grows up in a loving and supportive family. He is deeply interested in science and becomes obsessed with understanding the secrets of life. After studying at the University of Ingolstadt, Victor discovers the method for creating life and becomes consumed with the idea of building a living being.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Although the story of Frankenstein is well known and commonly referenced, experiencing the original novel is well worth the endeavor and illuminates the true depth and complexity that is often missed in modern references. A tale not just of monsters and dark shadows, but of hubris, romance, regret, loss, adventure, morality, isolation, and much more.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

Frankenstein ou le Prométhée moderne est un roman fantastique de Mary Shelley. Il relate la création par un jeune savant suisse, Victor Frankenstein, d'un être vivant assemblé avec des parties de chairs mortes. Horrifié par l'aspect hideux de l'être auquel il a donné la vie, Frankenstein abandonne son "monstre". Mais ce dernier, doué d'intelligence, se venge par la suite d'avoir été rejeté par son créateur et persécuté par la société.

This book contains the following works: 1. Edgar Allan Poe: The Pit and the Pendulum 2. William Shakespeare: A Midsummer Night's Dream 3. Frances Hodgson Burnett: The Secret Garden 4. Fyodor Dostoevsky: The Dream of a Ridiculous Man 5. Robert Louis Stevenson: Treasure Island 6. H. P. Lovecraft: At the Mountains of Madness 7. Jack London: The Call of the Wild 8. Mary W. Shelley: Frankenstein, or The Modern Prometheus 9. Osamu Dazai: No Longer Human (Confessions of a Faulty Man) 10. Nathaniel Hawthorne: The Scarlet Letter

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit. Each of their works is laden with talent, has purpose, and is rich and textured in this gloried niche of literature.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.