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Ryan Sosa, grumpy former corporate accountant, has had it up to here with surprises. He didn’t see getting fired coming. And he certainly didn’t anticipate flying across the country to the world’s hippie-est, happiest, most annoying town to save his great-uncle from some mysterious emergency.

Dans l'univers hostile du Grand Nord, personne ne vous entend crier. Détective et criminologue à Lyon, Teddy Schaffran apprend que le corps de sa fille a été découvert dans une ville minière très isolée du Grand Nord québécois, Norferville. Morgane a été sauvagement mutilée, abandonnée dans la neige non loin d'une réserve autochtone. Sans réfléchir, Teddy plaque tout pour se rendre sur place, bien décidé à comprendre ce qui s'est passé.

Personne n'est assez fort pour la vivre. Personne n'est préparé à l'affronter même si chacun la désire plus que tout. La passion, la vraie. Cette histoire commence par un coup de foudre. Un homme croise le regard d'une femme et sa vie bascule. Une sensation de surprise, d'euphorie, mais bien vite l'obsession et le mal être lorsque l'autre n'est pas à vos côtés... ou ne partage pas les mêmes sentiments.

He's the star hockey player, my brother's best friend, and the boy I've been in love with since I was 7. The problem? He wants nothing to do with me. The problem? He wants nothing to do with me. Then why does he sneak into my room when I have a nightmare? Get jealous when I go on a date? And has a tattoo of my birthday on his ribs? Lucas Knight's a lot of things. He's possessive, jealous and overprotective. And he just might be in love with me. Angst-filled, heartbreaking, and kick-your-feet-in-the-air-giddy-inducing.

In the early '60s, in a seemingly more "innocent" time, a group of teenagers were lured into a supposedly haunted house. The place on Sycamore Lane has a morbid history, but that's just hearsay and rumor, isn't it?

Raised in a household so filthy it was stomach-spilling, Vera involuntarily evolved into a neat freak. Upon discovering she and her disabled husband, Daniel, are expecting, she needs fast cash. Her obsession with cleanliness sprouts the concept that her skills can be put to use in a unique way. She takes a stab at the booming door-to-door vacuum sales business of 1988. All is going well until she arrives at the steps of a house that will change her forever. The steps of an evil that resurrects the ghastly memories she so desperately tried to wash away.

Je suis anéantie, hagarde. Le néant m'a engloutie. Je n'ai que deux issues : sombrer ou me venger. Je choisis la vengeance. Pour y parvenir, je dois rencontrer le roi. Je redoute de le voir. J'ai hâte de le revoir. Et je ne devrais pas... C'est l'heure des explications, l'heure d'admettre l'inavouable, l'heure de faire des choix... Mais l'étau se resserre. Le danger plane au-dessus de nos têtes. Le compte à rebours est enclenché. Et le temps passe...

Innkeeper Eden has got it all. Well, mostly. She’s cornered the hospitality market in Blue Moon offering visitors a place to stay in her hippie-dippie hometown. Business is booming, she’s close—but not too close—to family, and she’s got her dogs and her friends to keep her company.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.

A womanizing bad boy with a motorcycle and sexy-as-sin smile is not part of Emma’s life plan. She moved cross-country to be close to family and finally settle down in hippie, trippy, nosy Blue Moon Bend. But when famed fashion photographer Niko shows up with his leather jacket, underwear-melting voice, and a problem, she sees nothing but trouble.

Nous avons été trahis. On nous a vendus et exposés à l'infamie. Nous relèverons-nous de cette nouvelle épreuve ? Après tant d'années, tant de siècles, avons-nous mérité notre sort ? Rien ne nous préparait à cela. Rien. Mais nous lutterons. Nous ferons face. Nous l'avons toujours fait... Nous sommes des immortels. Nous sommes des natifs. Nous sommes maudits. Il n'y aura que l'Amour pour nous relever. L'Amour pour nous consoler. L'Amour. Et rien d'autre. Exceptés l' espoir, Et la liberté.

As the adopted and weakest member of my pack, I’ve always been an outcast and mistreated, especially since I've never been able to shift into my animal form. Every time I try to find a way to escape my personal hell, my pack leader stops me, vowing that I'll never be free from him.

Après vingt-sept ans d'une vie passée parmi les humains, j'ai débarqué au château d'Altérac, berceau des Natifs, loin de me douter qu'une rencontre allait bouleverser mon existence à jamais... Hélas, je n'étais pas prête, je ne savais pas... J'ai pris une simple décision, que je croyais anodine sur le moment, et le destin du royaume a basculé... Le mien fut scellé. La solitude m'a terrassée. Ne dit-on pas que c'est dans les moments les plus sombres que surgissent l'espoir et la lumière ? Seul le temps pourra me le révéler.

When Cash Mayson was forced to choose between the love of his life and his unborn child, he knew exactly what he had to do…no matter how broken it left him. When Lilly Donovan was forced to accept that the guy she loved wasn’t who she thought he was and become a single mother, she knew exactly what she had to do…proving just how strong she is. But what happens when years later they find out everything they thought they knew was a lie?

Torture porn, shock-for-shock’s sake, violence that doesn’t serve the plot, and characters you hate — what was going on in the 2000s in horror cinema? And why were audiences hungry for it? Millennial Nasties takes a critical but appreciative look at an oft-ignored subset of horror. This book dissects the English-language horror films of the 2000s and the cultural events they were responding to.

Art or atrocity? Francisco Booth is an infamous photographer known for pushing boundaries, yet it’s only the boundaries he pushes away from the public eye that satisfy his macabre appetite. But when he’s gifted an antique picture frame that contains a strange stock photo, Francisco’s life is suddenly turned upside down. Each time he looks at the picture, he sees something different. As the world around him grows more frightening and absurd, he finds himself questioning his sanity. Will the beautiful woman in the frame become his ultimate prize or the instrument of his undoing?

Les surnaturels vivent parmi nous... Sorciers, loups-garous et autres créatures existent en secret au milieu des humains. C’est un équilibre précaire que l’Agence S. s’efforce de stabiliser. Mais quand des crimes défiant l’entendement surgissent, c'est à Mélyna, Isaac et Cyrus de plonger au coeur du danger. Alors qu’ils s’apprêtaient à savourer des vacances bien méritées après une nuit de folie, leur joie s’éteint face à une découverte macabre le matin venu : un message menaçant, signé d’un mystérieux ennemi.

Gordon's name was a joke. It was given to him by Anthony Zola, a controlling, and abusive father, to taunt his wife over her love of cheese, and the fact that she had been steadily gaining weight since their marriage. Andrea was a doting mother, and maybe a little overprotective of her boy, but she didn't see that as a bad thing. On discovering a secret, one the child had been told to keep to himself, everything changes. Now she must do whatever she needs to keep her, and her boy, alive. Needs must.

Ma première histoire d'amour a connu une fin tragique. Ma deuxième a commencé avec son frère. Je n'étais pas censée être sur ce toit le jour de la Saint-Valentin. Pas plus que Kellan Marchetti, le monstre désigné de l'école. Quand nous nous sommes rencontrés, nous étions sur le point de mettre fin à nos vies. D'une manière ou d'une autre, les fils en lambeaux de nos tragédies se sont emmêlés et resserrés pour former un lien improbable.

Nous sommes des natifs. Nous sommes des immortels. Nous formons une famille. Nous formons un tout. Nous avons tant souffert. Nous avons tant aimé. C'est l'épilogue pour nous. Le crépuscule de notre histoire.