Résultats lu par "NICHOLAS BOULTON" dans Toutes les catégories

The intrepid necromancers Bauchelain and Korbal Broach—scourges of civilization, raisers of the dead, reapers of the souls of the living, devourers of hope, betrayers of faith, slayers of the innocent and modest personifications of evil—have a lot to answer for and answer they will, but first they must lie, murder and cheat their way through three more escapades in some of the harsher fringes, deprived wastelands and impoverished communities of the Malazan Empire. Much to the shame of their long-suffering general factotum, Emancipor Reese...

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

The first three tales of Bauchelain and Korbal Broach, the famed necromancers from the Malazan Book of the Fallen, collected in one volume.

Father Ambrosio, the most pious and venerated monk in all of Madrid, is held as a paragon of virtue. But after 30 years of study and prayer, evil thoughts begin to permeate his mind. As two plots cleverly converge, torture, murder, incest, rape, poison, and magic prevail, sustained by an elegance in the writing of the 19-year-old Matthew Lewis.

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

In Clea, the concluding part of the Alexandria Quartet, Darley returns to Alexandria now caught by war-fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal - and a clarity of purpose emerges as the story moves toward its cadence.

Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on hope, happiness, and—most of all—himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people’s expectations. Then a chance encounter throws him into the path of Essex-born Darian Taylor. By his own admission, Darian isn’t the crispest lettuce in the fridge, but he makes Ash laugh, reminding him of what it’s like to step beyond the boundaries of anxiety.

After the jealous tyrant Don Rodrigo foils their wedding, young Lombardian peasants Lucia and Lorenzo must separate and flee for their safety. Their difficult path to matrimony takes place against the turbulent backdrop of the Thirty Years War, where lawlessness and exploitation are at their height. Lucia takes refuge in a convent, where she is later abducted and taken on a nightmarish journey to a sinister castle, while Lorenzo goes to Milan, where he witnesses famine, riots, and plague - all evoked through meticulous description and with stunning immediacy.

In Balthazar, the second volume in Durrell’s Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes that attempt to explain what really happened between the tempestuous Justine, her husband, Nessim, Clea the artist, and Pursewarden the writer; new figures emerge and play key roles.

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Ranulf Ombrier is notorious throughout England for his skill at swordplay and murderous reputation. But after years of doing his king's bidding, he follows his conscience away from Edward, all the way to the wilds of Wales. Gwenllian of Ruardean, Welsh daughter of a powerful Marcher lord, has every reason to leave Ranulf for dead when one of her men nearly kills him. As a girl she was married by proxy to a man Ranulf murdered, only to become a widow before she ever met her groom.

Underneath the patina of civilized society lies the Sadean demimonde: a bundle of lustful appetites fueled by momentary impulse and a desire for unfettered indulgence. And the target of this savagery: Justine de Bertole, a pious and virginal heroine. Grotesque, inhumane, and compelling, Sade’s novel overturns Rousseau’s views of the social contract, and the common trope that punishment only visits sinners, to deliver a passionate treatise on good and evil, virtue and sin.

“Wonderful reading.” —Scott Turow, #1 New York Times bestselling author of Presumed Innocent An extraordinarily accomplished debut novel—a love story, mystery, and philosophical puzzle, told in the singular voices of the residents of a Beaux Arts apartment house in Belgium during World...

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Antoine de Saint-Exupéry is known universally for the gentle charm of Le Petit Prince, but it is this book, Land of Men - known originally in English as Wind, Sand and Stars - which is his masterpiece. First published in 1939, it documents Saint-Exupéry's life as a pilot in the pioneering days of long-distance flying and in particular his experiences as a pilot transporting mail across countries, across continents.

Naples '44 is an unflinching autobiographical account of a year in Naples after the armistice and Allied landings in Sorrento in 1943. Working as a British counterintelligence officer under the Allied occupation, Lewis documents the rich pageant of life in the city and its surrounding areas. There is suffering and squalor: Criminal gangs are on the rise, along with typhus and black market commerce, and the female population is forced into part-time prostitution. But there is farce and humor, too, witnessed in the Roman uncle paid handsomely simply to appear at funerals.

He was once a legendary highwayman. Now he's a recluse in a ruined French castle, with only a half-wild wolf for a companion. When Lady Leigh Strachan comes looking for a man to aid in her revenge, she's disillusioned to find that the famed Prince of Midnight couldn't help even if he cared to - which he doesn't. S. T. Maitland wants nothing to do with his legend, or with this fierce, beautiful, broken woman... until the old thrill of living on the cutting edge of danger begins to rise in his blood again.

Brahms is one of the best loved yet most controversial of all the Romantics. Almost uniquely, his works have never suffered the slightest period of eclipse. Profoundly emotional yet governed by an iron discipline, the music, like the man, is a fascinating, entertaining, often deeply moving blend of opposites. He had a gift for friendship and a capacity for love far beyond the ordinary, yet no man could be ruder or more hurtful.