Résultats lu par "Caroline Guthrie" dans Toutes les catégories

He buried his victim alive. And now he's escaped from prison and is on the run in the city. Fiona Henderson, the daughter of the victim who'd descended into a world of silence following her mother's murder, has gone missing. Her sister, Annabelle, scours the city in a desperate attempt to find her. And then the body of a homeless person is found among the rubbish in a deserted alleyway. As DIs Wheeler and Ross investigate, more suspicious deaths occur, and a pattern emerges.

Justine is running for her life. Escaping a city and a man, she heads north to the valleys of the Highlands. Michael and Hannah are also running, with their two sons and their tattered marriage. They are looking for somewhere they can call home. In an ancient landscape, a shocking accident causes their lives to intertwine. Tangled together in threads of guilt and love, with Scotland rushing towards a referendum and the community fracturing, they must all face their ghosts.

Philippa is a librarian from a long line of librarians. When her father dies and her mother loses her wits, Philippa tries the only language Vera understands, that of the Dewey cataloguing system, to guide her back to sanity. Starring Olivia Colman as Philippa, Sheila Reid as Vera, Caroline Guthrie as Sheila and Paul Rider as Alistair. Written by Sarah Naomi Lee. Directed by Jessica Dromgoole.

A tender and sad BBC Radio 4 comedy drama about losing your past, starring Richard Briers. The Moment You Feel It was originally broadcast as the 'Afternoon Play' on 18 May 2009. Alf's memories come in flashes with great blank holes, along with a running commentary from the voices of his past. So how does finding a strange coat in his kitchen remind Alf why he doesn't want a bath today?

Meet Martha. It's the first day of her new job as an intern at Edinburgh's The Standard. But all's not well at the ailing newspaper, and Martha is carrying some serious baggage of her own. Put straight onto the obituary page, she takes a call from a former employee who seems to commit suicide while on the phone, something which echoes with her own troubled past, setting in motion a frantic race around modern-day Edinburgh.

In Jackie Kay’s first collection of stories, ordinary lives are transformed by secrets. Her world might seem familiar – sex, death and family cast long shadows – but the roles of mothers, daughters and lovers are imagined and revealed in the most surprising of ways. Jackie Kay sees the extraordinary in everyday life, and lights it up with humour and generosity in a way that is uniquely her own.

"You can do anything if you have nothing left to lose." Struggling to come to terms with the suicide of her teenage son, Ellie lives in the shadows of the Forth Road Bridge, lingering on its footpaths and swimming in the waters below. One day she talks down another suicidal teenager, Sam, and sees for herself a shot at redemption, the chance to atone for her son's death. But even with the best intentions, she can't foresee the situation she's falling headlong into - a troubled family, with some very dark secrets of their own.

She'll find him a bride if it's the last thing she does. And it very well might be. Evangeline may be powerfully persuasive in her way, but convincing the notoriously wild Highland king Lachlan MacLeod to strengthen his alliances with a strategic marriage seems to be asking the impossible. Stubborn and proud, Lachlan seems determined to go against her will, even if it means endangering the people he's sworn to protect and the enchanted isle that has already seen so much discord. Yet the battle-scarred Highlander cannot ignore his sultry advisor for long.

Maggie Yates tells her best mate Moya everything. She tells her about Mum losing her job - how Mum’s taken to crying in secret. She even tells her about her foolproof plan to cheer Mum up: find her a fella with cash to splash. Moya’s with her every step of the way. I’ll help, she smiles. Though you're surfing a rainbow if you think someone like that exists round here. But at the back of her mind Maggie knows that Mum's crying is more than sadness. That there are no easy fixes. And that she shouldn’t be speaking to Moya any more. Because Moya died months ago.