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The Viy is a horror novella by Russian writer Nikolai Gogol, first published in the first volume of his collection of tales entitled Mirgorod (1835). The title is also the name of the demonic entity central to the plot. Every summer, there is usually a large procession of all the students moving around the area as they travel home. However, the group is reduced to three students: the theologian Khaliava, the philosopher Khoma Brut, and the rhetorician Tibery Gorobets. As the night draws in, the students hope to find a village near the main road where they can find some rest and food.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Gogol's great comic masterpiece paints an hilariously satirical picture of provincial life in 19th century Russia. Its publication in 1847 not only provided inspiration for succeeding generations of Russian writers, but fanned the already flickering flames of social discontent which were eventually to flare up and consume Russia in the revolution of 1917.

En «El abrigo» conocemos la historia de Akaky Akakievich, un humilde oficinista ruso. Aunque su vida es simple y monótona, su mayor deseo es tener un nuevo abrigo para soportar el invierno. Después de diversos malabares para conseguir el dinero, consigue adquirir un excelente abrigo, sin sospechar que este cambiará por completo su apacible vida.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

The Collected Tales of Nikolai Gogol includes the works of the famous writer Nikolai Gogol: The Viy, A May Night, Memoirs of a Madman, The Nose, The Cloak, Christmas Eve.

"The Nose" is the second best known story of Gogol, after "The Overcoat". A military major discovers his nose is missing and works to recover it. He finds the nose but it pretends to have a life of its own, as a fellow human. It in fact has a higher rank than the Major himself. The Major is perplexed, goes back to his apartment, and has the nose returned to him. With great joy he recovers his nose, only to find it won't reattach to his face. After much going on, he finds the nose reattached to his face.

Christmas carols, the devil, fresh-baked bread, unrequited love, a witch's broomstick, Catherine the Great, cossacks, paintings, vodka, stolen moon, an unexpected blizzard, sausage, and one very fancy pair of shoes - all is mayhem and merriment in Nikolai Gogol's delightful Christmas tale.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

Fully restored and remastered, Heritage Media presents the greatest of vintage artists in classic dramas from the literature of Russia. Here is the legendary Laurence Olivier starring in ‘The Inspector General’, adapted from the original tale by Nikolai Gogol and Trevor Howard starring in 'Judgment' adapted from the original tale by Fyodor Dostoevsky.Theatre Royal is a unique series of classic radio dramas produced in the 1950's by the late Harry Alan Towers.

Centering on the picaresque realism of Nikolai Gogol’s (1809-1852) mid-19th-century visions of the extraordinary in everyday life, this collection mines the ambiance and mind of pre-Revolutionary Russia. These seven stories take us from the Miracle Mile of St. Petersburg’s Nevsky Prospekt, and a summer night in a Ukrainian village, to the fantastical psychological geographies of fathers, sons, and madmen. Augmenting Gogol’s visions are two disturbing tales by the foremost storyteller of Russia’s “Silver Age”.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

Ukrainian-born humorist, dramatist and novelist Nikolai Gogol is widely believed to have led the realist revolution in Russian literature. His surreal, absurdist satires liberated comedy from its sentimental traditions and influenced writers both within Russia and worldwide, among them Fyodor Dostoevsky, Franz Kafka and Flannery O’Connor.

Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence, it is usually regarded as complete in the extant form. Please note: This audiobook is in Russian.

Dive into the thrilling world of Taras Bulba, a captivating historical novella by Nikolai Gogol. Set against the backdrop of Ukraines untamed frontier—often likened to America’s wild west—this tale unfolds in a land where borders are fluid and the spirit of adventure reigns. Journey alongside Taras Bulba, a fierce Cossack colonel, and his two sons, Ostap and Andriy, as they navigate the trials of honor, bravery, and loyalty after graduating from the Kiev Academy. This story is rich with themes of romance, chivalry, and the relentless pursuit of freedom, all wrapped in a tapestry of ...

Enchanting, tragic, and hilarious fairy tales for adults and children grace these pages. An initial glance might lead you to assume that these are satirical versions of classic Christmas ghost stories. However, beneath the humorous stories involving ghosts, repentant sinners, miracles, and good peasants who find well-deserved happiness, lies a psychological undercurrent that sharpens the sense of intrigue and plot movement. Often this is aided by the unrelenting social exposure of the authors who always understood how intangible the "bourgeois paradise" truly was.

The writer who did most to establish prose as a force in Russian literary culture was Nikolai Gogol. Gogol's example combined with the pronouncements of the literary critics of the period, established prose as the literary medium of the future. Fyodor Dostoevsky is supposed to have said, referring to himself and his fellow Realists, "We have all come out from under Gogol's "Overcoat".

Chichikov, a mysterious stranger, arrives in a provincial town with a bizarre but seductive proposition for local landowners. He proposes to buy the names of their serfs who have died but who are still registered on the census, saving their owners from paying tax on them. But what collateral will Chichikov receive for these "souls"?

En La Bruja – El Viyi, nos conduce a un territorio donde el folclore palpita con fuerza; un mundo donde las noches se cargan de presagios, las criaturas míticas acechan al borde del camino, lo sagrado y lo profano se rozan sin permiso. Un estudiante de seminario se ve obligado a vigilar el cadáver de una joven, que quizá no está tan muerta como parece.