Résultats lu par "Marlin May" dans Toutes les catégories

George Washington and his Continental Army braving the frigid winter at Valley Forge form an iconic image in the popular history of the American Revolution. Such winter camps, Steven Elliott tells us in Surviving the Winters, were also a critical factor in the waging and winning of the War of Independence. Exploring the inner workings of the Continental Army through the prism of its encampments, this book is the first to show how camp construction and administration played a crucial role in Patriot strategy during the war.

Smokescreen cuts through years of misunderstanding and misdirection to make an impassioned, evidence-based argument for a new era of forest management for the sake of the planet and the human race. Scientist and activist Chad T. Hanson explains how natural alarm over wildfire has been marshaled to advance corporate and political agendas, notably those of the logging industry. He also shows that, in contrast to the fear-driven narrative, contemporary research has demonstrated that forests in the US, North America, and around the world have a significant deficit of fire.

Moving backwards from the murders they committed through their adult lives, relationship histories, and childhoods, the author sought to understand what motivates the men to kill. The patterns he found reveal that the murders were neither impulsive crimes of passion nor were they indiscriminate. Why Do They Kill? is the first audiobook to profile different types of wife killers and to examine the courtship patterns of abusive men. The author shows that wife murders are not, for the most part, "crimes of passion".

The way lawyers think about the law can seem deeply mysterious. They see nuance and meaning in statutes and implications in judicial opinions that are opaque to the rest of us. Accessible and thought-provoking, Sharpening the Legal Mind explains how lawyers analyze the cases and controversies that come before the courts.

In early July 1947, something crashed outside of Roswell, New Mexico. It was not an alien spaceship, as so many believe. Rather, it was one of a handful of definitively military vehicles that were secretly test-flown in various parts of the Land of Enchantment. All of the flights ended in disaster, and particularly so for the people who were onboard the craft. Cover-stories concerning wrecked flying saucers and dead aliens were carefully created. The stories were then spread by those tasked with hiding the dark truth. The far more disturbing picture of what really happened near Roswell was cloaked for years. In fact, for decades. Until now...

It's December in Tennant Park, Colorado, and that can only mean one thing: The annual production of "A Christmas Carol" is just around the corner. The cast is abuzz, full of community-theatre veterans and fresh-faced newcomers. All in this small mountain town is merry and bright. That is, until Teena, one of the actors, makes a chilling discovery on opening night: Someone is going to murder Scrooge—or rather, the actor playing Scrooge—right on stage, in front of the entire audience.

Three generations of men gather at their family homestead in New Jersey as Franklin Bowman faces impending death. With a plan in mind, Franklin summons his son George, who faces the uncertainties of retirement, and his grandson Jack, who faces the prospect of discovering himself after being fired from his job.

At the time of the Millennium, three people struggle for survival in a small New Hampshire town as the world spins into chaos, not realizing that each harbors secrets that will eventually pit them against one another.

The movie director Paul Williams is a real-life Forrest Gump. Williams' experiences form a unique and wild constellation of encounters with star power, political power, and spiritual power, crafting a life cycle that led to fame, fortune, integrity, and anonymity.

Appalled at the carnage being wreaked on allied ships by Nazi war vessels, the movie actress Hedy Lamarr invents a device that will prevent German ships and U-boats from jamming the allied warships' radio-guided torpedoes.

No one who listen to this book will ever again think of his or her own death in the same way. The first part of the book consists of a thought-provoking essay, in which Fingarette examines the metaphors that mislead us: death as parting, death as sleep, immortality as the denial of death, and selflessness as a kind of consolation. He also thinks through some of the more illuminating metaphors: death as the end of the world for me, death as the conclusion of a story, life as ceremony, and life as a tourist visit to earth.

Schools, in order to be nimble and stay relevant and impactful, need to abandon the rigid structures designed for less dynamic times. The NEW School Rules expands cutting-edge organizational design and modern management techniques into an operating system for empowering schools with the same agility and responsiveness so vital in the business world.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.

The idea that journalism should be independent is foundational to its contemporary understandings and its role in democracy. But from what, exactly, should journalism be independent? This book traces the genealogy of the idea of journalistic autonomy, from the press freedom debates of the 17th century up to the digital, networked world of the 21st. Using an eclectic and thought-provoking theoretical framework, the authors analyze the deeper meanings and uses of the terms independence and autonomy in journalism.

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

You might feel that the 9-to-5 dream job you’ve landed is turning out to be a nightmare. You wouldn’t be alone in thinking that. The rat race of the corporate workplace is nothing short of drudgery for some, and for others it’s a total drain.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In 1875, an Irish-born Baltimore policeman, Patrick McDonald, entered the home of Daniel Brown, an African American laborer, and clubbed and shot Brown, who died within an hour. In similar cases at the time, authorities routinely exonerated Maryland law enforcement officers who killed African Americans, usually without serious inquiry. But in this case, Baltimore’s White community chose a different path. A coroner’s jury declined to attribute the killing to accident or self-defense, the state’s attorney indicted McDonald and brought him to trial, and a jury convicted McDonald.

In 1930, the Ohio Penitentiary caught fire shortly after inmates had returned to their locked cells after supper. In less than an hour, 320 men succumbed to fire and smoke in what remains the deadliest prison disaster in United States history.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.