Résultats lu par "Bryan Nyman" dans Toutes les catégories

John Wesley was an 18th-century preacher and a cofounder of Methodism. In his stirring sermon “Of Hell”, Wesley dives into the theology of eternal punishment for unbelievers. He focuses on the two primary forms of punishment: that of loss and that of feeling. Wesley preaches with conviction, making it no wonder that his words were an important part of the revivalist movement that reignited the passion of formerly lukewarm Christians.

The Ascension of Christ is a classic sermon by Charles Spurgeon, first delivered on Sunday morning, March 26th 1871. This sermon is beautifully narrated by Bryan Nyman.

"Baptismal Regeneration" is a classic sermon by Charles Spurgeon, first delivered on Sunday Morning, June 5, 1864. This narration is exquisitely performed by Bryan Nyman.

>"None But Jesus - Part 2" is a classic sermon by Charles Spurgeon, first delieved on February 17th, 1861. This narration is beautifully performed by Bryan Nyman.

Anxiety, Ambition, Indecision is a classic sermon by Charles H. Spurgeon, first delivered on Thursday, February 18th 1904. This sermon is beautifully narrated by Bryan Nyman.

A New Year's Benediction is a classic sermon by Charles H. Spurgeon, first delivered on Sunday morning, January First, 1860. Bryan Nyman beautifully narrates this rendition.

None but Jesus is a classic sermon by Charles H. Spurgeon, first delivered on Sunday morning, February 17th 1861. Bryan Nyman beautifully narrates this rendition.

"Plough with an ox which will not miss a farrow." (Charles Spurgeon) "A Spur for a Free Horse" is a classic sermon by Charles Spurgeon. This audio edition is beautifully narrated by Bryan Nyman.

Awake! Awake! is a classic sermon by Charles Spurgeon, first delivered on Sunday morning, November 15, 1857. This narration is done by Bryan Nyman.

In Rightly Dividing the Word of Truth by C. I. (Cyrus Ingerson) Scofield, the author describes the distinction between many facts in the scriptures. This rendition is beautifully narrated by Bryan Nyman.

Charles Spurgeon has been called the “prince of preachers”, a man in a league of his own in 19th-century Britain. Yet in “A Pastoral Letter”, his humble tone would lead one to believe he was writing to a small congregation in a country chapel. He reflects on the highs and lows of his time in the ministry, noting that, “When I have labored most for [God’s] glory, I have feasted most on the provisions of his grace.” Spurgeon mirrors the tone of the New Testament’s epistolary books, his words full of encouragements and entreaties alike for his Christian brothers.

In this sermon, Charles Spurgeon discusses the Day of Atonement. While himself a Reformed Baptist preacher, Spurgeon respected the deep symbolism of this Jewish tradition. He carefully analyzes the parallels between the Old Testament high priest and Jesus as the High Priest, who makes the atoning sacrifice.

Charles Spurgeon was one of 19th-century Britain’s most prominent spiritual voices. In this sermon, he discusses how Christian death is always inevitable, acceptable, timely, and honorable. His analysis delves into the complex truth of Job 5:26: “Thou shalt come to thy grave in a full age, like a shock of corn cometh in his season.” Death comes to all, but Spurgeon provides comfort to those wrestling with the complicated questions surrounding it.

Considered a cornerstone of modern Christian theology, Charles Spurgeon’s All of Grace is an exploration into the way Christians envision themselves. While many people see themselves as strong, Spurgeon argues that if humans were strong there would have been no need for Jesus to have sacrificed himself. The actions of Jesus were shrouded in a love of the weakness of humanity, and to Spurgeon that truth was being further shrouded by modern pride. The book itself was a call to Christianity to look at repentance as a gift and to accept its grace into their lives.

Petty criminals Bill and Sam decide to kidnap 10-year-old Johnny for ransom money from his wealthy father. The plan turns on its head, however, when Johnny “Red Chief” Dorset decides he likes his captors better than his father.